International and Area Studies Commons^™

Noktecture, Ojile Ameh Godswill

ATL

Honorable Mention

Inspired by the Nok terracotta.

What inspired you to enter this special competition to create a modern architectural language for Africa?

I am of the opinion that original African culture has not been fully portrayed especially in our Architecture, at least that is the reason we still run helter-skelter using / adopting Roman classical forms of cornices (concrete fascia), entablatures in a bit to coining ours. I believe if we could only make move to look inwards; there is richness in African originality that if harnessed would yield unfathomable impact. CPDI Africa is a platform we have craved …

The Mena, Julia Mauser, Girum Solomon, Minasie Terefe

ATL

Honorable Mention

Inspired by the art of the Konso people of Ethiopia.

What inspired you to enter this special competition to create a modern architectural language for Africa?

Our Africa is a continent with unparalleled cultural richness and stories to be told. However, what we are witnessing today is only the smallest fraction of the vast potential we have got. So much resource just sitting by, time moving fast and we seem to be stuck in the present while the whole world speeding pass by us. Instead of laying back and complaining we took it upon ourselves to do something …

Desert Wave, Omelchenko Alisa, Ksenia Bilyk

ATL

Honorable Mention

Inspired by the vernacular architecture of Northern Nigeria.

What did you find most interesting or challenging during the research and development of your prototype?

The most unexpected thing was the huge variety of African architectural typology and forms. Just like any other culture typical for certain area it has its recognizable features, but having examined it deeply we cognized its diversity.

What inspired you to enter this special competition to create a modern architectural language for Africa?

We have always been captivated by Africa’s ancient history and its authentic design, multifaceted culture and the ability to observe it …

Northern Pafta, Gebrekidan G. Debre

ATL

Honorable Mention

Inspired by the culture of the Konso people of Ethiopia.

What inspired you to enter this competition to create a modern architectural language for Africa?

For the past three years I was working on research called Ethioplugin Add-on Library at my campus (EiABC). There the objective, was digitalizing the heritages of Ethiopia such as furniture and fixtures, patterns and textures, construction details, so that they will be accessible by the professionals like interior designers, architects electronically. This made me familiar with working on cultural elements and extracting designed product out of them. I was excited (about the competition) …

Shebaxumite, Liuel Hizikias Ketema

ATL

Honorable Mention

Inspired by the Axumite people of Ethiopia.

What inspired you to enter this special competition to create a modern architectural language for Africa?

The evolution of African architecture has almost come to a standstill due to western influence. The potential of construction materials used in African designs have a far greater utility in their specific climates or natural conditions as opposed to western materials. It‘s easy to say my inspiration came from my deep passion to explore the potential of African construction materials for what they are truly worth.

What did you find most interesting or challenging during …

Tata, Tan Boon Chiou

ATL

Honorable Mention

Inspired by the vernacular architecture of the Benin people.

What inspired you to enter this special competition to create a modern architectural language for Africa?

The culturally rich and diverse nature of the African continent has always fascinated me. The long history of construction skills and know-how displayed by different ethnic groups that reflect the harmonious symphony with the various landscapes and terrains have and would continue to exert the potentials to inspire the architecture of the next generations. For example, the use of fractal geometries, which is native to various tribes of the continent, serves an important …

K'Jong, Nakimuli Thatcher, Lawrence Okoth, Brian Murungi

ATL

Honorable Mention

Inspired by the Karamojong people of Northern Uganda.

What inspired you to enter this special competition to create a modern architectural language for Africa?

Studio Manyatta was created with this very vision in mind. As a team of young designers from various design disciplines, and inspired by the Karamojong one of Africa's most intriguing cultures, we set out to explore what kind of environments Africa would have created with minimal influence from the colonization era. This competition was a chance to carry out his goal on a larger platform.

Why do you believe African homeowners will be interested …

The Ije, Izuchukwu M. Amadi

ATL

Honorable Mention

Inspired by the pyramids of Egypt.

What inspired you to enter this special competition to create a modern architectural language for Africa?

The need to promote and create an indigenous African architectural language using our local materials, methods and also to express the rich heritage of the African people both in design and life style.

What did you find most interesting or challenging during the research and development of your prototype?

The most challenging point of my research was how to use recycled pet bottle for the facade cladding in another innovative way, having used it for my …

Afar Sidama, Amanuale Brook

ATL

Honorable Mention

Inspired by the Afar and Sidama people of Ethiopia.

What inspired you to enter this special competition to create a modern architectural language for Africa?

I am interested in vernacular African architecture especially from my home region, Eastern Africa. Its obvious Vernacular architecture is dear to me. How the people have evolved from historical and diverse socio-cultural, climatic conditions and civilizations. Our built environment is a good way to appreciate our progress.

What did you find most interesting or challenging during the research and development of your prototype?

My research into how people survive in the most uninhabitable …

Assita, Jun Yanagimuro, Hayashi Yoichiro, Ignacio Darras

ATL

Honorable Mention

Inspired by the culture of the Burkina Faso.

Why do you believe African homeowners will be interested in building a home such as the one you have submitted today?

In our design, as mentioned before, we focused in one main aspect: giving new perspectives around their existing ways of constructing. We believe to have got in contact with very main aspects of their construction that needed a change and many others that didn´t so, at least for now, we gave priority to the ones we think they should be changed/improved for a better quality of living, of their …

The Irele, Adeyemi Akande

ATL

Honorable Mention

Inspired by the art and architecture of the Yoruba and Hamer people.

What inspired you to enter this special competition to create a modern architectural language for Africa?

I have been tremendously overtaken by the desire to explore a modern cultural identity and outlook for contemporary Africa. A visual identity that MUST stem out of the continent‘s deepest philosophy and interpretation of self. So to find the CPDI competition was a perfect platform for me to finally begin to articulate all the ideas I have been brewing for some time. The CPDI‘s ideology perfectly mirrored my most profound …

Cetiana, Nahom Bekele

ATL

Honorable Mention

Inspired by the people and nations of Ethiopia.

What inspired you to enter this special competition to create a modern architectural language for Africa?

This competition is a chance for young Africans to build their own future, I for that matter was highly inspired to set my footprint on the history of Africa to be made!

What did you find most interesting or challenging during the research and development of your prototype?

The biggest challenge was the availability of accurately recorded historic data. It made the research more intensive

Why do you believe African homeowners will be interested …

Fusion Point, Zuhra Zuhair

ATL

Honorable Mention

Inspired by African cultural identity and modern convenience.

What inspired you to enter this special competition to create a modern architectural language for Africa?

Architecture in Africa today is a receding echo of our heritage. Africa's history and culture is rich and diverse, yet we often live in environments with imported architecture that don't reflect Africa's heritage and our identities. Architecture is the creation of spaces subjective to context, identity and the basics of life. Through architectural design that considers Africa's cultural context, history and materiality, a comprehensive, thoughtful and sustainable architecture can be developed for Africa.

What …

The Omo, Roman Gorshkov

ATL

Honorable Mention

Inspired by the Omo River in Ethiopia.

What inspired you to enter this special competition to create a modern architectural language for Africa?

A unique opportunity to celebrate people of Africa and their culture by providing a beautiful design of their future home.

What did you find most interesting or challenging during the research and development of your prototype?

The most challenging aspect of this project, but also one of the most fascinating things was the vast diversity of different cultures and ways people live in Africa that makes it hard to design but provides an ocean of …

Tata Fu, Seni Dara

ATL

3rd Prize Winner

Inspired by the cultures of Togo and Benin, West Africa.

What inspired you to enter this special competition to create a modern architectural language for Africa?

I participated in this competition because I am a young architect trained in Africa and who has always been lead to think about the traditional African architecture. The development of local architecture has always been a major concern in my training and my career.

What did you find most interesting or challenging during the research and development of your prototype?

The most interesting was certainly the search for elements of character, …

Ifa House, Eduardo Soto

ATL

2nd Prize Winner

Inspired by the culture of the Yoruba people.

What inspired you to enter this special competition to create a modern architectural language for Africa?

The inspiration to enter the CPDI Africa 2015 competition came from the desire to learn more about my own culture and my passion for modern architectural design. My cultural heritage is a blend of Spanish, African, and indigenous Taíno races. These three races contributed to the formation and traditions of the Puerto Rican culture. The CPDI Africa 2015 competition gave me the opportunity to learn more about my African heritage while exploring modern …

The Inna, My Dao Le Hong

ATL

1st Prize Winner

Inspired by the people and culture of Mali.

What inspired you to enter this special competition to create a modern architectural language for Africa?

African architecture always inspired me with amazing earthen architecture throughout the continent. This competition is a valuable chance for me to study and understand more about the architecture of the continent, it is also a chance for me to express my ideas about modern architectural language for Africa.

What did you find most interesting or challenging during the research and development of your prototype?

The most interesting is when researching for an image …

Competition Project Brief, Cpdi Africa

ATL

Project Brief for the 2015 CPDI Africa Design Competition.

Introduction To The Special Issue, Nmadili Okwumabua

ATL

Introduction to the Special Issue of ATL on the CPDI Africa Design Competition 2015 by organizer, Nmadili Okwumabua.

Editor's Introduction, Jesse Benjamin

ATL

Editor's introduction to the inaugural issue of ATL.

Foreword, David Hughes

ATL

Foreword to ATL Volume 1, Number 1 by David Hughes, renowned architect and professor.

Full Issue - Vol. 1, No. 1 - February 2016

ATL

The full issue of ATL's inaugural special issue on CPDI Africa's 2015 Competition, featuring the prototype designs and narratives from the 25 recognized submissions, from architects and designers of all around the globe.

About The Contributors

Journal of Global Initiatives: Policy, Pedagogy, Perspective

No abstract provided.

Nabhan, Gary Paul. Cumin, Camels And Caravans. (2014). Berkeley, Ca: University Of California Press. 332 Pages. Isbn 978-0-520-26720-6 (Hardcover), M. Todd Harper

Journal of Global Initiatives: Policy, Pedagogy, Perspective

A review of Gary Paul Nabhan's Cumin, Camels and Caravans (2014).

Developing Global Perspectives In Short-Term Study Abroad: High-Impact Learning Through Curriculum, Co-Curriculum And Community, Christina M. Ferrari, Janis B. Fine

Journal of Global Initiatives: Policy, Pedagogy, Perspective

As short-term study abroad gains popularity, it is essential to examine the immediate and ongoing effects of these programs. This paper explores a two-week study abroad course for students in P-12 educational administration and higher education graduate programs. It makes valuable contributions to the limited research that exists for graduate students studying abroad and short-term study away experiences. It examines a course design utilizing the Global Perspective Inventory and high-impact learning pedagogy as derived through curriculum, co-curriculum, and community frameworks. Such a strategy aims to influence students’ decision-making processes and connect global knowledge to education’s urgent social, ethical, and civic …

Study Abroad: Essentials In Recruitment And Interdisciplinary Practice, Vanessa Robinson-Dooley, Alan Kirk, Jennifer Riapos

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Study abroad programs offer unique opportunities for students to gain valuable educational and life experience. These experiences support a well-rounded education and prepare the students to work in a more global society. Many study abroad programs are designed with undergraduates as the target audience and may not meet the academic needs or life situations of the graduate student. This paper describes the authors’ observations based on their experiences with developing and implementing study abroad programs. This writing discusses lessons learned and offers recommendations for expanding existing programs to attract graduate students.

"Facebook To Mobilize, Twitter To Coordinate Protests, And Youtube To Tell The World": New Media, Cyberactivism, And The Arab Spring, Mohamed Arafa, Crystal Armstrong

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Research on media and contentious politics in the Arab world point to the vital role that social media played in the Arab Spring. For the purposes of this article, the Arab Spring is defined as a series of demonstrations and democratic uprisings—and in the cases of Libya, Syria, and Yemen armed rebel movements—that arose independently and spread across the Arab world from Tunisia and Egypt to Yemen, Bahrain, Libya, and Syria in 2010-2011 and beyond. This article advances the theoretical assumption that while not causing the Arab uprisings, New Media (defined here as all forms of digital communication technology including …

Public Finance And Tax Equity In The Arabian Gulf Monarchies, Timothy Mathews

Journal of Global Initiatives: Policy, Pedagogy, Perspective

This study examines notions of public finance equity in the six Arabian Gulf monarchies of Bahrain, Kuwait, Oman, Qatar, Saudi Arabia, and the United Arab Emirates. Because of unique characteristics of government expenditures and revenues in these monarchies, many of the standard concepts of public finance (such as the Benefits Principle, Ability-to-Pay Principle, Vertical Equity, and Horizontal Equity) do not provide relevant insights. Consequently, four innovative notions of equity are reviewed and discussed: Within Group Horizontal Equity; Within Group Vertical Equity; Favored Group Horizontal Equity; and Favored Group Vertical Equity. Finally, these four conceptions of equity are applied to a …

Intercultural Connectivity: Intertwined Through Islamic Design, Sandra Bird

Journal of Global Initiatives: Policy, Pedagogy, Perspective

This paper is a critical inquiry examining the works of an art exhibit, Geometric Aljamia: A Cultural Transliteration, hosted during Kennesaw State University’s Year of the Arabian Peninsula. It includes a brief interdisciplinary discussion of the importance of geometry to the development of Islamic art and design. The contemporary artists who produced these works under study integrate drawing and paper-cutting techniques that display characteristics of art found throughout the Muslim world.

Ottoman Arabia And The Holy Hijaz, 1516-1918, Willaim Ochsenwald

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Governments in Arabia today usually ignore the Ottoman Empire’s history in the region, but the Ottomans from 1516 to 1918 played a key role in coastal regions, especially in the Muslim holy cities of Mecca and Medina. While Ottoman administrations intermittently ruled in Yemen and eastern Arabia, their influence was greatest in the holy Hijaz, the site of the worldwide pilgrimage. However, Ottoman rule was limited by Istanbul’s distance from Arabia. Religion played a significant role in determining the nature of Ottoman control, helping to legitimize the state among its subjects. A detailed analysis of one province, the Hijaz, with …