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Vol. 45 No. 1 (2022): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Aug 2022

Vol. 45 No. 1 (2022): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 45, No 1-Aug 2022 edition of the Pacific Studies Journal.

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Vol. 45 No. 1 (2022): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Aug 2022

Vol. 45 No. 1 (2022): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Loto, Tu‘A, Moe Fale: Inside, Outside, And House, Tavakefai‘Ana, Sēmisi Fetokai Potauaine, Bruce Sione To‘A Moa, Sione Lavenita Vaka, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina Oct 2021

Loto, Tu‘A, Moe Fale: Inside, Outside, And House, Tavakefai‘Ana, Sēmisi Fetokai Potauaine, Bruce Sione To‘A Moa, Sione Lavenita Vaka, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

We focus in this critical essay on the Tongan fale house in terms of both its loto internality and tu‘a externality, in which the parts and the whole are combined by means of process and outcome, with a multiplicity of faiva performance, tufunga material, and nimamea‘a fine arts. The house and house-building are categorized as a material artwork and material art, respectively, and are associated with the material arts of: tufunga lalava kafa-sennit-lashing which is a form of interior design, tufunga tō‘akau kakala sweet-smelling-flower-planting, tufunga tō‘akaufaito‘o medicinal-plant-planting, and tufunga tō‘akaukai eating-plant-planting as types of tu‘a exterior design. Although these fine …

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Lofia, Koe Kumi Tu‘I: The Search For A King – A Sung And Danced Poetry Of Tragedy, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Sione L. Vaka, Maui-Tāvā-He-Akó, Tēvita O. Ka‘Ili, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina Oct 2021

Lofia, Koe Kumi Tu‘I: The Search For A King – A Sung And Danced Poetry Of Tragedy, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Sione L. Vaka, Maui-Tāvā-He-Akó, Tēvita O. Ka‘Ili, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

We examine in this critical essay a sung and danced poetry of tragedy by Kaliopasi Fe‘iloakitau Kaho about the people of Ha‘apai leaving for Tongatapu in search for their king Tāufa‘āhau. By making good use of the three types of heliaki, “metaphorically saying one thing but historically meaning another,” he talks about the deep sadness of the people of Ha‘apai, in thinking and feeling they have been deserted, promoting them to leave in search of their most beloved. Out of both frustration and desperation, they were determined and committed to embark on their mission, using whatever means and irrespective of …

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Vol. 44 No. 1/2 (2021): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Oct 2021

Vol. 44 No. 1/2 (2021): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Sio Fakatonga ‘Ae ‘Aati Fakatonga: Tongan Views Of Tongan Arts, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Manuesina ‘Ofakihautolo Māhina, Kolokesa Uafā Māhina-Tuai, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina Oct 2021

Sio Fakatonga ‘Ae ‘Aati Fakatonga: Tongan Views Of Tongan Arts, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Manuesina ‘Ofakihautolo Māhina, Kolokesa Uafā Māhina-Tuai, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

As inherent in the title of this essay, we present a critical exercise in viewing Tongan arts from a Tongan lens by combining ontology and epistemology in both process and outcome. By ontology and epistemology, reference is made to ways of being as subject matters of creation and ways of knowing (or seeing and doing) as works of art and literature. The latter engages in the abstraction of the single level of reality with respect to the subject matters in both the creative and the consumptive processes, whether they be faiva performance, tufunga material, or nimamea‘a fine arts. Herein, we …

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‘Atamai-Loto, Moe Faka‘Ofo‘Ofa-‘Aonga: Tongan Tā-Vā Time-Space Philosophy Of Mind–Heart And Beauty–Utility, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Kolokesa U. Māhina-Tuai, Sione L. Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli Oct 2021

‘Atamai-Loto, Moe Faka‘Ofo‘Ofa-‘Aonga: Tongan Tā-Vā Time-Space Philosophy Of Mind–Heart And Beauty–Utility, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Kolokesa U. Māhina-Tuai, Sione L. Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli

Pacific Studies

This collection of critical essays seeks to explore as a text some key aspects of Tongan concepts and practices of the sino body, ‘atamai mind, and loto heart, on the one hand, and faiva performance, tufunga material, and nimamea‘a fine arts, on the other hand, in the broader context of Indigenous Tongan Tā-Vā Time-Space Philosophy of Reality. These physical–bodily, psychological–emotional, and social–cultural, and artistic and literary aspects will be reflected upon at the fakafelavai intersection, or fakahoko connection and fakamāvae separation, of ontology (i.e., ways of being) and epistemology (i.e., ways of knowing) and of beauty/quality (i.e., what is of …

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Tongan Hoa: Inseparable Yet Indispensable Pairs/ Binaries, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Kolokesa U. Māhina-Tuai, Sione L. Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina Oct 2021

Tongan Hoa: Inseparable Yet Indispensable Pairs/ Binaries, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Kolokesa U. Māhina-Tuai, Sione L. Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

We dissect hoaism as a fundamental in Tongan philosophical thinking and feeling that is based in the concept and practice of hoa as inseparable yet indispensable pairs/binaries, with examples taken from across nature, mind, and society. From a tāvāist philosophical perspective, everywhere in reality, as in nature, mind, and society, is intersection, and there is nothing above and beyond connection and separation. This is derived from the general tāvāist fact that all things in reality stand in eternal relations of exchange, giving rise to order and conflict, both having the same logical status, when equal and opposite identities, entities, or …

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Sino, ‘Ilo, Moe Ongo: Body, Knowing, And Feeling, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Kolokesa U. Māhina-Tuai, Sione L. Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina Oct 2021

Sino, ‘Ilo, Moe Ongo: Body, Knowing, And Feeling, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana M. Lear, Kolokesa U. Māhina-Tuai, Sione L. Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

This essay critically examines the intersection of sino body, ‘ilo knowing, and ongo feeling. The latter two are considered indivisible tendencies situated in the former, which is, in turn, taken merely as a vaka/hala medium/vessel/vehicle. The authors address examples from Tongan faiva performance arts of ta‘anga poetry, hiva/fasi music, and lea oratory, in which this topic is highly developed and refined, in contrast to academia, where it is largely, if not, entirely unexplored. By drawing on the Indigenous Tongan Tā-Vā Time-Space Philosophy of Reality, the critique is placed in the Indigenous Tongan thinking and practice of ‘atamai mind and mafu/fatu …

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Siueli ‘Oe Pasifiki: Jewel Of The Pacific – A Sung Poetry Of Praise And Rivalry, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana Māhanga Lear, Sione Lavenita Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina Oct 2021

Siueli ‘Oe Pasifiki: Jewel Of The Pacific – A Sung Poetry Of Praise And Rivalry, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana Māhanga Lear, Sione Lavenita Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

We examine “Siueli ‘oe Pasifiki” “Jewel of the Pacific,” as a great work of art and literature in poetry of viki/sani praise and fetau rivalry, by Queen Sālote, concerning the mediation of human meanings in language through sustained symmetry and harmony in the production of beauty, which, in turn, results in warmth and fieriness in the creation of climatic elation. The mediation of human meanings is achieved by the artistic and literary device heliaki, defined as “metaphorically saying one thing but historically meaning another,” as in her treatment of siueli jewel, as a heliaki metaphor, for Tonga. Queen Sālote’s affective …

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Tuaikaepau: “Slow-But-Sure” – A Sung And Danced Poetry Of Tragedy, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana Māhanga Lear, Sione Lavenita Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina Oct 2021

Tuaikaepau: “Slow-But-Sure” – A Sung And Danced Poetry Of Tragedy, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana Māhanga Lear, Sione Lavenita Vaka, Maui-Tāvā-He-Akó, Tēvita O. KaʻIli, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

We critically examine Tuaikaepau “Slow-but-sure” as a sung and danced poetry of tragedy by Queen Sālote, in which she deals with her subject matter of artistic and literary creativity as a text in the broader context of history. Poetry and tragedy are respectively concerned with the mediation of ‘uhinga human meanings, and anga‘i-tangata sociality and anga‘i-manu animality, resulting in fakamā shame. Both poetry and tragedy are conducted in history, treated in Tonga (and Moana Oceania) in plural, temporal–spatial, collectivistic, holistic, and circular ways, as opposed to their treatment in singular, techno–teleological, individualistic, atomistic, and linear modes in the West. History …

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Vaka, Fale, Moe Kava: Boat, House, And Kava – Mana Structures, Mana Spaces, Tavakefai‘Ana, Sēmisi Fetokai Potauaine, Bruce Sione To‘A Moa, Sione Lavenita Vaka, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina Oct 2021

Vaka, Fale, Moe Kava: Boat, House, And Kava – Mana Structures, Mana Spaces, Tavakefai‘Ana, Sēmisi Fetokai Potauaine, Bruce Sione To‘A Moa, Sione Lavenita Vaka, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

Our collective aim in this essay is to critically examine the fakafelavai intersection, or fakahoko connection and fakamāvae separation, of the vaka boat, fale house, and kava in terms of both art work and art use. The vaka boat and fale house are associated with tufunga the material arts of tufunga fo‘uvaka boat-building and tufunga langafale house-building, and kava with faiva the performance art of faiva inukava kava-drinking; all bearing immense material–physical, psychological–emotional, and social–cultural significance. All three are variously associated with the ceremonial as tapu structures and places possessing mana power and ivi energy of great potupotutatau harmony and …

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Faiva Lova‘A‘Alo: Performance Art Of Rowing, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana Māhanga Lear, Maui-Tāvā-He-Akó, Tēvita O. Ka‘Ili, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina Oct 2021

Faiva Lova‘A‘Alo: Performance Art Of Rowing, Pā‘Utu-‘O-Vava‘U-Lahi, Adriana Māhanga Lear, Maui-Tāvā-He-Akó, Tēvita O. Ka‘Ili, Hūfanga-He-Ako-Moe-Lotu, ‘Ōkusitino Māhina

Pacific Studies

As authors, we critique the performance art of faiva lova‘a‘alo rowing, which lies in proximity to the performance arts of faiva lovavaka boat-racing, faiva kakau swimming, faiva uku diving, and faiva fānifo surfing, specifically, and faiva faifolau voyaging, faiva toutaivaka navigation, and faiva toutaiika deep-sea fishing and shallow-sea fishing, generally. The latter two, viz., deep-sea fishing and shallow-sea fishing, are known as faiva toutailoloto and faiva toutaimamaha, respectively. All the faiva faifolau, faiva toutaiika, faiva toutailoloto, and faiva toutaimamaha belong in the ha‘a toutai professional class of long-distance navigators and both deep-sea and shallow-sea fishermen. The performance art of rowing, …

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Vol. 44 No. 1/2 (2021): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Oct 2021

Vol. 44 No. 1/2 (2021): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 44, No 1/2-Oct 2021 edition of the Pacific Studies Journal.

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Vol. 43 No. 2 (2020): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Dec 2020

Vol. 43 No. 2 (2020): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 43, No 2-Dec 2020 edition of the Pacific Studies Journal.

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Naming The Cook Islands: Articulation Theory And ‘Akapapa‘Anga, Emma Ngakuraevaru Powell Dec 2020

Naming The Cook Islands: Articulation Theory And ‘Akapapa‘Anga, Emma Ngakuraevaru Powell

Pacific Studies

The Cook Islands has existed as a formal polity for roughly one hundred years. There is no antecedent Māori name for this nation. Referencing the explorer Captain James Cook, it has been the nation’s primary identifier since the late nineteenth century despite the nation comprising fifteen islands and various and distinct cultural genealogies prior to European arrival. In this article, I ask how might we effectively describe the formation of the Cook Islands’ national identity and understand its name given its underlying genealogical and cultural diversity. In asking this question, I consider the utility of cultural studies’ articulation theory for …

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“Taiwan’S Ally Tuvalu To Soon Become A Water World”: Language, Place, And Taiwan’S Popular Discourse On Tuvalu, Jess Marinaccio Dec 2020

“Taiwan’S Ally Tuvalu To Soon Become A Water World”: Language, Place, And Taiwan’S Popular Discourse On Tuvalu, Jess Marinaccio

Pacific Studies

Carol Farbotko has argued that the “islands of Tuvalu, largely absent from Eurocentric imaginings of the Pacific region, have become meaningful spaces in cosmopolitan discourses only as they disappear” (Farbotko 2010, Wishful Sinking: Disappearing Islands, Climate Refugees and Cosmopolitan Experimentation; Asia Pacific Viewpoint 51 (1): 47–60). Similarly, although Tuvalu is more present in Taiwan because it is one of Taiwan’s few diplomatic allies, Tuvalu has also become more significant in Taiwanese discourse with increased coverage of climate change. However, whereas in the West, Tuvalu and climate change are mainly linked to (often self-serving) environmentalist narratives, in Taiwan, Tuvalu and climate …

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A Response To Marinaccio’S “Language, Place, And Taiwan’S Popular Discourse On Tuvalu”, Niuone Eliuta Dec 2020

A Response To Marinaccio’S “Language, Place, And Taiwan’S Popular Discourse On Tuvalu”, Niuone Eliuta

Pacific Studies

No abstract provided.

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Love Of Place: Toward A Critical Pacific Studies Pedagogy, Emalani Case Dec 2020

Love Of Place: Toward A Critical Pacific Studies Pedagogy, Emalani Case

Pacific Studies

Growing up in Hawaiʻi, I was raised with aloha ʻāina. Loosely defined as “love of place,” aloha ʻāina is a way of being in and with the world. It is built on relationship and stewardship. In this article, I will use aloha ʻāina to reflect on my role as a Pacific studies teacher and on what responsibilities educators may have to confront our common challenge and most dire threat: the destruction of the natural environment. I will articulate “love of place” to a critical Pacific studies pedagogy, one that addresses environmental issues, contributes to the well-being of the Pacific (people, …

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Redefining Gendered Spaces: The Case Of The Indofijian Female Qawwal, Vicky V. Shandil Dec 2020

Redefining Gendered Spaces: The Case Of The Indofijian Female Qawwal, Vicky V. Shandil

Pacific Studies

Qawwali, an IndoFijian musical performance, links directly to first generation Indian indentured laborers brought to Fiji by British colonizers between 1874 and 1916. The form of qawwali considered in this paper is performed as a challenge between two vocalists both assisted by musical ensembles, respectively. Firstly, this paper describes IndoFijian qawwali and its connections to South Asia and then pays attention to IndoFijian identity because the female qawwal’s ethnic identity precedes her performance-based identity. Through Qawwali female performers created a new public identity, that of a female qawwal. This transpired through the inclusion of females on a stage traditionally exclusive …

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Vol. 43 No. 2 (2020): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Dec 2020

Vol. 43 No. 2 (2020): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Mai Te Kopu O Te Wahine: Considering Maori Women And Power, Ngahuia Te Awekotuku Jun 2020

Mai Te Kopu O Te Wahine: Considering Maori Women And Power, Ngahuia Te Awekotuku

Pacific Studies

Moko kauae: female Maori facial tattoo. This is the subtle power of maintaining a femininity that offends, that endures, that persists in the face of the settlers’ and invaders’ descendants; threatens sensibility and comfort levels; and continues to fascinate and challenge, charm and repel. Whether or not they were aware doing this, the elderly women who continued to inscribe their faces into the final decades of the past century and wear their identity and heritage with pride, were effectively confronting the colonizer and saying, we are here, and we will never ever go away. My face may make you uncomfortable, …

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Reflections On Women, Power, And Faith In Prechristian And Postchristian Polynesia, Penelope Schoeffel Jun 2020

Reflections On Women, Power, And Faith In Prechristian And Postchristian Polynesia, Penelope Schoeffel

Pacific Studies

In this article, I aim to draw attention to the scholarship of Alan Hanson and Neil Gunson, demonstrating that throughout pre-Christian Polynesia, chiefly women—even more so than chiefly men—possessed great mana and the powers to make or remove tapu. Gunson identified many great women chiefs and rulers in ancient Polynesia believed to have been descended from the gods. Hanson showed that the tapu on women in ancient Eastern Polynesian societies was because of their dangerous affinity to the gods. The missionary notion that pre-Christian Polynesians were mired in darkness led to the subordination of women when Christianity replaced the religious …

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Women, Power, And Place In Polynesia: Articulations From Samoa And Aotearoa, New Zealand, Melani Anae, Penelope Schoeffel Jun 2020

Women, Power, And Place In Polynesia: Articulations From Samoa And Aotearoa, New Zealand, Melani Anae, Penelope Schoeffel

Pacific Studies

Introduction for the Vol. 43, No 1-Jun 2020 edition of the Pacific Studies Journal.

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“Filling Up The Other Kete”: Ambivalence, Critical Memory, And The Resilience Of Older Māori Jewish Women, Hadas Ore Jun 2020

“Filling Up The Other Kete”: Ambivalence, Critical Memory, And The Resilience Of Older Māori Jewish Women, Hadas Ore

Pacific Studies

This article is part of the first study on the memories that Māori Jews share growing up and living in contemporary Aotearoa/New Zealand as well as the effect of their memories on their well-being and success in life. The study was conducted through open-ended in-depth interviews during 2016–2017. Examining more closely how six older women negotiate power and constitute indigenous agency, the analysis in this article looks into the particular way they employ their critical memory in order to overcome their ambivalence toward tertiary education. In my analysis, I apply the recent development in the theory of nostalgia with empirical …

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Vol. 43 No. 1 (2020): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Jun 2020

Vol. 43 No. 1 (2020): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Papatūānuku, Karlo Mila Jun 2020

Papatūānuku, Karlo Mila

Pacific Studies

No abstract provided.

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Women Matai (Chiefs): Navigating And Negotiating The Paradox Of Boundaries And Responsibilities, Sailiemanu Lilomaiava-Doktor Jun 2020

Women Matai (Chiefs): Navigating And Negotiating The Paradox Of Boundaries And Responsibilities, Sailiemanu Lilomaiava-Doktor

Pacific Studies

This paper examines Samoan conception of gender roles and transformations examining women's status and situation in light of ideological changes regarding gender relations and expectations in contemporary Samoa. I situate my paper in Samoan ways of knowing regarding gender roles and norms and draw on feminist (Trask 1984) works to provide guiding light for the cross cultural use of feminist theory to Samoan concepts of feagaiga, fa‘a-matai (chieftainship system), and gender equality. I study women's roles especially as they take on matai titles and examine what gains have been made and the dynamics involved for matai in the masculine (read: …

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Vol. 43 No. 1 (2020): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Jun 2020

Vol. 43 No. 1 (2020): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 43, No 1-Jun 2020 edition of the Pacific Studies Journal.

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Matai Tamaitai: “The Mistress Of The Family”, Melani Anae Jun 2020

Matai Tamaitai: “The Mistress Of The Family”, Melani Anae

Pacific Studies

This article examines faamatai (the Samoan chiefly system) and the impacts of globalization that have disempowered or reempowered women in new ways. The discourse of “women” in a transnational context is explored by perspectives from six life-story interviews of matai tamaitai in Hawaiʻi, Sydney and Oceanside and data from 88 women matai from a global online faamatai survey. It explores the faamatai tenet of ‘lima malosi ma loto alofa’ (strong hands and a loving heart), experienced as the exertion of her pule (secular authority), malosi (economic strength), mana (spiritual power), and mamalu (reverence, dignity, and social power) free from ‘traditional’ …

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