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Full-Text Articles in Political Economy
Mcdonald’S And Samoan Youth: A Case Study Of Globalization, Anna Schechter
Mcdonald’S And Samoan Youth: A Case Study Of Globalization, Anna Schechter
Independent Study Project (ISP) Collection
The topics of change, development and globalization are extremely pertinent to modern-day Samoa. The past ten years have lead to a vast increase in the inter-connectedness of Samoa to the world economically, socially, and culturally. This paper uses McDonald’s as a representation of the globalization occurring in Samoa in order to better understand the real impacts of these abstract terms. Samoan youth act as a medium in which to explore this topic. They are often the most attune to the impacts of globalization and perhaps even act as a catalyst for change. Thus this paper explores, specifically, the relationship between …
The Narratives Of Cyberspace Law (Or, Learning From Casablanca), Michael J. Madison
The Narratives Of Cyberspace Law (Or, Learning From Casablanca), Michael J. Madison
Articles
Cyberspace scholars have wrestled extensively with the question of the "right" metaphorical approach to the Internet, in order to guide legal and policy decisions. Literary theorists have wrestled with the perception that cyberspace undermines conventional ideas about narrative. This Essay suggests that each group could learn from the other. Cyberspace tells a better story than literary scholars believe, and the lawyers should pay more attention to the narrative attributes of cyberspace. To illustrate the argument, the Essay proposes a specific story framework for cyberspace: the film Casablanca.
Where Does Creativity Come From? And Other Stories Of Copyright, Michael J. Madison
Where Does Creativity Come From? And Other Stories Of Copyright, Michael J. Madison
Articles
This Commentary on Lydia Pallas Loren, Untangling the Web of Music Copyrights, 53 Case W. Res. L. Rev. 673 (2003), observes that debates over a variety of copyright law issues can be - and in fact, often are - structured in narrative terms, rather than in terms of doctrine, policy, or empirical inquiry. I suggest a series of such narratives, each framed by a theme drawn from a feature film. The Commentary suggests that we should recognize more clearly the role of narrative in intellectual property discourse, and that intellectual property narratives should be examined critically.