Gender, Race, Sexuality, and Ethnicity in Communication Commons^™

Black And White On Black: Whiteness And Masculinity In The Works Of Three Australian Writers - Thomas Keneally, Colin Thiele, And Patrick White., Matthew Israel Byrge

Electronic Theses and Dissertations

White depictions of Aborigines in literature have generally been culturally biased. In this study I explore four depictions of Indigenous Australians by white Australian writers. Thomas Keneally's The Chant of Jimmie Blacksmith (1972) depicts a half-caste Aborigine's attempt to enter white society in a racially-antipathetic world that precipitates his ruin. Children's author Colin Thiele develops friendships between white and Aboriginal children in frightening and dangerous landscapes in both Storm Boy (1963) and Fire in the Stone (1973). Nobel laureate Patrick White sets A Fringe of Leaves (1976) in a world in which Ellen Roxburgh's quest for freedom comes only through …

Film Review: Masculinity & Interracial Intimacy In 'Star Trek' And 'Gran Torino', Adrienne D. Davis

Scholarship@WashULaw

Race has long been a central object of political reflection. The salience of racial difference remains hotly debated, figuring in both “utopian” and “dystopian” visions of America’s political future. If race is a primary configuration of “difference” and inequality in the nation, then intimacy between the races is often construed as either a bellwether of equality and political utopia or a re-inscribing of political dominance, typically represented as sexual predation by men against women. Quite expectedly, these political fantasies and fears are often played out at the multiplex, and we can see them in stark relief in two recent films …

Marketing Under Feminist Scrutiny, Andrew Harris

XULAneXUS

At first glance, an ad in a magazine may appear harmless when left critically unexamined, but when studied closely, patterns start to arise that express male dominance which habitually goes unnoticed because male dominance has long been taken for granted. Laura Mulvey writes on phallocentrism in her essay entitled “Visual Pleasure and Narrative Cinema” and explains how to recognize the distinction between men and women in popular media. The most dominant theme in her essay is that marketers depict female characters so they seem like man’s opposite, suggesting that women only exist when defined by their “castration” or penislessness. This …

See Me, Touch Me, Feel Me':(Im)Proving The Bodily Sense Of Masculinity, Marc Ouellette

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Ultimately, this paper stems from two cultural strands which intersect in one cultural form, self-improvement advertising aimed at men. The first of these is the figure of the new man, which appeared in the mid-1980s. The novelty lies in the positioning of masculine bodies precisely for the purpose of being seen. The available criticism was not equipped to account for these positionings. The second cultural strand, the proliferation of technologies which alter the body itself, as opposed to its coverings, makes the gap in the criticism more apparent. The two cultural trends intersect most noticeably in the advertisements …