Social and Behavioral Sciences Commons^™

African American Youth-Identity, Invisible Powers & Hypnotic Blaxploitation-Themed Film Tropes: From Superfly & Drug Culture To Black Panther & Wakanda, Daniel Mitchell

Screenwriting and Film Studies Theses (MA/MFA)

This thesis project explores the most influential effect of the blaxploitation era. It is during a time shortly after the Civil Rights and Black Power Movements, where black youth are still enduring identity issues. The point of departure for central discussion of this work revolves around the mesmerizing Hollywood blaxploitation film, Superfly. It arrived on the big screen in 1972. The hit movie and its soundtrack seemingly hypnotized countless young African American youth in urban areas to become drug dealers and users. This coincided with Nixon’s War on Drugs collusion with government agencies, and the secret COINTELPRO operation. They …

Lens On Conflict: A Content Analysis Study On The Role Of Hollywood In U.S. – Iran Relations, Farshad Farahat

Department of Conflict Resolution Studies Theses and Dissertations

The main purpose of this dissertation was to identify whether development of impartial, equitable and resolution based films and television shows covering the U.S. – Iran conflict could have a greater ethical, educational, entertainment and economic value for Hollywood studios and their world audience in comparison to the present contentious and stereotypical narrative portrayals. The qualitative research methodology of content analysis was thus utilized to conduct the research. Upon the step-by-step application of the methodology, the key finding of the dissertation established that diplomatic based narrative Hollywood themes of conflict resolution have a greater social, critical review and box-office value …

"Advancing Pride": How New Turkish Historical Dramas Challenged Western Media's Stereotypical Images Of Muslims, Naim Aburaddi

Electronic Theses, Projects, and Dissertations

After the phenomenal success of Resurrection: Ertugrul that started airing on the governmental Turkish Radio and Television Corporation (TRT) in 2014, a new wave of Turkish historical dramas started getting global popularity. These shows captivated Arabs’ and Muslims’ attention around the world and exceeded viewers’ expectations. Therefore, I examined in my study why Arab viewers watch those dramas, how they perceive and react to historical facts presented in those dramas, and whether and how those dramas confront the misrepresentations of Muslims by Western media and cinema. Utilizing Said’s conceptual framework of Orientalism and other research studies that focused on the …

Afroam: A Virtual Film Production Group, Bill Taylor Jr.

Antioch University Dissertations & Theses

Because of the gatekeeping practices of the Hollywood film industry, and the high cost of both filmmaking and distribution in general, Afro-American filmmakers have struggled to produce films with “global reach.” This study visits the possibility of Afro-American filmmakers using alternative technologies and infrastructures to produce high-quality films, thereby bypassing the high cost and exclusionary practices of Hollywood studios. Using new 21st-century digital technology, this study involved the creation of a small geographically dispersed virtual film production team. The study’s foundational framework was a constructivist qualitative research paradigm, using Action Research, and supported by 24 months of triangulated data from …

Mobile Passages: Unpacking The Seasonal Lifestyle From Quebec To Topeekeegee Yugnee (Ty) Rv Park, Broward County, Southeast Florida, Tara Kai

FIU Electronic Theses and Dissertations

This study seeks to investigate the lived experiences of multi-locational actors and the production of unique forms of socialization and community using the seasonal movements and settlements of the Québécois population (also referred to as “Floribécois”) in Broward County, Florida during the winter months. This study employs interpretative phenomenological analysis (IPA) which is theoretically rooted in hermeneutic phenomenology. IPA recognizes that there are shared perspectives and lived experiences of a group of people about a concept or a phenomenon. This analysis comprises of collectively shared meanings, while being mindful of the unique experience of a single individual and/or subgroup. The …

Backward Glances: The Cultural And Industrial Uses Of Nostalgia In 2010s Hollywood Cinema, Matthew Cooper

College of Communication Master of Arts Theses

Over the course of the 2010s, one identifiable trend in Hollywood cinema was the significant presence of nostalgia films. These films stage idealized recollections of the past, appealing to affective longing for its perceived comforts and stability. This thesis utilizes an interdisciplinary approach to present a historical narrative of recent Hollywood cinema and its intersection with broader American culture and society. I argue that the most recent cinematic “nostalgia wave” is attributable to the broad, epochal conditions of modernity and late modernity, specific historical events and trends of the 2010s, and Hollywood-specific technological and industrial discontinuities. In an attempt to …

Mulan: An Exploration Of Culture And Representation In Hollywood, Annie Okuhara, Bernadine Cortina, Hung Le, Ryan Nakahara, Jerry Zou

Student Scholar Symposium Abstracts and Posters

'Mulan: An Exploration of Culture and Representation in Hollywood' is a presentation and detailed analysis of various representational, cultural, and minority-related issues in the context of Hollywood and western media. The presentation will focalize specifically around the recent live-action remake of the 1998 film "Mulan". The remake, premiered in March 2020, received critical backlash from various audiences (mostly from the BIPOC community), bashing the film for its misrepresentation of Ancient China and Ancient Chinese culture. Through this misrepresentation, the Hollywood film ultimately reflects views of cultural appropriation, misogyny, and overall minority underrepresentation in the United States. The research presents the …

Why I Fell In Love With Ramy And You Will Too?, Essraa Nawar

Library Articles and Research

"If you have not watched Ramy on Hulu, you are definitely missing a brilliant show. I have been following this show since the release of its first episode in April of 2019. While I can not claim that I am a media critic nor that I have any expertise when it comes to Hollywood and/or the show business in general. I must say that I was so intrigued by this show that I decided to write about it and interview a few people along the way that also enjoyed the show."

Crazy Rich Asians: A Tale Of Immigration, Globalization And Consumption In East Asia, Giana M. Eckhardt, Finola Kerrigan

Markets, Globalization & Development Review

We review the 2018 film Crazy Rich Asians in order to highlight its relevance for debates on immigration, globalization and consumption. In doing so, we argue that a new model of immigration for East Asians, distant and distinct from the American Dream, a “pull yourself up by the bootstraps” narrative infused with an Asian ethic, is being valorized in the film. We also illuminate the complexities of East Asian representation on screen, as evidenced by varying receptions to the film in America and in various regions of Asia. And, finally, we note that while the film celebrates excess in consumption …

Crazy Rich Asians: Exploring Discourses Of Orientalism, Neoliberal Feminism, Privilege And Inequality, Devi Vijay

Markets, Globalization & Development Review

In this review of Crazy Rich Asians (2018), I examine elements of orientalism, neoliberal feminism, privilege and inequality that layer the film. Specifically, I interrogate the film’s American inflection of orientalism, surfacing a constant duel between essentialized Asian and American values, where what is American eventually wins out. Independent, entrepreneurial women are integral to this narrative of global capitalist accumulation. Yet, as the East meets the West in the globalized consumptive spaces of the super-rich, inequalities in the United States and Singapore are either repackaged under the myth of meritocracy, or conveniently erased. While the film demarcates a new Hollywood …

On The Banality Of Transnational Film, Ian Reyes, Justin Wyatt

Markets, Globalization & Development Review

“Breakthrough” global blockbusters like Black Panther (2018) and Crazy Rich Asians (2018) create disturbances among critics and firms forced to wonder if such ripples of diversity will become waves of new cinema wiping out the hegemony of Hollywood and the global West. In this essay, we establish the context for this phenomenon in terms of film’s historical relationship to marketing. Through this context, we theorize a transnational aesthetic for global blockbusters, one that may serve to limit ripples of diversity, breaking waves of change against the rocks of a banal cinema of Americanized nothingness.

Globalization Tropes In Films: A Focus On Crazy Rich Asians, Nikhilesh Dholakia, Deniz Atik

Markets, Globalization & Development Review

No abstract provided.

Hollywood Media And The Model Minority Myth: The Representation Of Asian American Masculinity And Its Effects, Khanhlinh Le

Master's Projects and Capstones

Asian Americans are becoming one of the largest growing minority groups in the United States, almost surpassing the Latinx community. Asian Americans, however, are rarely ever represented in Hollywood films and are limited to stereotypical roles. Asian American actors have a difficult time finding roles playing characters that are three-dimensional and complex. While both Asian American men and women face this challenge, it seems that in Hollywood films and television shows, Asian American males are even less represented than females and are typically portrayed as the quiet nerd, sexy doctor, martial arts expert, or the villain. These media stereotypes impact …

Agglomeration Economies: How “Y’Allywood” Became The New Hollywood, Joseph Dugan Walker

Honors Theses

Agglomeration economies have gained special attention in recent decades. With the increasing connectivity of our world, specialized regional economies are stronger now than ever before. A specific agglomeration economy that has developed in recent years is the Georgia Film Industry. This region surpassed Hollywood as the premier filming location for the first time since the early 1900s when New York was number one. This thesis analyzes the reasons why Georgia was so successful in attracting the film industry and encouraging its development by comparing infrastructure, film tax incentives, population, and labor development to that of competing states like New York, …

Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain

CLCWeb: Comparative Literature and Culture

Through comparing the Hollywood films Arrival and The Shape of Water, this article explicates the films’ similar portrayals of gender, social collaboration, and monstrosity. Although the mainstream media in the United States has linked the idea of the monstrous to larger global forces, the two films suggest that “the monster” exists much closer to home. Hence, this article makes the case that monstrosity occurs in a variety of formulations such as the actions of national authorities like governmental officials that oppress and endanger a myriad of American citizens as well as newcomers. Further, this article makes the case that …

B613?, Donna Roberts

International Bulletin of Political Psychology

Comment from IBPP Editor: Psychological research traditions relevant to this article include (1) magical thinking not as schizotypal indicator but as normative phenomenon, (2) the developmental sequence of primary omniscience followed by the paranoid-schizoid and depressive positions of Kleinian psychoanalysis, and (3) collective psychologies including the Jungian collective unconscious as exploitable by charismatic political leaders.

Author's abstract: Hollywood will always be Hollywood. There will always be ridiculous chase scenes, impossible rescues and implausible conspiracies, each accompanied by the proverbial warning, “Don’t try this at home.” But sometimes, when art seems to imitate life and aspects of the fantasy world on …

Gender Inequality In Hollywood: The Magnitude, Determinants, And Influence Of The Gender Wage Gap In The Film Industry, Taylor Milana

Scripps Senior Theses

In the field of labor economics, abundant research has been conducted on the cause and magnitude of the gender wage gap in various industries in the United States. While the national gender wage gap has decreased over the last few decades, this trend has not been observed in every industry. The film industry, in particular, has experienced a notable lack of progress in both its social and economic treatment of women. Because Hollywood has significant influence in the United States, its misguided portrayal of women and failure to ensure equal pay for male and female actors sets a harmful standard …

Globalization Tropes In Films: A Focus On Crazy Rich Asians, Nikhilesh Dholakia, Deniz Atik

Marketing Faculty Publications and Presentations

Learning from and encouraged by the impacts of film film-based windows into globalization phenomena, in this issue of MGDR, we have focused on the film Crazy Rich Asians. In the popular press, the movie has been hailed as a major cultural point of departure for Hollywood as well as panned as just an Asian Asian-themed romantic comedy that celebrates the super-rich of Asia. The buzz around this movie does, however, indicate a slight bend in the curve of the geopolitics of the globalization discourse – and hence our decision to feature a number of academically insightful reviews of this movie …

#Metoo Movement: The New Wave Of Feminism, Jannette Delgado

Sociology Student Work Collection

Every wave of feminism serves a different purpose based on the state of society and how it treats women from all backgrounds. This presentation shares a glimpse on how the socially media-driven #MeToo movement has impacted all social spectrums from Hollywood to the higher courts and why it has remained effective in and outside social media.

Did Hollywood Take Theatre "By Hook Or By Crook?", Catherine S. Wright

MSU Graduate Theses

Hollywood and Theatre have been partners in producing entertainment for over 100 years. The relationship was fruitful for both parties, but Hollywood moguls and playwrights battled over ownership of the work and crafting of its creative nucleus, story and character. Theatre was the dominant entertainment right before the rise of motion pictures. Once Hollywood’s talkies closed the curtain on silent films, playwrights had a high creative worth to movie makers. In the cinema, story and dialogue were essential for its survival and growth. Playwrights were courted by the Hollywood studio heads but were not offered equal partnership as they were …

Mediated Merchandise, Merchandisable Media: An Introduction, Elizabeth Affuso, Avi Santo

Communication & Theatre Arts Faculty Publications

There are many reasons why film and media scholars ought to take merchandise seriously. That filmrelated merchandise is a lucrative part of the film business is only a starting point, but still a good place to start. In 2018, character and entertainment licensing accounted for 44.7% of retail sales of licensed merchandise, generating $121.53 billion in sales. [1] [#N1] This earned entertainment companies approximately $6.2 billion in royalties. [2] [#N2] Not surprisingly, five of the top ten licensors are entertainment companies, with Disney positioned at the top with $53 billion in merchandise sales. Universal Studios is ranked 4th ($7.3 billion), …

Perils Of Hollywood Whitewashing?: A Review Of 'Ghost In The Shell' Movie, Kosuke Mizukoshi

Markets, Globalization & Development Review

'Ghost in the Shell' was first produced as a Japanese animated film in 1995. The movie and its sequels established a cult status due to the philosophical depth in portraying the posthuman condition. It was remade as a live action Hollywood film in 2017; and this version failed at the box office. One reason had to be the “whitewashing” issue – that the female protagonist was played by a white actress in the Hollywood movie, rather than a Japanese character as in the original anime. This review essay critically discusses issues of whitewashing, racial ‘identity’, the shifting identity of the …

The Marginalization And Stereotyping Of Asians In American Film, Isabel Paner

Honors Theses

Asians in Hollywood films and the industry have been subjected to unfair stereotyping and under-representation since the twentieth century and up to the present. This thesis analyzes and dissects this marginalization and stereotyping of Asians in American films through text and film analysis and critical theory. Historically, if Asians are not portrayed in a stereotypical role, then they are given no role at all, rendered invisible by Hollywood and mass audiences. Their marginalization in the film industry has damaging effects on the perception of Asians in society. This study will explain what stereotypes have endured over the course of history, …

Stop Pretending To Be Like Me, Brianna O'Boyle

SURGE

I was scrolling on my Facebook feed when I saw a post that appeared to be a proposal featuring two women captioned: “She said yes!!!!!!” My first thought was how wonderful it was to see a happy, loving gay couple, and how heartening it is that they can be open and out about their relationship. As a queer person, it is always nice to see people who share that part of myself being visible. However, upon closer examination it was obvious that it was two straight best friends, joking. [excerpt]

Third-Force Influences: Hollywood's War Films, John Chapin, Marissa Mendoza-Burcham, Mari Pierce

The US Army War College Quarterly: Parameters

No abstract provided.

Female Moments / Male Structures: The Representation Of Women In Romantic Comedies, Jordan A. Scharaga

Media and Communication Studies Honors Papers

Boy meets girl, boy loses girl, boy gets girl again. With this formula it seems that romantic comedies are actually meant for men instead of women. If this is the case, then why do women watch these films? The repetition of female stars like Katharine Hepburn, Doris Day and Meg Ryan in romantic comedies allows audiences to find elements of truth in their characters as they grapple with the input of others in their life choices, combat the anxiety of being single, and prove they are less sexually naïve than society would like to admit. In 1999, a character struggles …

Ouachita To Exhibit Doris Day, Golden Age Of Hollywood Memorabilia Jan. 30-Feb. 24, Sarah Davis, Ouachita News Bureau

Press Releases

Ouachita Baptist University’s Department of Theatre Arts will host “Dear Miss Day” and “Hollywood’s Golden Age” exhibits Jan. 30 through Feb. 24 featuring curated memorabilia from mid-20^th century Hollywood. The two-part exhibit will be displayed in Moses-Provine Hall’s Rosemary Gossett Adams Gallery and is free and open to the public.

Cherry Davis, a Louisiana native and movie enthusiast, recently donated the collection of Doris Day and Hollywood memorabilia to Ouachita’s Department of Theatre Arts, in honor of her mother, a 1933 Ouachita graduate.

The Underrepresentation Of African Americans And The Role Of Casting Directors, Chantal Suhling

Undergraduate Research

Films are cultural products, which reflect the existing ideologies in a culture. In the American culture the two dominant ideologies are white normativity and patriarchy. With the Oscars right around the corner, the world is anticipating this year's nominees and winners. Hopes are high that this year the Academy Award for best actor will go to someone who is diverse. If films are reconstructions of culture, then can we really expect to see change at the Oscars? Through thorough qualitative research and interviews with industry professionals, a detailed picture of the role of casting directors in the casting process for …

With Moonlight's Oscar Win, Hollywood Begins To Right Old Wrongs, Scott J. Mckinnon

Faculty of Social Sciences - Papers (Archive)

When Faye Dunaway, standing next to a puzzled-looking Warren Beatty, announced that La La Land had won Best Picture at Monday's Oscars, I doubt many people were surprised. Sure, pretty much all of the queer film fans, writers and academics I follow on Twitter were hoping for a win by the new gay classic Moonlight, but we are a crowd that has been disappointed before.

Hollywood's Second Class Citizens, Josh Gonzalez

Sociology Student Work Collection

This zine exposes the unfair treatment of women in Hollywood. It’s an open dialogue of how Hollywood needs to do a better job of providing equal and fair treatment to women, to provide safe work environments, and to offer equal pay.