Critical and Cultural Studies Commons^™

El Vínculo Entre El Arte, La Política Y El Espacio Público: Una Investigación De Colectivo El Muro Cusco Y Su Resistencia Contra Poder Estatal Y La Censura Del Espacio, Stella Gould

Independent Study Project (ISP) Collection

El Colectivo El Muro Cusco es un colectivo libertario y autogestionado dedicado al apoyo a las luchas sociales y al intercambio de información alternativa. Activo durante los últimos 20 años, El Muro,1 como se le conoce coloquialmente, ha sido un proveedor de la verdad en Cusco, utilizando el arte y la protesta para expresar descontento con las injusticias perpetuadas por el gobierno peruano. Utilizando el muro del Paraninfo Universitario de la UNSAAC ubicado en la Plaza de Armas de Cusco como su centro focal, el Colectivo utiliza el espacio como galería de arte y lugar de exposición, pero también como …

La Construcción De Espacios Para La Memoria: El Rol De Los Actores En Tres Ex Centros Clandestinos De La Ciudad De Buenos Aires, Quentin Bernhard

Independent Study Project (ISP) Collection

En esta investigación, cuento la historia como espacios de memoria de tres ex centros clandestinos en la ciudad de Buenos Aires y noto aspectos importantes de ellos que me conocí a través de entrevistas con trabajadores en los sitios en visitas ambas formales y informales. Analizo el rol de los actores sociales como el gobierno, el barrio y los visitantes en el funcionamiento de cada sitio, y a partir de eso exploro la identidad única de cada uno y cómo construyen la memoria por medio del espacio de memoria.

Este trabajo se base en parte en la cantidad de obras …

Rebuilding Tunisia, One Artist At A Time, Caitlin Kelley

Independent Study Project (ISP) Collection

This paper argues that Tunisia’s engaged artists are playing a key role in the development of Tunisian civil society and democracy. The bulk of the research is in the form of interviews with five Tunisian artists. Each artist is actively engaged in the project of building a stronger, more democratic society. Through their art, they exercise and protect the political rights won in the 2011 revolution. These artists resist censorship, powerfully and loudly exercise their right to free speech, and help Tunisian society envision a better future for itself. The five artists interviewed for this research represent the type of …

Transmitiendo La Identidad: Revalorización Sociopolítica Del Kichwa Por Los Medios De Comunicación \ Transmitting Identity: Sociopolitical Revaluation Of The Kichwa By The Media, Abi Mcdougal

Independent Study Project (ISP) Collection

Este Proyecto de Estudio Independiente considera cómo los medios de comunicación kichwas están involucrados en la conciencia sociopolítica indígena. Establece una historia de la opresión lingüística hacia los kichwa; provee un marco conceptual de los espacios de uso sociolingüísticos en la diglosia; e introduce el tema de los medios de comunicación kichwas, localizados en Otavalo y los pueblos de Imbabura cercanos. Presenta la información primaria sobre los medios de comunicación, obtenida a través de entrevistas, diálogos informales, observación enfocada y participante, y una encuesta pública en Otavalo. Considera el radio, lo audiovisual, y publicaciones escritas, a través de unas organizaciones …

Los Nuevos Actores Políticos De La Izquierda Chilena Y El Cambio Al Sistema Político, Henry Manning

Independent Study Project (ISP) Collection

Chile's political system is in a state of flux. Between 2011 and 2013, student protests and other movements spread across the nation, enflaming latent resentment of the political institutions and demanding that the government respond to society's problems. But despite this nearly unanimous public mandate, the political coalitions that control Chile have done little to temper the harsh neoliberal system, opting instead to go on serving the business and elite interests that profit from the country's extreme inequality. In this context of dramatic disaffection with the powers that be, a group of new political actors have emerged from the student …

Una Mueca Irónica: !El Travestismo Como Recurso Artístico De Las Yeguas Del Apocalipsis / An Ironic Grin: ! Cross-Dressing As An Artistic Resource Of The Apocalypseof The Yeguas, Sophia Cantizano

Independent Study Project (ISP) Collection

The Yeguas del Apocalipsis (Mares of the Apocalypse), were an art collective consisting of two men, Pedro Lemebel and Francisco Casas, who revolutionized the way transvestism was used in performance art. Active between 1988 and 1997, the Yeguas lit the way out of the dictatorship and into the post-regime transition period. For this reason, the context in which Lemebel and Casas made their art was more conducive to their own open criticism and explicit commentary of the political and social landscape, than that of the performance artists who functioned during the authoritarian dictatorship itself. This gave the Yeguas’ performances a …

To Vote Or Not To Vote: Youth Political Agency In Post-Revolutionary Tunisia, Sarah Dickson

Independent Study Project (ISP) Collection

In the wake of the Tunisian Revolution, young people in Tunisia have become very interested in politics. For some young people, this excitement has resulted in positive feelings about voting. For others, voting is not seen as an effective way to express political agency. This paper will analyze field research conducted by the author with young Tunisians in order to better understand Tunisian youth attitudes towards voting, and explore various interpretations of political agency. This paper will ask the fundamental questions: why didn’t revolutionary activism translate to voting for more young Tunisians, especially as they continue to express interest in …

Death Squads And Diplomacy: An Investigation Of British Attitudes Towards Sectarian Assassinations In The 1970’S, Hannah Nelson

Independent Study Project (ISP) Collection

I conducted my research for this paper during a three-­‐week internship at the Pat Finucane Center in Derry. I gathered evidence from a series of declassified British government documents provided to me by the center. I focus my study on the British government’s attitude towards sectarian assassinations, particularly committed by loyalist paramilitaries, in the first part of the 1970’s. I examine the issues of responding to international pressure, framing the problem, evaluating security force effectiveness, and screening strategies. I find that in the public sphere, the British government hid information to downplay the severity of loyalist-­‐led murder campaigns and instigated …

Post-Revolutionary Effects: Political Self-Education Of Tunisian Youth, Erica Zarlenga

Independent Study Project (ISP) Collection

Tunisia is a country with a rich and diverse historical and cultural background that has absorbed many ideas from western thought into its political and educational systems. For many years, the Tunisian “Republic” had the appearance of a government similar to Western democracies, yet the president’s actions were very far from those of a democratically elected president. The flaws in former president Zine El Abidine Ben Ali (Ben Ali)’s government in addition to sweeping unemployment and underdevelopment were the factors which led to the major uprising that became the Tunisian revolution. Although the revolution was a great symbolic victory for …

Zenga Zenga, Tente Tente: Can Tunisian Humanitarian Efforts Save And Preserve The Ideals Of The Revolution?, Ava Hess

Independent Study Project (ISP) Collection

“We are a part of the revolution, even if we are five or six hundred kilometers from Tunis, ” though the muggy tent I am sitting in feels like it could be much further than several hundred kilometers from the country’s capital or indeed from any city of today’s world. In fact, my mind wanders in a heat haze, it feels like it could even be on a different planet… “We are a part of it,” he repeats. Outside, I can hear the determined desert winds raise sand high up and into the clouds, covering the landscape in a filmy, …