Nature and Society Relations Commons^™

The Rooster And The Lemon, Luis Mario Guerra, Connie M. Morey

The Goose

'The Rooster and the Lemon' is a collaborative work of critical-creative writing and photography between artists-writers Luis Mario Guerra and Connie Michele Morey. The text and image is a part of a larger body of work that emerged from a trip to Havana in December 2013 and is still in the process of unfolding through additional visual forms. The prose and photographs question the im/possibility of stasis and taxonomical containment in an ecological continuum where the processes of death and life and interdependent and imperceptibly entangled.

Indigenous Poetics In Canada Edited By Neal Mcleod, Kelly Shepherd

The Goose

Review of Neal McLeod's Indigenous Poetics in Canada.

The Lost Letters By Catherine Greenwood, Vivian M. Hansen Ms.

The Goose

Review of Catherine Greenwood's The Lost Letters.

Invisible Dogs By Barry Dempster, David Huebert

The Goose

Review of Barry Dempster's Invisible Dogs.

Outside, Inside By Michael Penny, Mark Byers

The Goose

Review of Michael Penny's Outside, Inside.

Sybil Unrest By Larissa Lai And Rita Wong, Emily Mcgiffin

The Goose

Review of Sybil Unrest by Larissa Lai and Rita Wong.

Two Poems: "Economy Class Particulate View" And "Daynotes On Fields & Forms (Flittings)", Linda Russo

The Goose

Poetry by Linda Russo.

Wildwood Illume, Purling Water, Cecily Nicholson

The Goose

Poetry by Cecily Nicholson.

Two Poems: "North" And "The Venus Flytrap", Souvankham Thammavongsa

The Goose

Poetry by Souvankham Thammavongsa.

Two Poems: "Wind Scene" And "Touch / The Radicle Thus Endowed", Julie Joosten

The Goose

Two poems by Julie Joosten.

Three Poems From "The Elder Project," Vernon School District 22, Brian Antoine, Yetko Brooke Bearshirt-Robins, John (Wilke) Louis, Lindsy Oppenheimer, Vicky Raphael, Lenaya Sampson

The Goose

Poetry by Vernon School District secondary students and their elders, in collaboration with The Elder Project organized by Wendy Morton and Sandra Lynxleg.

Sonaranos Refractions, Kathleen Brown

The Goose

Poetry by Kathleen Brown.

Expanding The Circle: New Poets To The Goose, Sonnet L'Abbé

The Goose

An introduction to the poets whose work appears in The Goose for the first time in this issue.

Wild Life, Jordan Abel

The Goose

Poetry by Jordan Abel. This poem is composed from 91 public domain Western novels that are freely available on Project Gutenberg. In total, the source text is over 10,000 pages long and is authored by 20 different writers. When all of the novels were searched simultaneously, there were 41 instances of the phrase "wild life." The resulting poem provides a contextual space where the language of a single word or phrase can be read.

Brilliant Falls By John Terpstra And Placeholder By Charmaine Cadeau, Matthew Zantingh

The Goose

Review of Brilliant Falls by John Terpstra and placeholder by Charmaine Cadeau.

Ocean By Sue Goyette And Timely Irreverence By Jay Millar, Chad Weidner

The Goose

Review of Ocean by Sue Goyette and Timely Irreverence by Jay MillAr.

The Lease By Mathew Henderson, Jon Gordon

The Goose

Review of The Lease by Mathew Henderson.

Everything, Now By Jessica Moore And Birds, Metals, Stones & Rain By Russell Thornton, Kelly Dean Shepherd

The Goose

Review of Everything, Now by Jessica Moore and Birds, Metals, Stones & Rain by Russell Thornton.

X: Poems & Anti-Poems By Shane Rhodes, Tom Miller

The Goose

A review of Shane Rhodes' X: Poems & Anti-Poems. This review focuses on the link between language and landscape, and considers the ways in which that link, reflected in Rhodes' work, comments upon the use of language as an oppressive tool in the treatment of Native Americans and Canadians.

The World Is White And Slow And Infinitely Flat, Rob Baum

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Eco-feminism, cultural study and the environment coalesce in the form of poetic cultural commentary, originally fieldnotes. I draw exclusively from my years in the Alaskan Arctic among the Iñupiat Eskimo, who call themselves "the People of the Whale." The striking and severe natural environment, a landscape of endless ice, is central to the poetry, which richly portrays a vision of the Arctic absent from tourist travel guides, National Geographic and anthropological volumes. These magazines vend the Far North's beautiful austerity, including at times the physical beauty of its animal inhabitants, including humans, while disregarding human specificity and violence …