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Full-Text Articles in Social and Behavioral Sciences
Digital Radio Strategies In The United States: A Tale Of Two Systems, Alan G. Stavitsky, Michael Huntsberger
Digital Radio Strategies In The United States: A Tale Of Two Systems, Alan G. Stavitsky, Michael Huntsberger
Faculty Publications
This essay analyzes how, despite early interest in the Digital Audio Broadcasting standard (DAB) in the United States, an alternative in-band system (HD Radio) was developed as the approved digital radio standard.
Beyond Europe: Launching Digital Radio In Canada And Australia, Brian O'Neill
Beyond Europe: Launching Digital Radio In Canada And Australia, Brian O'Neill
Books/Book chapters
Eureka 147 was, as we have argued throughout this volume, a European technology designed within the very particular context of European public service broadcasting (see also Rudin 2006; O'Neill 2009). At the same time, the consortitum behind DAB technology had the ambition that Eureka 147 would become the world standard for digital radio. DAB was indeed the first such technological system to achieve standardisation at the European Telecommunications Standards Institute (ETSI), and be recommended as a global standard for digital terrestrial sound broadcasting by the International Telecommunications Union (ITU).
Radio Broadcasting In Europe: The Search For A Common Digital Future, Brian O'Neill, Helen Shaw
Radio Broadcasting In Europe: The Search For A Common Digital Future, Brian O'Neill, Helen Shaw
Books/Book chapters
Europe’s radio is also characterised by a long history of being defined and driven by the state, in highly centralized fashion in the case of countries such as France (Meadel 1994), or indeed in former totalitarian regimes of Eastern Europe (Paulu 1974), and along more federal or devolved lines in countries such as Germany, Switzerland and the Netherlands (Kuhn 1985). The development of state broadcasting monopolies in most European countries, established in the early years of the twentieth century following the invention of sound broadcasting, has ensured that there is an enduring shared common ideological approach to radio broadcasting, which …
Sounding The Future: Digital Radio And Cd-Quality Audio, Brian O'Neill
Sounding The Future: Digital Radio And Cd-Quality Audio, Brian O'Neill
Books/Book chapters
Central to the early effort to win acceptance for DAB in the early 1990s was an extensive process of promotion of the many claimed advantages of the new broadcasting technology. Digital radio broadcasting under the Eureka 147 DAB project offered many technical enhancements – more efficient use of the spectrum, improved transmission methods, and lower running costs – features that were attractive to industry professionals, broadcasting organisations, regulators and spectrum planners. But digital radio was also designed as a consumer proposition offering audiences a new and improved listening experience with ease of tuning, reliable reception, text and data services, interactive …
Digital Radio For Ireland: Competing Options, Public Expectations, Brian O'Neill, Helen Shaw, Agata Olbrycht
Digital Radio For Ireland: Competing Options, Public Expectations, Brian O'Neill, Helen Shaw, Agata Olbrycht
Reports
The Broadcasting Bill 2008 provides for digital terrestrial sound broadcasting services. This project will contribute to the debate on digital radio with research on the sector’s preparedness for digital radio. It will survey both professionals and potential users of digital radio and assess the environment within which public expectations for new audio media services are formed. REPORT PUBLISHED IN SEPTEMBER 2009
Dab Eureka-147: The European Platform For Digital Radio, Brian O'Neill
Dab Eureka-147: The European Platform For Digital Radio, Brian O'Neill
Articles
Like its analogue counterpart, digital radio is one of the 'older' forms of new media. The technology of digital radio broadcasting has been under active development for at least 25 years and has produced a number of different technical solutions, the longest established of which is Eureka-147 or Digital Audio Broadcasting (DAB). This article explores DAB's distinctly European vision for the future of broadcasting. DAB is traced to its origins in 1980s European research and development policy and its affinity with traditions of European public service broadcasting. Ironically, it was DAB's failure to capitalize on its 'Europeanness' that contributed to …
Developing Digital Radio For Ireland: Emerging Approaches And Strategies, Brian O'Neill
Developing Digital Radio For Ireland: Emerging Approaches And Strategies, Brian O'Neill
Conference Papers
Ireland’s experience of the transition from public service broadcasting to public service media has gathered pace within the last year with new legislative arrangements for media regulation, the awarding of digital terrestrial television licences and renewed attempts to introduce digital radio broadcasting on the DAB platform. The national public broadcaster, RTE, has played a central role in these developments as it attempts to manage a range of technology platforms and to provide media services for an increasingly diverse and complex market. This paper addresses the case of digital radio in Ireland and the prospects for a successful launch of DAB …
Digital Radio In Europe: Technologies, Industries And Cultures, Brian O'Neill
Digital Radio In Europe: Technologies, Industries And Cultures, Brian O'Neill
Other resources
No abstract provided.
Dab Eureka-147: The European Vision For Digital Radio, Brian O'Neill
Dab Eureka-147: The European Vision For Digital Radio, Brian O'Neill
Conference Papers
The digitalisation of radio broadcasting has a long history and as a project has been under active consideration for at least 25 years. A number of different technical approaches to digital radio exist, the longest established of which is the so-called Eureka-147 or DAB (Digital Audio Broadcasting) system. This paper explores the ‘technological imaginary’ of DAB and its distinctly ‘European’ vision for new media and the future of broadcasting. It examines its origins in European R&D policy of the 1980s, and its affinity with European broadcasting practice, particularly within a public service tradition. Ironically, it was DAB’s failure to capitalise …
Back To The Future: The Emergence Of Contrasting European And Us Approaches To Digital Radio, Brian O'Neill
Back To The Future: The Emergence Of Contrasting European And Us Approaches To Digital Radio, Brian O'Neill
Conference Papers
Digital radio has been in development for over 25 years and yet is no nearer a point of successful adoption. This paper explores the emergence of contrasting European and American approaches to digital radio. The most established of these, Eureka-147 or Digital Audio Broadcasting (DAB), which originated in Europe, is contrasted with the so-called IBOC or /HD Radio approach, as alternative collective conceptualizations of how technology can bridge contemporary broadcasting practice to an ̳imagined‘ digital future. Drawing on the concept of ̳symptomatic technology‘ (Williams 1974), DAB‘s origins in European R&D policy of the 1980s and its affinity with established European …
Digital Radio Policy In Canada: From Analog Replacement To Multimedia Convergence, Brian O'Neill
Digital Radio Policy In Canada: From Analog Replacement To Multimedia Convergence, Brian O'Neill
Articles
Digital radio policy in Canada has moved from a position of seeking to migrate all radio broadcasting onto a single digital transmission system (Eureka-147) to a multi-platform, cross-media and multimedia approach. The most recent digital radio policy of 2006 suggests a range of new possibilities for radio broadcasting, including multimedia broadcasting, but as a result has compromised the early adoption of the Eureka-147 standard. This paper contrasts the different policy contexts of 1995 and 2006 and argues that the competing technological options for digital audio delivery now pose significant dilemmas for broadcasters and policy makers.
Digital Technologies And The Future Of Radio: Lessons From The Canadian Experience., Brian O'Neill
Digital Technologies And The Future Of Radio: Lessons From The Canadian Experience., Brian O'Neill
Conference Papers
This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the …
Digital Radio Cultures In Europe, Brian O'Neill
Digital Radio Policy In Canada: Fragmentation Or Evolution Of The Medium, Brian O'Neill
Digital Radio Policy In Canada: Fragmentation Or Evolution Of The Medium, Brian O'Neill
Conference Papers
In December 2006, the Canadian Radio-Television and Telecommunications Commission (CRTC) issued its review of Digital Radio Policy. This replaced the transitional digital radio policy of 1995, and sought to implement a framework designed to support multi-platform digital radio broadcasting in an increasingly complex technological environment for the medium. Drawing on policy analysis, interviews and expert group perspectives, this paper traces the background to the legislative provision for digital radio development in Canada. While Canada was an early adopter of the Eureka-147 or Digital Audio Broadcasting (DAB), the policy of DAB as a replacement technology approach proved to be mistaken. Subsequent …
Digital Radio In Canada: From Dab To Multi-Platform Approaches., Brian O'Neill
Digital Radio In Canada: From Dab To Multi-Platform Approaches., Brian O'Neill
Conference Papers
This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the …
Digital Radio Cultures In Europe: Progress To Date And Prospects For The Future:A Review Of Research Produced By Drace, Brian O'Neill, Stephen Lax
Digital Radio Cultures In Europe: Progress To Date And Prospects For The Future:A Review Of Research Produced By Drace, Brian O'Neill, Stephen Lax
Conference Papers
Digital Radio Cultures in Europe (DRACE), was established in 2004 under the COST Action A20 “The Impact of the Internet on Mass Media in Europe”. The original configuration of the COST A20 group included provision for an internet and music research group but this was re-focussed following a re-organisation in which DRACE was more formally incorporated. The group comprises 14 researchers with specific interests in radio from Norway, Finland, Denmark, Greece, Germany, Hungary, Portugal, Croatia, the United Kingdom and Ireland. The objective of the research group is to be at the forefront of empirical research on changes in radio cultures …
Digital Technologies And The Future Of Radio: Lessons From The Canadian Experience, Brian O'Neill
Digital Technologies And The Future Of Radio: Lessons From The Canadian Experience, Brian O'Neill
Conference Papers
This paper reports on an ongoing comparative study of the development of digital radio in Europe and Canada. Focussing on the Eureka 147 Digital Audio Broadcasting (DAB) platform in Canada, of which it was an early adopter, the paper examines the complex interaction of industry, government regulation and the difficulty of policy formation matching the pace of technology development. Based on interviews with leading radio professionals, the paper presents a critical review of the ‘transitional policy’ towards the digitalisation of radio and examines the international market pressures that led Canada to largely abandon this approach in favour of the current …
Cbc.Ca - Broadcast Sovereignity In A Digital Environment, Brian O'Neill
Cbc.Ca - Broadcast Sovereignity In A Digital Environment, Brian O'Neill
Articles
Canadian Broadcasting Corporation (CBC), like many public broadcasters, has identified the value of branding their services on the world wide web as a crucial element in the strategy to bring radio into the digital era. Their approach highlights a number of strategically important issues facing broadcasters in the current environment. The internet, in Canadian terms, is an unregulated space and a not particularly Canadian space. Just as in the terrestrial environment, broadcasters like CBC have to operate in an environment dominated by United States-based interests. The regulatory solutions that Canada has previously pursued in order to preserve cultural sovereignty may …