Broadcast and Video Studies Commons^™

Why Does Film And Television Sci-Fi Tend To Portray Machines As Being Human?, Edward Brennan

Conference Papers

This paper identifies, and attempts to explain, a lack of diversity in the way that cinema and television science fiction represents robotics and artificial intelligence (AI). Through a qualitative content analysis of recent film and television portrayals, it is argued, that a limited and limiting vision predominates. This limitation may serve to ideologically reinforce the power of corporate elites. It may also hamper discussion and debate around technological possibilities and their relationship with society.

There has been a slew of entertainment productions since 2013 that represent AI and robotics. This work examines Her (2013), Transcendence (2014), Interstellar (2014), Chappie (2015), …

Television In Ireland: A History From The Mediated Centre, Edward Brennan

Conference Papers

This paper identifies and critiques a dominant narrative in the history of Irish television, which is too often passed off for, or accepted as, the history of television in Ireland. The his- tory of television in Ireland has been written within an institutional framework and depends on the cultural binary of tradition and modernity, ‘old Ireland’ and ‘new Ireland’. This dom- inant narrative fails to interrogate television as a medium. It provides an account of the Irish broadcaster RTÉ rather than an account of the arrival of a new medium. Ironically this nar- rative which hinges on the role of …

Television In Ireland Before Irish Television: Nationalist Rhetoric And International Programming, Edward Brennan

Conference Papers

Typical of an international tendency, the history of television in Ireland has been framed by national boundaries. This paper argues that viewing the history of television solely through institutional sources and a nation state-bound perspective obscures transnational influences and homogenises diverse audience experiences. Moreover, such histories may serve to reproduce a limited range of types of nationalist rhetoric. The research presented here explores the history of television in Ireland through life story interviews. This reveals views of the nation, its global context and processes of social change quite different to those discussed in orthodox histories. Arguably, this shift in historical …

The Future Of Audience Research, Brian O'Neill

Conference Papers

ECREA roundtable The future of audience research IAMCR conference @ BRAGA July 21 14:30-16:00 Convenor: Nico Carpentier Institutional and critical perspectives on audience representation This contribution focuses on institutional and critical perspectives on audience representation, i.e., how audience experience is formally accounted for through institutional processes of research (media literacy indices for instance) or through representative bodies such as Audience Councils. In other words, an area of overlap between audience studies and public policy debates, advocating that researchers should try to make their findings more widely available and understood in professional media environments.

Developing Digital Radio For Ireland: Emerging Approaches And Strategies, Brian O'Neill

Conference Papers

Ireland’s experience of the transition from public service broadcasting to public service media has gathered pace within the last year with new legislative arrangements for media regulation, the awarding of digital terrestrial television licences and renewed attempts to introduce digital radio broadcasting on the DAB platform. The national public broadcaster, RTE, has played a central role in these developments as it attempts to manage a range of technology platforms and to provide media services for an increasingly diverse and complex market. This paper addresses the case of digital radio in Ireland and the prospects for a successful launch of DAB …

Dab Eureka-147: The European Vision For Digital Radio, Brian O'Neill

Conference Papers

The digitalisation of radio broadcasting has a long history and as a project has been under active consideration for at least 25 years. A number of different technical approaches to digital radio exist, the longest established of which is the so-called Eureka-147 or DAB (Digital Audio Broadcasting) system. This paper explores the ‘technological imaginary’ of DAB and its distinctly ‘European’ vision for new media and the future of broadcasting. It examines its origins in European R&D policy of the 1980s, and its affinity with European broadcasting practice, particularly within a public service tradition. Ironically, it was DAB’s failure to capitalise …

Back To The Future: The Emergence Of Contrasting European And Us Approaches To Digital Radio, Brian O'Neill

Conference Papers

Digital radio has been in development for over 25 years and yet is no nearer a point of successful adoption. This paper explores the emergence of contrasting European and American approaches to digital radio. The most established of these, Eureka-147 or Digital Audio Broadcasting (DAB), which originated in Europe, is contrasted with the so-called IBOC or /HD Radio approach, as alternative collective conceptualizations of how technology can bridge contemporary broadcasting practice to an ̳imagined‘ digital future. Drawing on the concept of ̳symptomatic technology‘ (Williams 1974), DAB‘s origins in European R&D policy of the 1980s and its affinity with established European …

Digital Technologies And The Future Of Radio: Lessons From The Canadian Experience., Brian O'Neill

Conference Papers

This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the …

Digital Radio Policy In Canada: Fragmentation Or Evolution Of The Medium, Brian O'Neill

Conference Papers

In December 2006, the Canadian Radio-Television and Telecommunications Commission (CRTC) issued its review of Digital Radio Policy. This replaced the transitional digital radio policy of 1995, and sought to implement a framework designed to support multi-platform digital radio broadcasting in an increasingly complex technological environment for the medium. Drawing on policy analysis, interviews and expert group perspectives, this paper traces the background to the legislative provision for digital radio development in Canada. While Canada was an early adopter of the Eureka-147 or Digital Audio Broadcasting (DAB), the policy of DAB as a replacement technology approach proved to be mistaken. Subsequent …

Digital Radio In Canada: From Dab To Multi-Platform Approaches., Brian O'Neill

Conference Papers

This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the …

Digital Radio Cultures In Europe: Progress To Date And Prospects For The Future:A Review Of Research Produced By Drace, Brian O'Neill, Stephen Lax

Conference Papers

Digital Radio Cultures in Europe (DRACE), was established in 2004 under the COST Action A20 “The Impact of the Internet on Mass Media in Europe”. The original configuration of the COST A20 group included provision for an internet and music research group but this was re-focussed following a re-organisation in which DRACE was more formally incorporated. The group comprises 14 researchers with specific interests in radio from Norway, Finland, Denmark, Greece, Germany, Hungary, Portugal, Croatia, the United Kingdom and Ireland. The objective of the research group is to be at the forefront of empirical research on changes in radio cultures …

Experiences Of Interaction And Participation In Media Communication In A Digital Environment, Brian O'Neill

Conference Papers

Digital technologies, it is claimed, provide enhanced opportunities for interactivity and participatory engagement in media communication for ordinary audience members. Whether arising simply from the enhanced functionality offered to media consumers, or through utilising the various channels available to audiences to talk back to media providers, it would appear that audiences are empowered in new ways, previously unavailable in the analogue era. This paper examines what use ordinary audience members make of such opportunities. Drawing on a comparative study of layperson participation in broadcast media in three European countries (Norway, Portugal and Ireland), this paper presents findings from the study …

Layperson Participation On Radio And The Internet In Three European Countries, Brian O'Neill

Conference Papers

Digital Radio Cultures in Europe (DRACE), the radio panel of the COST A20 action on The Impact of the Internet on Mass Media, has launched a qualitative research project in a number of European countries about participation in broadcast media among the public. The project involves a reception study and analysis, with a focus on experiences of interaction with the media, attitudes towards media participation and evaluations of the context for interactivity provided by digital technologies. This paper introduces the methodology and rationale of the study in the context of previous European studies. We start from the broad category of …

Digital Technologies And The Future Of Radio: Lessons From The Canadian Experience, Brian O'Neill

Conference Papers

This paper reports on an ongoing comparative study of the development of digital radio in Europe and Canada. Focussing on the Eureka 147 Digital Audio Broadcasting (DAB) platform in Canada, of which it was an early adopter, the paper examines the complex interaction of industry, government regulation and the difficulty of policy formation matching the pace of technology development. Based on interviews with leading radio professionals, the paper presents a critical review of the ‘transitional policy’ towards the digitalisation of radio and examines the international market pressures that led Canada to largely abandon this approach in favour of the current …

Does The Internet Fundamentally Change Anything?: European Research And The Cost A20 Action On The Impact Of The Internet On Mass Media (Television, Newspapers And Radio), Brian O'Neill

Conference Papers

The subject of this paper represents one attempt at a more balanced approach and consists of the research undertaken under the COST A20 action, ‘The Impact of the Internet on Mass Media’. The paper presents a brief overview of some of the principal themes under discussion in relation to radio, television and newspapers as well as offering some reflections on the emerging issues for communications research at a cross media level. The central theme is whether there the Internet (with a capital ‘I’) has had the transformative effect its proponents might once have claimed or whether there has been a …