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Critical and Cultural Studies Commons™

Open Access. Powered by Scholars. Published by Universities.®

2013

Gender, Race, Sexuality, and Ethnicity in Communication

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

Articles 1 - 5 of 5

Full-Text Articles in Critical and Cultural Studies

Damsels And Heroines: The Conundrum Of The Post-Feminist Disney Princess, Cassandra Stover Mar 2013

Damsels And Heroines: The Conundrum Of The Post-Feminist Disney Princess, Cassandra Stover

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

This research explores cultural shifts in the popularity of the Disney princess in American culture, especially its postmodern resurgence, as well as the complex relationship between Disney’s recent representations of women in the 1990’s and post-feminist ideology. My project begins by analyzing the historic appearance of the Disney female in relation to the women’s movements. I also examine lingering anti-feminist backlash in representations of what I call “New Wave” Disney heroines. Finally, I examine the implications of post-feminist discourse and advertising for young female viewers.

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Re-Masculating The Vampire: Conceptions Of Sexuality And The Undead From Rossetti's Proserpine To Meyer's Cullen, Emily Schuck Mar 2013

Re-Masculating The Vampire: Conceptions Of Sexuality And The Undead From Rossetti's Proserpine To Meyer's Cullen, Emily Schuck

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

This paper explores the relationship between sexuality and the undead from Victorian England to present day vampire narratives. Specifically, I examine the shift in the vampire narrative from the frightening Dracula to the extremely sexualized nature of vampires in the early twenty-first century. My results are concerned with the nature and exchange of fluids between vampire bodies and their victims (or lovers) and the power associated with that exchange. My conclusion implies that re-masculating the vampire is a return to a patriarchal dominant discourse promulgates the heteronormative status quo, unlike their early predecessors, which tend to undermine heteronormative sexuality.

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Chicana Aesthetics: A View Of Unconcealed Alterities And Affirmations Of Chicana Identity Through Laura Aguilar’S Photographic Images, Daniel Perez Mar 2013

Chicana Aesthetics: A View Of Unconcealed Alterities And Affirmations Of Chicana Identity Through Laura Aguilar’S Photographic Images, Daniel Perez

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

In this paper I will argue that Chicana feminist artist Laura Aguilar, Alma Lopez, Laura Molina, and Yreina D. Cervantez established a continuing counter-narrative of cultural hegemony and Western essentialized hegemonic identification. Through artistic expression they have developed an oppositional discourse that challenges racial stereotypes, discrimination, socio-economic inequalities, political representation, sexuality, femininity, and hegemonic discourse. I will present a complex critique of both art and culture through an inquiry of the production and evaluation of the Chicana feminist artist, their role as the artist, and their contributions to unfixing the traditional and marginalized feminine. I argue that third wave Chicana …

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A Christian Understanding Of Aesthetic Agency: A Theological Framework Of Resistance To Cultural Imperialism, Elise Edwards Mar 2013

A Christian Understanding Of Aesthetic Agency: A Theological Framework Of Resistance To Cultural Imperialism, Elise Edwards

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

Aesthetic agency refers to conditions, capacities, and states that inform artistic forms of acting and exerting power on social structures. In resistance to the marginalization of women of color, aesthetic agency is exercised through creative acts of culture-making and critique of such practices to challenge domination and representation of the oppressed other. To support this work as a feminist Christian ethicist, I construct a theological framework for aesthetic agency. This paper proposes a theological understanding of transformative aesthetics and then describes the exercise of aesthetic agency for Christian communities by using a television special, Black Girls Rock! as an example.

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Beauty-Ful Inferiority: Female Subservience In Disney’S Beauty And The Beast, Jeremy Chow Mar 2013

Beauty-Ful Inferiority: Female Subservience In Disney’S Beauty And The Beast, Jeremy Chow

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

The ubiquity of Disney movies has certainly transformed the American cultural landscape. The Disney zeitgeist manifests itself as generations of children actively seek Prince Charmings, unrealistic fairy tale relationships and the omnipotent, happily-ever-after. One such Disney favorite, Beauty and the Beast (1991), reveals typical Disney themes such as the power of altruism, the transformation of the anthropomorphic, and the catharsis of true love. Yet, under these benevolent-seeming Disney themes lurk more sinister, subliminal messages. Beauty and the Beast promotes female subservience and subjugation in addition to the glorification of abusive relationships. Belle, the female protagonist, embodies these gendered disparities and …

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