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Full-Text Articles in Critical and Cultural Studies
The Student-Teacher Romance Film Genre: Hollywood's Historical Representation Of Abuse Of Power, Darby Gilliland
The Student-Teacher Romance Film Genre: Hollywood's Historical Representation Of Abuse Of Power, Darby Gilliland
Graduate Theses and Dissertations
Despite vast literature analyzing films that depict romantic and sexual relationships between young students and their teachers, scholarship has yet to explicitly call this category of films and television a genre. The purpose of the present thesis is to define the student-teacher romance film genre and identify patterns that make it up as a means of illuminating the genre’s exploration of abuse of power in the classroom. I use a historical-generic methodology and gaze theory as a framework to conduct this analysis. I identify three distinct eras of the genre and analyze films from each time period. The first era …
Religious Hegemony And "Muslim" Horror Movies, Shaheed N. Mohammed
Religious Hegemony And "Muslim" Horror Movies, Shaheed N. Mohammed
Journal of Religion & Film
The present paper examines horror films originating in Muslim contexts and available on U.S. streaming services. Using Gramsci's concept of hegemony, the paper examines how such films negotiate and articulate with the dominant Hollywood mainstream horror genre with particular attention to the hegemonic power of the mainstream with its Christian iconography and assumptions.
The Evolution Of Revenge: Genre, Feminist Theory And Jennifer’S Body, Sophia Birks
The Evolution Of Revenge: Genre, Feminist Theory And Jennifer’S Body, Sophia Birks
Capstone Showcase
The representation and proliferation of violence against women in media, when applying genre theory, reflects the social climate of rape culture and the social response to sexual violence. Looking at the Rape-Revenge genre through the scope of Feminist Theory, the only way to reintroduce female agency into a trauma led narrative is to reclaim the tropes used to perpetuation female exploitation and a popular culture ambivalent to male on female violence. Within this subversion and deconstruction, a genre benefiting from female trauma finally includes an honest artistic retelling of that female experience. With the intention of the creator in line …
The Hobbit, Media Audiences, And The Question Of Genre, Lars Schmeink
The Hobbit, Media Audiences, And The Question Of Genre, Lars Schmeink
Journal of Tolkien Research
The Hobbit (1937) by J. R. R. Tolkien is one of Britain’s, if not one of the world’s, most beloved children’s books, whereas his The Lord of the Rings (1954-55) is today considered the keystone text of the modern fantasy genre. Similarly Peter Jackson’s film adaptation of The Lord of the Rings has become the defining fantasy film, setting new standards for fantasy to become a mainstream cinematic genre. Based on data collected by the largest audience study to date, the World Hobbit Project, this article argues that the success of Jackson’s The Hobbit trilogy is thus linked to its …
Epic And Genre: Beyond The Boundaries Of Media, Luke Arnott
Epic And Genre: Beyond The Boundaries Of Media, Luke Arnott
FIMS Publications
Noting the resurgence of popular and academic interest in epics across disparate media, this essay proposes a theory of the epic genre that transcends particular media and cultures. It seeks to reconcile discussions of the epic in Aristotle, G.W.F. Hegel, Georg Lukács, Mikhail Bakhtin, Erich Auerbach, and Northrop Frye, arguing that traditional definitions of epic narrative are instead subsets of a greater generic structure. The epic is, following Gregory Nagy and Franco Moretti, among others, a literary “super-genre” that encompasses as many other kinds of narrative as possible. The essay explains how epic narrative, disembedded from earlier oral poetry, is …