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Articles 1 - 8 of 8
Full-Text Articles in Critical and Cultural Studies
Sport And Film (Routledge, 2013), Seán Crosson Dr.
Sport And Film (Routledge, 2013), Seán Crosson Dr.
Seán Crosson
The sports film has become one of commercial cinema's most recognizable genres. From classic boxing films such as Raging Bull (1980) to soccer-themed box-office successes like Bend it Like Beckham (2002), the sports film stands at the interface of two of our most important cultural forms. This book examines the social, historical and ideological significance of representations of sport in film internationally, an essential guide for all students and enthusiasts of sport, film, media and culture. Sport and Film traces the history of the sports film, from the beginnings of cinema in the 1890s, its consolidation as a distinct fiction …
Sport And The Media In Ireland: An Introduction, Seán Crosson Dr., Philip Dine
Sport And The Media In Ireland: An Introduction, Seán Crosson Dr., Philip Dine
Seán Crosson
[Introduction to Media History Special Issue on Sport and the Media in Ireland]. The symbiotic relationship that has existed since the mid-nineteenth century between sport and the media - from the popular press, through newsreels and radio, to television, and beyond - is so well established as hardly to require comment. However, the very familiarity of this long and successful marriage should not blind us to its abiding, and abidingly remarkable, affective power, both for individuals and for communities, real and ‘imagined’, of all kinds. We may thus legitimately pause to reflect on the key role played by the media …
“Croke Park Goes Plumb Crazy”: Pathé Newsreels And Gaelic Games, 1920-1939, Seán Crosson Dr., Dónal Mcanallen Dr.
“Croke Park Goes Plumb Crazy”: Pathé Newsreels And Gaelic Games, 1920-1939, Seán Crosson Dr., Dónal Mcanallen Dr.
Seán Crosson
(Co-written with Dónal McAnallen) From the establishment of the Irish Free State in 1922, and over the next two decades, arose great efforts in Ireland to augment political independence from Britain with enhanced cultural separation. During this period the Gaelic Athletic Association (GAA) enjoyed a boom in numbers of players and supporters, thus confirming hurling and Gaelic football as the definitively Irish national games and the association itself as the most popular mass movement for the expression of independent Irish identity. Yet paradoxically, given the popular association of Gaelic games with Irish independence, nearly all footage of these games from …
Contemporary Irish Film: New Perspectives On A National Cinema, Seán Crosson Dr., Werner Huber
Contemporary Irish Film: New Perspectives On A National Cinema, Seán Crosson Dr., Werner Huber
Seán Crosson
The unprecedented economic growth and immigration that Ireland experienced between 1995 and 2007 did not only challenge national but also ethnic, social, and gender identities. The contributions to this volume explore how films tackle these challenges and help to make sense of Ireland’s altered position in a globalised world. Among the films discussed are some of the most critically acclaimed Irish films of recent years, including Once (2006), Adam & Paul (2004), Garage (2007), and The Secret of Kells (2009), as well as the work of Oscar-winning director and writer Neil Jordan. The volume is completed by an extensive interview …
Irish Intolerance: Exploring Its Roots In Irish Cinema, Seán Crosson Dr.
Irish Intolerance: Exploring Its Roots In Irish Cinema, Seán Crosson Dr.
Seán Crosson
This article examines the depiction of intolerance in Irish film just before and during the Celtic Tiger period itself, usually associated with the years 1995–2007. In particular, the paper is concerned with exploring how Irish filmmakers sought to identify the roots of contemporary racism through an exploration of intolerance in Ireland’s past and towards long-resident minorities within Irish society, including the Traveller community and homosexuals. Films considered in this analysis include Korea (Cathal Black, 1995), A Man of No Importance (Suri Krishnama, 1995), Broken Harvest (Maurice O’Callaghan, 1995), The Last of the High Kings (David Keating, 1996), The Last Bus …
Exploring European Sporting Identities: History, Theory, Methodology, Seán Crosson Dr., Philip Dine
Exploring European Sporting Identities: History, Theory, Methodology, Seán Crosson Dr., Philip Dine
Seán Crosson
This collaborative study (an introduction to the collection Sport, Representation, and Evolving Identities in Europe) is intended to contribute to the ongoing elucidation of the role of sport in the processes of identity construction in contemporary societies, including an overview of its historical development and the major theoretical and methodological approaches to the examination of sport. Since the pioneering work of Eric Hobsbawm and Terence Ranger on ‘the invention of tradition’ (1983), and Benedict Anderson on ‘imagined communities’ (1983), modern games have regularly been identified as a core component in the construction of Europeans’ individual and communal senses of self, …
The Quiet Man ... And Beyond: Reflections On A Classic Film, John Ford And Ireland, Seán Crosson Dr., Rod Stoneman
The Quiet Man ... And Beyond: Reflections On A Classic Film, John Ford And Ireland, Seán Crosson Dr., Rod Stoneman
Seán Crosson
In 1996, The Quiet Man topped an Irish Times poll for the best Irish film of all time. Almost ten years later, with many more Irish (and Irish-themed) films made, The Quiet Man still occupied number four in a poll of 10,000 people across Ireland. John Ford's greatest commercial success, the film also set a template for Ireland's representation, and promotion, for over half a century. This book, The Quiet Man ... and Beyond, involves both critical analysis of aspects of The Quiet Man as myth, commodity and fetish and the celebration of a film that has sustained considerable academic …
Gaelic Games And “The Movies”, Seán Crosson Dr.
Gaelic Games And “The Movies”, Seán Crosson Dr.
Seán Crosson
From the earliest days of the cinema, sport was one of the most popular subjects of representation. Unsurprisingly, when film arrived in Ireland, Irish sport, including gaelic games, would soon feature. Gaelic games were exhibited in both actualities and newsreel, even if many of these, particularly between the wars, would emerge from foreign companies, often with a strong British bias. However, it is difficult to definitively identify a distinct genre of Irish sports film per se – outside of documentary - and indeed few Irish fiction films that feature sport at all, and still less that feature gaelic games. However, …