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Articles 1 - 16 of 16
Full-Text Articles in Critical and Cultural Studies
Canadians Redefining R&B: The Online Marketing Of Drake, Justin Bieber, And Jessie Reyez, Amara Pope Ms.
Canadians Redefining R&B: The Online Marketing Of Drake, Justin Bieber, And Jessie Reyez, Amara Pope Ms.
Electronic Thesis and Dissertation Repository
In a country that long failed to accept, include, and institutionalize R&B music as part of Canadian culture, musical artists Justin Bieber, Drake, and Jessie Reyez have successfully broken-down barriers by having successful careers as racially diverse Canadian R&B artists. This qualitative study surveys the literature on classifications of the R&B genre and of Canadian identities in popular media. The theoretical framework of discourse analysis is used to conduct a brief episodic history of Canadian R&B and to evaluate how the music genre “R&B,” is traditionally associated with people who have "Black" and "American" identities, and how a “Canadian” identity …
Non:Wa: Navigating Indigenous Modernity Through Female Artists' Perspectives, Nicole Bussey
Non:Wa: Navigating Indigenous Modernity Through Female Artists' Perspectives, Nicole Bussey
Undergraduate Student Research Internships Conference
This article examines the relationship between tradition and modern elements of Indigenous music through a cyclical perspective, and challenges colonial concepts of Indigenous modernity. Indigenous culture is often portrayed in mainstream culture as a relic of the past, which renders it incompatible with modernity. With a special focus on Indigenous female artists’ perspectives, I examine the ways in which women placed in this unique intersection challenge the binaries of past/present and tradition/modern.
What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia
What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia
Languages and Cultures Publications
Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …
The Myths That Make Us: An Examination Of Canadian National Identity, Shannon Lodoen
The Myths That Make Us: An Examination Of Canadian National Identity, Shannon Lodoen
Electronic Thesis and Dissertation Repository
This thesis uses Barthes’ Mythologies as a framework to examine the ways in which the Canadian nation has been mythologized, exploring how this mythologization affects our sense of national identity. Because, as Barthes says, the ultimate goal of myth is to transform history into nature, it is necessary to delve into Canada’s past in order to understand when, why, and how it has become the nation it is today. This will involve tracing some key aspects of Canadian history, society, and pop culture from Canada’s earliest days to current times to uncover the “true origins” of the naturalized, taken-for-granted elements …
The Fear And Biopolitical Control Of The ‘Terrorist Other’, Percy Percy Sherwood
The Fear And Biopolitical Control Of The ‘Terrorist Other’, Percy Percy Sherwood
Western Research Forum
“I think Islam hates us,” Donald Trump said as a presidential candidate in a CNN interview in March 2016, conflating the religion with ‘radical Islamic terrorism.’ Trump’s statement exemplifies the prevailing fabricated enemy and resulting Islamophobia in the context of the ‘global war on terror.’ Since 9/11, powerful actors are using abstractions, ideologies, and narratives—that are usually defined along racial lines—to conjure up a fear so permeable that it serves to legitimize massive levels of violence in the name of self-righteousness. How do the racist abstractions, ideologies, and narratives that are associated with Islam and Muslims produce fear and insecurity …
Web.Isod.Es Cel, Aman Kular
Web.Isod.Es Cel, Aman Kular
SASAH 4th Year Capstone and Other Projects: Presentations
For her CEL, Aman interned at WEB.ISOD.ES in London, Ontario, working on producing a documentary discussing the recent implementation of Basic Income by the Conservative Provincial government. Aman learned valuable research skills and communications skills while working on this project and was excited to work in politics.
The Politics Of Wounds, Jonathan Nash
The Politics Of Wounds, Jonathan Nash
Electronic Thesis and Dissertation Repository
What configuration of strategies and discourses enable the white male and settler body politic to render itself as simultaneously wounded and invulnerable? I contextualize this question by reading the discursive continuities between Euro-America’s War on Terror post-9/11 and Algeria’s War for Independence. By interrogating political-philosophical responses to September 11, 2001 beside American rhetoric of a wounded nation, I argue that white nationalism, as a mode of settler colonialism, appropriates the discourses of political wounding to imagine and legitimize a narrative of white hurt and white victimhood; in effect, reproducing and hardening the borders of the nation-state. Additionally, by turning to …
Industrial Stagecraft: Tooling And Cultural Production, Jennifer A. Hambleton
Industrial Stagecraft: Tooling And Cultural Production, Jennifer A. Hambleton
Electronic Thesis and Dissertation Repository
The tooling of theatrical spectacle requires collaboration between stagecraft technicians and designers in an increasingly globalized and standardized manufacturing process. While hand skills are still used and remain useful, digital fabrication and other tools are now incorporated in labour processes in scenery manufacturing workshops, altering collaborative work in complex ways. This thesis is an inquiry into the epistemological role of software and digital fabrication tools in stagecraft practices and explores how the politics of craft labour intersect with material practices in media production labour. The technical aspects of the fabrication of theatrical spectacles and display environments, the way objects are …
Regarding Aid: The Photographic Situation Of Humanitarianism, Sonya De Laat
Regarding Aid: The Photographic Situation Of Humanitarianism, Sonya De Laat
Electronic Thesis and Dissertation Repository
Since the invention of photography, the medium has played an increasingly central role in shaping spectators’ imagination of distant suffering and calamitous experiences. The discourse of humanitarianism has evolved alongside photography and has relied on the medium to give it shape. Indeed, humanitarianism is and always has been a photographic situation, which is to say, photography has played and continues to play a significant role in constituting the very terms of humanitarianism, including how it is referenced, conceived, understood, and practiced. This dissertation is concerned with the historical role of photography in shaping the humanitarian imagination, as well as the …
Becoming Sonic: Ambient Poetics And The Ecology Of Listening In Four Militant Sound Investigations, David C. Jackson
Becoming Sonic: Ambient Poetics And The Ecology Of Listening In Four Militant Sound Investigations, David C. Jackson
Electronic Thesis and Dissertation Repository
This dissertation Becoming Sonic: Ambient Poetics and the Ecology of the Ear in Four Militant Sound Investigations offers a critical and historical analysis of acoustic ecology and soundscape recording —the sounds, noises, and silences that make up our ambient sonic environment and are found and recorded “in the field” by artists to create recordings and performances are then experienced by listeners. Field recording captures the diverse and often unwanted or inconsequential sounds of a space, which can then be used to bring attention to the often unheard and unconscious processes that stratify space. By stratification I am referring to the …
"Whatever I Want:" Death Grips, Disobedience And The Music Industries, Grant M. Hawkins
"Whatever I Want:" Death Grips, Disobedience And The Music Industries, Grant M. Hawkins
Electronic Thesis and Dissertation Repository
The experimental hip-hop group Death Grips, formed in 2010, quickly rose to prominence and signed with the major label Epic Records in 2012. Their first Epic album, The Money Store, (2012) did well and the band appeared to be settling in to a profitable and productive relationship with the company. Yet in 2013 Death Grips released their second album, No Love Deep Web, online, for free, and without authorization from the label. Despite this breach of contract, Epic Records did not do the expected and seek to enforce their contract or sue for damages. Instead, Death Grips were …
Through Google-Colored Glass(Es): Design, Emotion, Class, And Wearables As Commodity And Control, Safiya Umoja Noble, Sarah T. Roberts
Through Google-Colored Glass(Es): Design, Emotion, Class, And Wearables As Commodity And Control, Safiya Umoja Noble, Sarah T. Roberts
Media Studies Publications
This chapter discusses the implications of wearable technologies like Google Glass that function as a tool for occupying, commodifying, and profiting from the bio- logical, psychological, and emotional data of its wearers and those who fall within its gaze. We argue that Google Glass privileges an imaginary of unbridled exploration and intrusion into the physical and emotional space of others. Glass’s recognizable esthetic and outward-facing camera has elicited intense emotional response, partic- ularly when “exploration” has taken place in areas of San Francisco occupied by residents who were finding themselves priced out or evicted from their homes to make way …
In/Visibility, Sarah T. Roberts
In/Visibility, Sarah T. Roberts
Media Studies Publications
In online life there is a normative supposition that the information- and image-rich environment of the web and other platforms should provide unfettered access to the circulation of all types of content. Less attention is paid to what is not seen, to the invisible—be it actual content that is rescinded, altered or removed, or the opaque decision-making processes that maintain its flow. In/visibility online is central to the intertwined functions/mechanisms of user experience and platform control, further operationalized under globalized, technologically driven capitalism. A digital labour phenomenon that is both responsible for it and relies upon it: is …
Epic And Genre: Beyond The Boundaries Of Media, Luke Arnott
Epic And Genre: Beyond The Boundaries Of Media, Luke Arnott
FIMS Publications
Noting the resurgence of popular and academic interest in epics across disparate media, this essay proposes a theory of the epic genre that transcends particular media and cultures. It seeks to reconcile discussions of the epic in Aristotle, G.W.F. Hegel, Georg Lukács, Mikhail Bakhtin, Erich Auerbach, and Northrop Frye, arguing that traditional definitions of epic narrative are instead subsets of a greater generic structure. The epic is, following Gregory Nagy and Franco Moretti, among others, a literary “super-genre” that encompasses as many other kinds of narrative as possible. The essay explains how epic narrative, disembedded from earlier oral poetry, is …
Happiest People Alive: An Analysis Of Class And Gender In The Trinidad Carnival, Asha L. St. Bernard
Happiest People Alive: An Analysis Of Class And Gender In The Trinidad Carnival, Asha L. St. Bernard
Electronic Thesis and Dissertation Repository
Many of the marketing strategies inherent to the modern version of the Trinidad Carnival include texts that represent Trinidadians as young, fit, bikini-wearing, party enthusiasts. In these advertisements, Trinidadians are often characterized as carefree and welcoming to anyone participating in the much-anticipated annual festival. However, dominant narratives highlight certain groups and cultural aspects of the island while frequently masking several inequalities. They cleverly conceal other narratives and therefore marginalize groups and individuals from the very festival that is understood by many as a national symbol. Through informal participant-observation, and an analysis of some of the main promotional material, in particular …
Harold Innis And 'The Bias Of Communication', Edward Comor
Harold Innis And 'The Bias Of Communication', Edward Comor
FIMS Publications
Fifty years after his death, Harold Innis remains one of the most widely cited but least understood of communication theorists. This is particularly true in relation to his concept of ‘bias’. This paper reconstructs this concept and places it in the context of Innis’ uniquely non-Marxist dialectical materialist methodology. In so doing, the author emphasizes ongoing debates concerning Innis’ work and demonstrates its utility in relation to contemporary analyses of the Internet and related developments.