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2004

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Articles 31 - 35 of 35

Full-Text Articles in Speech and Rhetorical Studies

Back Cover Jan 2004

Back Cover

Basic Communication Course Annual

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Performance As Ministry: An Ethnographic Study Of Three Christian Repertory Theatre Troupes, Webster Ford Drake Jan 2004

Performance As Ministry: An Ethnographic Study Of Three Christian Repertory Theatre Troupes, Webster Ford Drake

LSU Doctoral Dissertations

This work seeks to define, explain, and place into historical and social context the phenomena of Christian Repertory Theater (CRT). It does so by examining three CRT troupes: Acts 2 from Nashville, TN, sponsored by Two Rivers Baptist Church; The Company from Fort Worth, TX, sponsored by Southwestern Baptist Theological Seminary; and Gen X from Clinton, MS, which operated independent of external support . Ethnographic fieldwork was the primary vehicle of information-gathering in this case study analysis. The author experienced each group as either a participant-observer, observer, and/or interviewer. CRT was ultimately defined as an activity wherein a constituted group …


The Changing Identity Of Feminism In The Third Wave: A Critical Analysis, Jillian Marie Klean Jan 2004

The Changing Identity Of Feminism In The Third Wave: A Critical Analysis, Jillian Marie Klean

Masters Theses

This thesis examines three texts: Three Black Skirts, The Vagina Monologues, and The Art and Power of Being a Lady to discover the changing identities of women in the third wave movement of feminism. A rhetorical criticism is conducted of the images of feminism put forth by the texts to discover the identities that the authors are advocating and advancing for third wave feminists. This thesis argues that the multiple identities found in these texts are essential to the feminist movement. This thesis also explores the tension between individualism and community in the third wave.


Performing Masculinities: U.S. Representations Of The Male Body In Performance Art Monologues, Darren C. Goins Jan 2004

Performing Masculinities: U.S. Representations Of The Male Body In Performance Art Monologues, Darren C. Goins

LSU Doctoral Dissertations

In this study, I describe and analyze the masculinities constructed in four performance art monologues staged in the US on Broadway. I examined Whoopi Goldberg’s 1984 performance Whoopi Goldberg Live, Lily Tomlin’s 1987 performance in Jane Wagner’s The Search for Signs of Intelligent Life in the Universe, Eric Bogosian’s 1990 performance Sex, Drugs, Rock & Roll, and John Leguizamo’s 1998 performance Freak: A Semi-Demi-Quasi-Pseudo Autobiography. My method of analysis is a critical interpretation incorporating the lenses of Robert Connell and Victor Seidler. It is grounded in a social-cultural perspective using Arthur W. Frank’s “sociology of the body.” By means of …


Flesh And Spirit Onstage: Chronotopes Of Performance In Medieval English Theatre, Gregory Lee Cavenaugh Jan 2004

Flesh And Spirit Onstage: Chronotopes Of Performance In Medieval English Theatre, Gregory Lee Cavenaugh

LSU Doctoral Dissertations

This study uses Mikhail Bakhtin's chronotope, which is the informing principle of one's experience of space and time, to explore different relations among space, time, actors, and audience in medieval theatre. Relations between the material and spiritual worlds as understood in the Middle Ages are considered in the context of relations between performers and audience members with two goals. First, I explore how the ontological status of the metaworld created through performance changed in the context of specific chronotopes. Second, I explore how diverse religious discourses affected medieval modes of representation. This study posits three chronotopes of performance informing medieval …