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Critical and Cultural Studies Commons™
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Full-Text Articles in Critical and Cultural Studies
Re-Masculating The Vampire: Conceptions Of Sexuality And The Undead From Rossetti's Proserpine To Meyer's Cullen, Emily Schuck
Re-Masculating The Vampire: Conceptions Of Sexuality And The Undead From Rossetti's Proserpine To Meyer's Cullen, Emily Schuck
LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University
This paper explores the relationship between sexuality and the undead from Victorian England to present day vampire narratives. Specifically, I examine the shift in the vampire narrative from the frightening Dracula to the extremely sexualized nature of vampires in the early twenty-first century. My results are concerned with the nature and exchange of fluids between vampire bodies and their victims (or lovers) and the power associated with that exchange. My conclusion implies that re-masculating the vampire is a return to a patriarchal dominant discourse promulgates the heteronormative status quo, unlike their early predecessors, which tend to undermine heteronormative sexuality.
Satanic Indifference And Ultimate Reality, Brian J. Reis
Satanic Indifference And Ultimate Reality, Brian J. Reis
LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University
Satan has captured the imagination of writers in the English language for centuries. This figure and the notion of evil have gone through many changes in English literature of the 19th and 20th centuries. Something changed Satan during this time, and made him into an arbiter of truth rather than a figure of rebellion. In The Mysterious Stranger, Mark Twain used him as the grand narrator of the universe who explains the truth of all existence, that life is an illusion. The American horror author H.P. Lovecraft carried this one step further, using Rudolf Otto's mysterium horrendum to divest Satan …
Manifest Content Without A Dreamer: A Freudian Analysis Of Percival Everett’S Erasure, Irene Rose De Lilly
Manifest Content Without A Dreamer: A Freudian Analysis Of Percival Everett’S Erasure, Irene Rose De Lilly
LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University
This paper will provide a Freudian analysis of Erasure in order to prove that Everett is, in fact, the two main characters he has created, as well as attempt to challenge the stigma of interpreting through a psychoanalytical lens, rather than treating writing and literature as manifest content without a dreamer.