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Social and Behavioral Sciences Commons™
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Full-Text Articles in Social and Behavioral Sciences
Open Everything: How To Find Free, Reusable Content Online, Andrée Rathemacher, Julia Lovett, Angel Ferria
Open Everything: How To Find Free, Reusable Content Online, Andrée Rathemacher, Julia Lovett, Angel Ferria
Julia Lovett
Slides and handout from a session, "Open Everything: How to Find Free, Reusable Content Online," given at the Rhode Island Library Association Annual Conference, Color Outside the Lines, on May 25, 2016 in Warwick, Rhode Island. "How can you help your patrons locate open materials to support their school work, personal development, and creative activities? What is the difference between content that is free to access versus free to reuse? What does it mean when content has an open license like Creative Commons? Where are the best places online to look for open e-books, learning materials, images, sound and music, …
Open Everything: How To Find Free, Reusable Content Online, Andrée Rathemacher, Julia Lovett, Angel Ferria
Open Everything: How To Find Free, Reusable Content Online, Andrée Rathemacher, Julia Lovett, Angel Ferria
Technical Services Faculty Presentations
Slides and handout from a session, "Open Everything: How to Find Free, Reusable Content Online," given at the Rhode Island Library Association Annual Conference, Color Outside the Lines, on May 25, 2016 in Warwick, Rhode Island.
"How can you help your patrons locate open materials to support their school work, personal development, and creative activities? What is the difference between content that is free to access versus free to reuse? What does it mean when content has an open license like Creative Commons? Where are the best places online to look for open e-books, learning materials, images, sound and …
"Whatever I Want:" Death Grips, Disobedience And The Music Industries, Grant M. Hawkins
"Whatever I Want:" Death Grips, Disobedience And The Music Industries, Grant M. Hawkins
Electronic Thesis and Dissertation Repository
The experimental hip-hop group Death Grips, formed in 2010, quickly rose to prominence and signed with the major label Epic Records in 2012. Their first Epic album, The Money Store, (2012) did well and the band appeared to be settling in to a profitable and productive relationship with the company. Yet in 2013 Death Grips released their second album, No Love Deep Web, online, for free, and without authorization from the label. Despite this breach of contract, Epic Records did not do the expected and seek to enforce their contract or sue for damages. Instead, Death Grips were …