Critical and Cultural Studies | Open Access Articles

Queering Kinship In ‘The Maiden Who Seeks Her Brothers', Jeana Jorgensen Aug 2015

Queering Kinship In ‘The Maiden Who Seeks Her Brothers', Jeana Jorgensen

Jeana Jorgensen

The fairy tales in the Kinder- und Hausmiirchen, or Children's and Household Tales, compiled by Jacob and Wilhelm Grimm are among the world's most popular, yet they have also provoked discussion and debate regarding their authenticity, violent imagery, and restrictive gender roles. In this chapter I interpret the three versions published by the Grimm brothers of ATU 451, "The Maiden Who Seeks Her Brothers," focusing on constructions of family, femininity, and identity. I utilize the folkloristic methodology of allomotific analysis, integrating feminist and queer theories of kinship and gender roles. I follow Pauline Greenhill by taking a queer view of …

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Molding Messages: Analyzing The Reworking Of ‘Sleeping Beauty’ In Grimm’S Fairy Tale Classics And Dollhouse, Jeana Jorgensen, Brittany Warman Aug 2015

Molding Messages: Analyzing The Reworking Of ‘Sleeping Beauty’ In Grimm’S Fairy Tale Classics And Dollhouse, Jeana Jorgensen, Brittany Warman

Jeana Jorgensen

The story of “Sleeping Beauty” (ATU 410) is one of the most consistently captivating fairy tales. It tells of a cursed princess dreaming in a tower, waiting patiently for her prince to rescue her. Those who recreate the tale for contemporary audiences spin the story anew, reconstructing again and again what it means both to sleep and to awaken. This chapter analyzes two modern television versions of the tale, one for children and one for adults, comparing their incorporation of feminist messages and parallel ideas about shaping narratives and shaping lives. The children’s cartoon Grimm’s Fairy Tale Classics (also called …

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Contemporary Irish Film: An Introduction And Bibliography, Seán Crosson Dr., Werner Huber Sep 2011

Contemporary Irish Film: An Introduction And Bibliography, Seán Crosson Dr., Werner Huber

Seán Crosson

(Introduction to collection CONTEMPORARY IRISH FILM: NEW PERSPECTIVES ON A NATIONAL CINEMA) The title of this paper is deliberately ambiguous. It is not only meant as an introduction to this collection, but also as a very basic introduction to the study of Irish film and cinema – considering the dearth of relevant material originating from, and visible in, the academic playing fields of Continental Europe or anywhere outside the Anglo-American sphere. Therefore, before we introduce the contents of this collection, a few summarising hints and guidelines for critics, students, and movie-goers new to the study of Irish film are in …

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Irish Intolerance: Exploring Its Roots In Irish Cinema, Seán Crosson Dr. Jan 2011

Irish Intolerance: Exploring Its Roots In Irish Cinema, Seán Crosson Dr.

Seán Crosson

This article examines the depiction of intolerance in Irish film just before and during the Celtic Tiger period itself, usually associated with the years 1995–2007. In particular, the paper is concerned with exploring how Irish filmmakers sought to identify the roots of contemporary racism through an exploration of intolerance in Ireland’s past and towards long-resident minorities within Irish society, including the Traveller community and homosexuals. Films considered in this analysis include Korea (Cathal Black, 1995), A Man of No Importance (Suri Krishnama, 1995), Broken Harvest (Maurice O’Callaghan, 1995), The Last of the High Kings (David Keating, 1996), The Last Bus …

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Exploring European Sporting Identities: History, Theory, Methodology, Seán Crosson Dr., Philip Dine Oct 2010

Exploring European Sporting Identities: History, Theory, Methodology, Seán Crosson Dr., Philip Dine

Seán Crosson

This collaborative study (an introduction to the collection Sport, Representation, and Evolving Identities in Europe) is intended to contribute to the ongoing elucidation of the role of sport in the processes of identity construction in contemporary societies, including an overview of its historical development and the major theoretical and methodological approaches to the examination of sport. Since the pioneering work of Eric Hobsbawm and Terence Ranger on ‘the invention of tradition’ (1983), and Benedict Anderson on ‘imagined communities’ (1983), modern games have regularly been identified as a core component in the construction of Europeans’ individual and communal senses of self, …

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Hellenism, Katerina Zacharia Dec 2009

Hellenism, Katerina Zacharia

Katerina Zacharia

No abstract provided.

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Gaelic Games And “The Movies”, Seán Crosson Dr. Jan 2009

Gaelic Games And “The Movies”, Seán Crosson Dr.

Seán Crosson

From the earliest days of the cinema, sport was one of the most popular subjects of representation. Unsurprisingly, when film arrived in Ireland, Irish sport, including gaelic games, would soon feature. Gaelic games were exhibited in both actualities and newsreel, even if many of these, particularly between the wars, would emerge from foreign companies, often with a strong British bias. However, it is difficult to definitively identify a distinct genre of Irish sports film per se – outside of documentary - and indeed few Irish fiction films that feature sport at all, and still less that feature gaelic games. However, …

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Hellenisms (Iii), "Reel" Hellenisms: Perceptions Of Greece In Greek Cinema (Ch. 12), Katerina Zacharia Aug 2008