Critical and Cultural Studies Commons^™

Not A Hearing Loss, A Deaf Gain: Power, Self-Naming, And The Deaf Community, David J. Thomas

Educational Leadership & Workforce Development Theses & Dissertations

Self-naming has long stood as the primary assertion of power for disenfranchised communities in the western world. While person first language (e.g. person who is deaf) has been the preferred language of disability and disability services for the last 20 years, members of the Deaf community have asserted their cultural capital, and indeed, their Deafhood, or defining the experience of being ‘deaf in the world’, through the power of self-naming. This research examines attitudes toward language, self-naming, and disability in the Deaf community and seeks to move toward a more attentive, sensitive, and responsive language policy in the academy.

Historically, …

From Fandom To Franchise: Generational Discourse Among Fans And Producers, Nicholas C. Benson

Communication & Theatre Arts Theses

Generational discourse surrounding fandom has been an understudied area of media studies. Using Disney's TRON franchise as a case study, this thesis looks at that discourse as it exists in two areas. The first chapter draws on interviews with several actual TRON fans and looks at how the concept of generation is imagined within the TRON fan community. The second chapter draws from promotional interviews done with TRON creator Steven Lisberger to analyze the way the concept of generation functions within the decision making practices and formation of career capital within Hollywood. Ultimately, this paper concludes that the concept of …

Zombies As A Generational Metaphor: Connections Between George A. Romero, Zombies And Fandom -- A Critical Study, Alfredo Torres

Communication & Theatre Arts Theses

Since the creation of the modern day zombie by George A. Romero in his directorial debut with the genre altering film Night of the Living Dead in 1968, zombie have been associated with becoming a metaphoric representation of social and cultural issues surrounding the times these films were released, with Romero's films being at the forefront of this phenomenon. A review of Romero's career including his influences was examined as well as the film history of the zombie subgenre, the connections it has to its fans and how the fans influenced the development of the genre. A survey was connected …