Social and Cultural Anthropology Commons^™

Tùn-Scene And A-Futurism: Biomythography, Opacity, And Posthuman Imagination, Minglu Du

Masters Theses

Grounded in the author’s position as a Chinese feminist, this thesis examines how East Asian women, as well as East Asian-coded femininity more broadly, are objectified and othered within futurist visual culture in the age of artificial intelligence. Through an engagement with ornamentalism, techno-Orientalism, and posthumanism1 , it argues that the persistent figure of the feminized humanoid cyborg continues to reproduce colonial and patriarchal structures of desire, rendering marginalized bodies as fetishized and violable surfaces. In response, the thesis develops Tùn-Scene, a biomythographic artistic framework and the first experiment in what the author provisionally names A-Futurism. Drawing on Donna Haraway’s …

41.82379°N, 71.38497°W, Xiaotong Cai

Masters Theses

I, Xiaotong Cai, have known an abandoned bridge was lifted and stuck at 64-degree from 1976. I have walked and bent down towards it for over 60 times, each paralleling a journal entry. The visits and 27,351 words (up until May 5th) are the living proof: observation, encounters, correspondence, collectively and personally. It’s been nine months since it emerged in flux. Two flesh. A moving outsider and a still bridge. How can an Unused giant activate a human body? Who is the attractor and intervener?

Here, my solution is to conduct a series of small gestures. I say, interpreting without …

An Alignment Of Absences: The Medicalization Of Death And Its Implications On Archaeological Methodology, Makayla J. Bowman

Departmental Honors & Graduate Capstone Projects

Absence describes something that is "expected, wanted, or looked for [but] is not present or does not exist," (Merriam-Webster Dictionary 2026). The archaeological discipline interacts with absence in many profound ways, largely in its study of the past dead. This paper focuses on the ways in which the medicalization of death has influenced, limited, and misaligned archaeological methodology, and how the result of those methodologies produces archaeological analysis that is absent of or misrepresents our understanding of life, personhood, and our position within a greater, interconnected biosphere. Thus, I present an anthropological critique of the ways in which death and …

An Ideological Target Through The Archaeological Archive: The Islamic State’S Destruction Of Palmyra And Its Impact On Local Syrian Identity, Tristen A. Leone

Pomona Senior Theses

This paper investigates how Palmyra's multicultural archaeological archive incited ISIS's destruction of the site during the Syrian Civil War through an analysis of sepulchral and religious architectural structures and onomastic practices. In contributing the cultural heritage scholarship, this paper places the motives of Islamic extremist groups in conversation with intellectual discourse around the multicultural identities of the Ancient Near East during the Roman Imperial Period. Further, through anthropological methodological frameworks and the photographic archive of excavation efforts at Palmyra, I aim to center modern local communities' experiences of living on and near an archaeological site like Palmyra. In consulting modern …

Below The Rows, Beyond The Roots: An Art Exhibition Depicting Agriculture Across The Globe, Maggie Enoch

Honors Theses and Capstones

In Below the Rows, Beyond the Roots, artist Maggie Enoch creates multimedia works inspired by her exposure to diverse agricultural systems and perspectives while studying geography and sustainable agriculture/food systems around the world. By integrating complex histories with the contemporary realities of farming, Maggie paints vivid pictures of the power of food in this five-piece exhibition.

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

Arts-Based Sustainability: From New York To Malawi, Martha B. Lerski

Publications and Research

Recognizing that libraries serve multiple constituencies and subject areas, this chapter documents and advocates for development of transdisciplinary arts-based research (ABR) and culture-related projects linked to environmental challenges. Libraries contribute collections and spaces, as well as the research of library and information scientists. Libraries are currently among invisible contributors to sustainability planning and services. The chapter will link this invisibility to the value of what visual arts refer to as negative space elements in subjects ranging from traditional ecological knowledge to environmental science. Library collections, projects, and research contribute to education for sustainable development (ESD) as required to achieve the …

Intersections: Gastro-Politics Aesthetic And Contemporary Chinese Art, Fan Du

Theses and Dissertations

This thesis examines how contemporary Chinese artists use food as a medium to explore ritual, trade, politics, and cultural identity. Centering on The Note of Food, an exhibition I curated, it draws on Arjun Appadurai’s concept of gastro-politics and Lu Xun’s nalaizhuyi (“grabbing doctrine”) to analyze how artists strategically appropriate cultural resources amid tensions between East and West, and tradition and modernity. Merging curatorial practice with food and visual anthropology, the project uses exhibition-making as both method and object of inquiry. As a native anthropologist working as both curator and researcher, I propose a model of curatorial anthropology that …

Pedro Aceves Mfa Thesis, Pedro M. Aceves

Electronic Theses, Projects, and Dissertations

My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.

40 Years Passing By In (A) “Heartbeat”, Christopher Janney

Monsoon: South Asian Studies Association Journal

This article outlines the forty-year history go Christopher Janney’s iconic performance work “HeartBeat.” Trained as an architect and jazz musician, Janney combines these two disciplines to create large interactive light/sound installations and performances. On the one hand, he attempts to make architecture more like music, more “alive” using real-time sensing devices as on his “Harmonic Convergence” installation on the Miami International Airport. On the other hand, he attempts to make music more like architecture, more physical more visual. In his “HeartBeat” performance, a dancer wears a heartbeat device that amplifies his/her heartbeat in “real time.” Over this pulse, live musicians …

Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple

Monsoon: South Asian Studies Association Journal

Four themes from the fourth pāda of Patañjali’s Yoga Sūtra are examined here: karma (IV:2-13), individuality (IV:16), humility (IV:20-22), and freedom (IV:29-34). Affirmations and variant interpretations of these four are provided from Haribhadra Virahāṅka’s Yogabindu, most likely composed a century or two later.

Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff

Monsoon: South Asian Studies Association Journal

The Indian knowledge traditions speak at length about karma, which is divided into three categories—accumulated (saṃcita), ripe (prārabdha), and future (kriyamāṇa). While much is said about our individual karma and how it affects our repeated reincarnation in cyclic existence, how does this affect others and how do others affect us? In other words, as this paper explores, what is our reciprocal and collective karma?

Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend

Monsoon: South Asian Studies Association Journal

This presentation explores how artistic practice can illuminate philosophical questions about the nature of mind, consciousness, and liberation as articulated in Book Four of the Yoga Sūtras of Patañjali. Through a series of paintings that visually translate these sūtras, I propose that art offers a unique, experiential means of engaging with the complex relationship between citta (mind) and puruṣa (consciousness).

The paintings function as a form of “visual ontology,” inviting viewers to engage with abstract philosophical concepts in a sensory, tangible way. By depicting the interplay between the mutable processes of the mind and the unchanging awareness of consciousness, these …

Silent Testimonies: The Global Evolution Of Grave Marker Art And Meaning, Erik Culley

Bakerman Student Research Awards

Grave markers are more than simple memorials; they are meaningful cultural objects that reflect how societies understand death, identity, belief, class, and community values. The size, material, decoration, and inscriptions of gravestones change over time in response to economic conditions, religious beliefs, social structures, and consumer culture. By studying grave markers across different regions and historical periods—such as early modern Europe, nineteenth-century Germany, and immigrant cemeteries in Australia—archaeologists can trace broader cultural transformations. Research shows that the rise of external grave markers in the eighteenth and nineteenth centuries was closely tied to increased material consumption and a growing emphasis on …

Identifying Intangible And Biocultural Heritage Elements Toward Environmental Understanding: Engaging Stakeholders Through Art, Martha B. Lerski

Publications and Research

Grounded in a case study in Barbuda in the Caribbean, this research examines sustainability from the perspective of what arts and heritage can contribute to community engagement and local and broader understandings about the environment. This article documents a growing body of literature recognizing the role of arts and culture, including local knowledge and traditional ecological knowledge (TEK), in climate change endeavors. Art and TEK present expansive world views. Contextual information situates research done on the island of Barbuda pre- and post-Hurricane Irma. Visual arts workshops engaged community members in mixed methods research. Results documented cultural elements, particularly intangible and …

Unveiling Legacies: Exploring And Analyzing Cultural Artifacts In The Higbee Collection, Samantha Staller

Williams Honors College, Honors Research Projects

Anthropology and the Cummings Center to find ways to properly analyze an archaeological collection's artifacts to understand the overall significance of everything better. Before starting my research, I came up with the following questions: Can any artifacts be considered culturally affiliated? Is everything in the collection authentic? What is the overall background of the collection? Does this collection have any connection to Ohio history? Can anything in the collection be dated? Throughout the research, I will create an Excel inventory list to include qualitative and quantitative data from the artifacts to give insight into what is included in the Higbee …

Origins Of Art: Demystifying The Scheuring Icon Collection, Mikayla Klemp

The Journal of Purdue Undergraduate Research

No abstract provided.

Korean Newspapers And The “Irish Problem”: Japanese Censorship In Colonial Korea, 1920-1930, Jaehyun Kim

Student Work

Jaehyun Kim’s thesis, “Korean Newspapers and the ‘Irish Problem’: Japanese Censorship in Colonial Korea, 1920-1930,” touches upon a subject that scholars of colonial Korea have given insufficient attention to. Kim asks why there featured so many colonial Korean run newspaper articles on the Irish Independent movement in the 1920s and 1930s when the Japanese colonial government actively censored Korean newspapers. Indeed, in the wake of the March First Independent Movement, the colonial authorities shifted its harsh military rule to a more conciliatory cultural policy, allowing Koreans to vent their nationalistic sentiments within the confines of state control. However, the level …

The One-And-A-Half Chinas’ Problem: Taiwan And The Origins Of Peaceful Reunification, 1978–1988, Lucas Miner

Student Work

Lucas Miner’s thesis, “The One-and-a-Half Chinas’ Problem, Taiwan and the Origins of Peaceful Reunification, 1978–1988,” deals with attempts by the Chinese Communist Party and the Guomindang to achieve unification between the People’s Republic of China (PRC) and Taiwan during the early phase of China’s reform era. The thesis seeks to update our interpretation of Cross-Strait relations by exploring the origins of peaceful reunification, tracing its early evolution from 1978 to 1985. Primary sources from both sides of the strait—especially from the rich repository at the Academia Historica in Taipei—allows Miner to construct a nuanced and significant narrative that uniquely incorporates …

Forbidden Fruit: Mary Cassatt’S Mural Of “Modern Woman” At The World’S Columbian Exposition, Chicago 1893, Tricia Cusack

Dublin Gastronomy Symposium

This paper considers a large mural of “The Modern Woman” painted in France by the American artist Mary Cassatt for the Woman’s Building at the World’s Columbian Exposition in Chicago in 1893. It focuses in particular on the large central panel of the mural titled Young Women Plucking the Fruits of Knowledge or Science that depicts women and girls apple-picking. Cassatt’s mural drew on various traditions and myths. Apple harvesting was a common sight in America. Cassatt’s title though points to the story of Eve and forbidden fruit, in which Eve seeks knowledge, but is severely punished for it. Cassatt …

The Question Of Design In The Context Of The First Australian Nations: Designing Reparations Through Decolonial Architecture, Eli Abamonte

Bachelor of Architecture Theses - 5th Year

Forget about tourist postcards and picture-perfect landscapes. Australia's true heart beats in the ancient stories of the Indigenous communities that tell them, their vibrant cultural tapestry woven beneath the surface. My research dives into this tapestry, not as an Architect with blueprints imposing my own vision, but as a student with an open ear and collaborative spirit. Australia’s vastness holds countless stories, but my research led me deep into the heart of East Arnhem Land, where ancient legends whisper in the wind and the Yolngu people dwell. Anthropologists like Bruno Descola shattered my singular view of the world, revealing a …

Picturing Consumer Culture, Cultural Hybridity, And Womanhood: Farah Al Qasimi’S Photographs From 2012 To 2020, Minji Lee

Theses and Dissertations

This thesis examines Farah Al Qasimi’s 2012-2020 color photographs, arguing that this work presents a distinctive and salient critique of domesticity, material culture, and womanhood in the UAE. Through her lens as a woman and a culturally hybrid subject, Al Qasimi explores the tensions of modernization, globalization, consumerism, and gender.

The Unseen River And Infrastructural Silences: The Santa Ana River And The Ontology Of Floods, Cooper Lennon Crane

Pomona Senior Theses

This article discusses the history of land development and infrastructure along the Santa Ana River in Southern California. The river plays a significant role in the landscape of many of Southern California’s cities and urban geographies but has been relatively underdiscussed in literature. This article approaches the river using a combination of historic ethnography and sociocultural theory to unpack the meanings of the infrastructure of the river and its relation to Southern Californians. From these meanings, the article places the river in context with environmental politics, urban development, and water management issues in California today. The article argues that the …

The Regenarrative: How To Change The Story In Order To Change The Future, S. Rose Bigheart O'Leary

Dartmouth College Master’s Theses

Abstract

In the era of Climate Change, many are concerned that the end of the Anthropocene, or the end of the era of human life on Earth, is upon us. Western European colonialism and its subsequent systems (settler-colonialism, colonial-capitalism, and globalization - sometimes termed “neocolonialism”) have all been implicated in contributing to unsustainable behaviors linked to accelerating climate change. In searching for possible solutions, some have called for listening to Indigenous Peoples, citing ethics of sustainability found among many Indigenous cultures. However, the cultural products of settler-colonialism are still dominant in ways that do not allow for Indigenous worldviews to …

From Margins To Museums: Tracing The Evolution Of Representation For Contemporary African Artists In The United States, Victoria Mouraux Durand-Ruel

Master's Theses

This thesis examines the impact of the Black Lives Matter movement on the art community in the United States and the evolution of representation for Contemporary African artists. By analyzing the careers and artistic contributions of Omar Ba, Toyin Ojih Odutola, and Njideka Akunyili Crosby, the study explores the concept of artistic agency according to which African artists have more control over the production and distribution of their works.

The research begins with a comprehensive literature review, investigating the historical contexts that have shaped the art landscape, including the impact of colonization, decolonization, and globalization. The study reveals how these …

First Approximation Of Population Distributions On The International Space Station, Justin St. P. Walsh, Rao Hamza Ali, Alice C. Gorman, Amir Kanan Kashefi

Art Faculty Articles and Research

This paper presents an analysis of data derived from thousands of publicly available photographs showing life on the International Space Station (ISS) between 2000 and 2020. Our analysis uses crew and locational information from the photographs’ metadata to identify the distribution of different population groups—by gender, nationality, and space agency affiliation—across modules of the ISS, for the first time. Given the significance of the ISS as the most intensively inhabited space habitat to date, an international cooperative initiative involving 26 countries and five space agencies, and one of the most expensive building projects ever undertaken by humans, developing an understanding …

Programa De La Conferencia Segundo Congreso Internacional De Iconografía Precolombina

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Barcelona, 2023.

Victòria Solanilla, organizador

17 al 20 de octubre de 2023.

En el Museu de Cultures del Món de Barcelona. Calle Montcada, nº12-14, 08003, Barcelona.

Y en el Institut d’Estudis Catalans. Calle del Carme, nº 47, 08001, Barcelona.

Organizado por el GRUP d'ESTUDIS PRECOLOMBINS· con el apoyo del MUSEU ETNOLÒGIC I DE CULTURES DEL MÓN· INSTITUT D'ESTUDIS CATALANS· SOCIETAT CATALANA D'ESTUDIS HISTÒRICS

Mandala: On The Logos Of Place, Michael Schwartz

Journal of Conscious Evolution

Suddenly, during the night, one awakens while dreaming – aware that this is a dream. The “rules” of action, reaction, and of form itself are not that of the waking state – one might leap in the air and fly, transform one’s body into any number of forms, reach up in the sky and grab the sun and clouds, pulling them to the side, bringing forth a canopy of moon and stars. The entire scene, in the lucid dream, has a heightened sense of radiance and joy, vitality and freedom.

Imagine this sense of lucid dreaming is occurring right here …

Remembering The Future: Wild Time And The Cosmic Imagination, Arabella Thaïs

Journal of Conscious Evolution

Entropy – the Second Law of Thermodynamics – is generally held to prove “time’s arrow”: that time is linear and unidirectional, and that the universe is following this trajectory. This paper presents a preliminary exposition into a new, integral ontology of time in which time is hyper-dimensional, non-linear and flows in both directions. This is supported through trans-disciplinary praxis at the intersection of aesthetics, cosmology, quantum mechanics, and chaos theory. The metaphysical implications of reverse causality are investigated, and confer a teleological universe that is coherent with the paradigm of an intelligent, self-realising cosmos in which beauty is a fundamental …

Póster De La Conferencia Segundo Congreso Internacional De Iconografía Precolombina

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Victòria Solanilla, organizadora

17 al 20 de octubre de 2023.

En el Museu de Cultures del Món de Barcelona. Calle Montcada, nº12-14, 08003, Barcelona.

Y en el Institut d’Estudis Catalans. Calle del Carme, nº 47, 08001, Barcelona.