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Articles 61 - 67 of 67
Full-Text Articles in Gender, Race, Sexuality, and Ethnicity in Communication
Media Dan Identitas: Cultural Imperialism Jepang Melalui Cosplay (Studi Terhadap Cosplayer Yang Melakukan Crossdress), Ranny Rastati
Media Dan Identitas: Cultural Imperialism Jepang Melalui Cosplay (Studi Terhadap Cosplayer Yang Melakukan Crossdress), Ranny Rastati
JURNAL KOMUNIKASI INDONESIA
Tulisan ini membahas mengenai bagaimana peran media dalam membentuk identitas cosplayer dan bagaimana identitas cosplayer yang melakukan crossdress. Penelitian ini merupakan penelitian kualitatif, menggunakan paradigma critical-constructionism, metode studi kasus dengan teknik pengumpulan data melalui wawancara mendalam, observasi langsung, dan observasi terlibat. Konsep yang digunakan adalah konsep budaya populer termasuk di dalamnya cosplay yang merupakan salah satu bentuk soft power Jepang untuk menyebarkan budayanya ke seluruh dunia. Selain itu dilihat juga bagaimana peran media dalam pembentukan identitas, konsep identitas, konsep anak muda, serta gender dalam pakaian dan fesyen. Berdasarkan analisis yang telah dilakukan, ditemukan bahwa identitas seorang cosplayer dipengaruhi oleh media, …
Fashioning The Self: Performance, Identity And Difference, Jessica L. Neumann
Fashioning The Self: Performance, Identity And Difference, Jessica L. Neumann
Electronic Theses and Dissertations
This thesis project will examine cultural and rhetorical communication studies to determine how these modes of analysis can be compared with interdisciplinary literature to better understand the role fashion plays within everyday performances and the shaping of identity. Criticisms by second-wave feminist scholars have focused on the fashion industry's overarching male influence; in more recent scholarship, feminist academics have often considered an affinity for fashion to be un-feminist and oppressive. I argue that fashion can instead be viewed as a tool for female agency and expressing individuality, rather than just a mode for reinforcing gendered norms. Using feminist rhetorical analysis …
Creating And Responding To The Gen(D)Eralized Other: Women Miners’ Community-Constructed Identities, Kristen Lucas, Sarah J. Steimel
Creating And Responding To The Gen(D)Eralized Other: Women Miners’ Community-Constructed Identities, Kristen Lucas, Sarah J. Steimel
Department of Communication Studies: Faculty Publications
An analysis of interviews with mining families reveals that gender identity construction is a collaborative process that draws upon broader community discourses. Male miners and non-mining women created a generalized other for women as "unfit to mine" (i.e., women are physically too weak to mine, are easy prey, and are ladies who do not belong in the mines). Female miners responded with gendered discourses that distanced themselves from and linked themselves to the generalized other.
Communicating Queer Identities Through Personal Narrative And Intersectional Reflexivity, Richard G. Jones, Jr.
Communicating Queer Identities Through Personal Narrative And Intersectional Reflexivity, Richard G. Jones, Jr.
Electronic Theses and Dissertations
There is currently a lack of intersubjective research involving human participants and conceptual frameworks that include queer theory. Queer theory's poststructuralist epistemology tends toward desubjectification, problematizing research that relies on participants' self-reports of lived experience. The author proposes that the interdisciplinary nature of Communication Studies, which is situated within the humanities and social sciences, leaves communication scholars well poised to contribute to ongoing metatheoretical and metamethodological conversations regarding queer theory and intersubjective research, particularly in relation to cultures and identities. To contribute to this scholarly conversation, the author utilizes the deconstructionist lens of queer theory to contextualize communication, employs personal …
Family Legacies: Constructing Individual And Family Identity Through Intergenerational Storytelling, Blair Thompson, Jody Koenig Kellas, Jordan Soliz, Jason Thompson, Amber Epp, Paul Schrodt
Family Legacies: Constructing Individual And Family Identity Through Intergenerational Storytelling, Blair Thompson, Jody Koenig Kellas, Jordan Soliz, Jason Thompson, Amber Epp, Paul Schrodt
Department of Communication Studies: Faculty Publications
The current study focused on discovering the ways in which the intergenerational transmission of family legacy stories both enables and constrains individual family members’ sense of their own identities. Using semistructured interviews, 17 third-generation family members identified a multitude of both positive and negative family legacies. Both positive and negative legacies were influenced by the storytelling context. Positive legacies portrayed families as hardworking, caring, and cohesive while negative legacies were more idiosyncratic. Individual family members typically responded to their family legacies by embracing the positive and rejecting the negative. However, individuals’ responses also pointed to additional complexities in accepting or …
Autotopography: Graffiti, Landscapes, & Selves, Deirdre Heddon
Autotopography: Graffiti, Landscapes, & Selves, Deirdre Heddon
Reconstruction: Studies in Contemporary Culture
[First paragraph]
For some time now I have been interested in autobiographical performance -- some form of the theatrical, in which performers explicitly use personal material in their work. Within this general field of autobiography and performance, one area of research concerns performances that are dependent on being located in personalised space -- what could be called, then, site-specific autobiographical performance. A recent example of this would be the performance Bubbling Tom (2000), by the UK based performer Mike Pearson, which saw Pearson return to the village of his childhood, to reflect upon and re-enact certain memories, events and persons …
See Me, Touch Me, Feel Me':(Im)Proving The Bodily Sense Of Masculinity, Marc Ouellette
See Me, Touch Me, Feel Me':(Im)Proving The Bodily Sense Of Masculinity, Marc Ouellette
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Ultimately, this paper stems from two cultural strands which intersect in one cultural form, self-improvement advertising aimed at men. The first of these is the figure of the new man, which appeared in the mid-1980s. The novelty lies in the positioning of masculine bodies precisely for the purpose of being seen. The available criticism was not equipped to account for these positionings. The second cultural strand, the proliferation of technologies which alter the body itself, as opposed to its coverings, makes the gap in the criticism more apparent. The two cultural trends intersect most noticeably in the advertisements …