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Articles 5251 - 5280 of 8953
Full-Text Articles in Social and Behavioral Sciences
Review Of Juvenile Delinquency: Causes And Control (2nd Edition) By Robert Agnew, Ryan E. Spohn
Review Of Juvenile Delinquency: Causes And Control (2nd Edition) By Robert Agnew, Ryan E. Spohn
Criminology and Criminal Justice Faculty Publications
Juvenile Delinquency: Causes and Control is a comprehensive text addressing the causes of, and responses to, a major social problem in modern American society. Although Robert Agnew is best known for his development of General Strain Theory, an individuallevel strain theory rooted in classical anomie theory and the more recent literature on stress, his broader record of publication denotes him as one of the premier theoretical analysts in the fields of criminology and juvenile delinquency. This text reflects his command of the discipline. The book is oriented according to a number of themes. First, it is designed to be shorter …
An Outcome Evaluation Of Marble Retreat's Brief, Intensive Psychotherapy Program, Scott G. Koeneman
An Outcome Evaluation Of Marble Retreat's Brief, Intensive Psychotherapy Program, Scott G. Koeneman
Doctor of Psychology (PsyD)
Marble Retreat is an interdenominational psychotherapy treatment facility dedicated to ·eating clergy in crisis. Its mission is to facilitate healing and restoration to those who are in ocational Christian ministry through a Christ-centered approach to brief, intensive sychotherapy. The doors of Marble Retreat have been open since 1974. Over the past 33 years, 1arble Retreat has worked with over 3000 clergy in crisis. Recently, Marble Retreat has hanged directorship for the first time in its operation. In 2003, the Board of Directors of Marble ~etreat officially appointed Steven Cappa, PsyD and his wife Patti Cappa, MS, LMFT, CAC II ) …
2007 March Newsletter, Nancy Rockey
2007 March Newsletter, Nancy Rockey
Human Subject Research Archive
No abstract provided.
Coping With Lasting Social Injustice, Jonathan R. Cohen
Coping With Lasting Social Injustice, Jonathan R. Cohen
Washington and Lee Journal of Civil Rights and Social Justice
No abstract provided.
Beneath The Veil: Corollaries On Diversity And Critical Mass Scholarships From Rawls' Original Position On Justice, Chris Chambers Goodman
Beneath The Veil: Corollaries On Diversity And Critical Mass Scholarships From Rawls' Original Position On Justice, Chris Chambers Goodman
Washington and Lee Journal of Civil Rights and Social Justice
No abstract provided.
Anxiety Sensitivity And Retaliatory Aggressive Behavior In Research Volunteers, Joshua J. Broman-Fulks, Michael S. Mccloskey, Mitchell E. Berman
Anxiety Sensitivity And Retaliatory Aggressive Behavior In Research Volunteers, Joshua J. Broman-Fulks, Michael S. Mccloskey, Mitchell E. Berman
Faculty Publications
An important focus of recent aggression research has been to identify personality variables that influence the expression of aggression. One such variable may be anxiety sensitivity (AS). Individuals high in AS fear unpleasant anxiety-related physiological sensations and perhaps physiological arousal in general. Accordingly, people high in AS are motivated to avoid situations that produce these sensations. With respect to aggressive encounters, an intense attack by an opponent involves significant physiological arousal. High anxiety-sensitive individuals may therefore attempt to decrease the intensity of the interaction by responding in a non-aggressive or conciliatory manner. To test this possibility, 112 community volunteers completed …
Illegal Alien? The Immigration Case Of Mohawk Ironworker Paul K. Diabo, Gerald F. Reid
Illegal Alien? The Immigration Case Of Mohawk Ironworker Paul K. Diabo, Gerald F. Reid
Sociology Faculty Publications
In March of 1927 Paul K. Diabo, a thirty-six-year-old Mohawk ironworker from Kahnawake (Mohawk Nation Territory), Quebec, appeared before Judge Oliver B. Dickinson in federal court in Philadelphia to contest his deportation to Canada. According to the Department of Immigration, which had arrested him a year earlier, Diabo had violated the Immigration Act of 1924 and should be considered an illegal alien. As a member of the Rotinonhsionni (Iroquois) Confederacy, Diabo contended that he had a right to cross the international border without interference and restriction—a right, he argued, that had been recognized by the Jay Treaty of 1794. Diabo’s …
Library Mashups For The Virtual Campus: Using Web 2.0 Tools To Create A New Current Awareness Service, Linda Absher, Adriene Lim, Kerry Wu
Library Mashups For The Virtual Campus: Using Web 2.0 Tools To Create A New Current Awareness Service, Linda Absher, Adriene Lim, Kerry Wu
Library Faculty and Staff Publications and Presentations
This article explores the ways academic libraries can exploit Web 2.0 technologies and techniques to create Current Awareness Service (CAS) mashups for campus virtual environments. Described are Portland State University Library's efforts to create a CAS site called "Topic Watch;" the criteria used to select humanities and business content for the project; and an overview of the technology employed to combine data from disparate sources into the service. Also summarized are the challenges and issues the library faced during development and future steps to be taken to incorporate the new resource into the campus virtual environment.
Village Princess, Tusiata Avia
Village Princess, Tusiata Avia
Pacific Studies
This poem reflects on the tension between traditional cultural roles and personal freedom, using the figure of a taupou—an honored ceremonial title in Samoan culture—as a lens. The speaker contrasts their sister’s symbolic beauty and status with her eventual rejection of expectations, choosing instead a life of independence and reinvention in America. The shift from reverence to silence around titles suggests a broader commentary on changing values and the cost of self-determination.
Living Small, Kim Meredith
Living Small, Kim Meredith
Pacific Studies
This story traces Luisa’s quiet reflections during a bus ride through the city and into the suburbs, blending present experiences with vivid memories of a full, familial past. As she recalls life with her husband in her grandparents’ home and her grandmother’s moving speech at her university graduation, we see Luisa grappling with the contrast between her youthful dreams and her current life. Her grandmother once called her “a dreamer” and supported her late-night intellectual curiosity, forging a bond that shaped Luisa’s path. When a coworker sits beside her on the bus, Luisa is drawn back into the present, revealing …
Manōwai, Victoria Nālani Kneubuhl
Manōwai, Victoria Nālani Kneubuhl
Pacific Studies
This story follows Kanoe, a woman who retreats to rural Kona to recover from an emotionally abusive relationship with Frank, a manipulative academic. Through journal-like reflections and quiet moments in the heat-soaked coastal town, Kanoe processes her heartbreak and rediscovers herself. Her interactions with locals—particularly the wise and warm-hearted Luisa—reveal a rhythm of life grounded in history, resilience, and a subtle but profound sense of healing. As Kanoe begins writing again and exploring her surroundings, her journey shifts from escape to restoration, where stories, memory, and new connections light the path forward.
It Began With A Question, Konai Helu Thaman
It Began With A Question, Konai Helu Thaman
Pacific Studies
This poem reflects a quiet, profound moment of surrender and trust. Rooted in timelessness and uncertainty, the speaker is called into action not by clarity, but by faith. Despite feeling disconnected from place and time, they answer a rare question with a brave "yes," grounding themselves in something enduring—a rock that "noticed" them. It’s a meditation on belonging, voice, and hope whispered into a weary world.
Walking With My Grandmothers #1, Jewel Castro
Walking With My Grandmothers #1, Jewel Castro
Pacific Studies
Image of three women, two are grandmothers
The Night Woman, Sia Figiel
The Night Woman, Sia Figiel
Pacific Studies
This evocative poem honors the resilience, knowledge, and sacred power of the “Night Woman”—a symbolic figure who endures judgment and violence from the dominant “Day People.” Though wounded, she hides her pain behind silence and laughter, carrying ancient wisdom of the natural and cosmic world. In a transformative act at the ocean’s edge, she sheds societal expectations (“Day Skin”) to embrace her true self, birthing new generations whose identities are written in the stars. It’s a lyrical celebration of hidden strength, ancestral legacy, and feminine sovereignty.
Diagnosis, Caroline Sinavaiana
Diagnosis, Caroline Sinavaiana
Pacific Studies
This poem captures a moment of tense uncertainty, likely surrounding a medical diagnosis revealed by ultrasound. The natural imagery—sea of shadows, swaying grass, warring rain and wind—mirrors the speaker’s emotional turbulence. Faced with a 50/50 prognosis, they turn inward, preparing for struggle or protection by invoking ancestral strength, symbolized by “ancient arrows” and a tightened bowstring. It’s a poetic meditation on fear, resilience, and readiness in the face of potential loss.
Butterfly Thighs Flutter By The Bye, Rosanna Raymond
Butterfly Thighs Flutter By The Bye, Rosanna Raymond
Pacific Studies
An artwork displaying a woman in sepia tones in front of a background of text.
Waimanalo Litany, Caroline Sinavaiana
Waimanalo Litany, Caroline Sinavaiana
Pacific Studies
This elegiac poem, “Waimanalo Litany,” written in memory of Mahealani Dudoit, is a lyrical meditation on loss, healing, and the sacred presence of place. With vivid imagery of ocean, land, and ancestral spirits, the poet weaves a prayerful plea for mercy and peace across beloved Pacific landscapes. The repeated invocations to the spirits of moana, Koʻolau, Makapuʻu, and Waimānalo evoke a sense of cultural rootedness and spiritual continuity, even amid physical pain and environmental disruption. It is both a personal tribute and a collective chant of remembrance.
My Pigeon, From The Samoan, Caroline Sinavaiana
My Pigeon, From The Samoan, Caroline Sinavaiana
Pacific Studies
This poem is a lyrical elegy expressing love, longing, and loss through the metaphor of a pigeon in flight. Rooted in Samoan tradition, it evokes a deep emotional landscape where nature mirrors the ache of separation. The forest becomes both a literal and symbolic space of mystery and mourning, as the speaker watches and waits in vain for a beloved who has disappeared. Through its gentle cadence and sensory imagery, the poem captures the enduring ache of absence and the hope—however faint—that love might return on silent wings.
Dialoguing Across The Pacific: Kūkā Kūkā And The Cultivation Of Wahine Maoli Identities, Noelani Goodyear-Ka'opua, Lana Sue Ka‘O ̄Pua
Dialoguing Across The Pacific: Kūkā Kūkā And The Cultivation Of Wahine Maoli Identities, Noelani Goodyear-Ka'opua, Lana Sue Ka‘O ̄Pua
Pacific Studies
Hilihewa ka mana‘o ke‘ole ke kūkākūkā. As thoughts can become miswoven when there is no discussion, so it is with our identities as Wahine Maoli, Native Hawaiian women, and the ensuing choices we make about how to live in this world. Other recent collaborative articles by Kānaka Maoli have used kūkākūkā to refer to face-to-face “talk-story” sessions. This kūkākūkā is different, as one of us is living in Hawai‘i and the other in California. We used e-mail and telephone conversations to enable kūkākūkā spanning distances of time and space. As we communicate across generations and across our ocean home, we …
Not Exotic, Lisa Kahaleole Hall
Not Exotic, Lisa Kahaleole Hall
Pacific Studies
This sensual poem explores desire and self-discovery through the metaphor of mangoes—ripe, tart, messy, and irresistible. The speaker recalls the intense flavors and sensations of mango eating, paralleling them with a complex, bold woman who resists sweetness in favor of spice. It captures the tension between sharp edges and tender longing in a relationship that ripens slowly, but promises depth and heat in time.
Maori Women Researching Ourselves, Ngahuia Te Awekotuku
Maori Women Researching Ourselves, Ngahuia Te Awekotuku
Pacific Studies
This essay, based on a keynote address titled "Maori Women and Research: Researching Ourselves," explores the significance of Maori women conducting research on their own identities, experiences, and communities. Challenging the dominance of non-Maori scholarship, the author advocates for self-representation and sovereignty in knowledge production. Drawing from intergenerational dialogue, collective reflection, and lived realities, the essay unpacks questions of gender, cultural protocol, positionality, and access within Maori society. It highlights the layered complexities faced by Maori women researchers—navigating traditional expectations, community dynamics, and academic gatekeeping—while affirming the transformative power of research as a tool for empowerment, reclamation, and cultural continuity.
Walking With My Grandmothers #2, Jewel Castro
Walking With My Grandmothers #2, Jewel Castro
Pacific Studies
Artwork portrays three women, two are grandmothers.
Prologue: Special Issue Women Writing Oceania–Weaving The Sails Of Vaka, Caroline Sinavaiana, J. Kehaulani Kauanui
Prologue: Special Issue Women Writing Oceania–Weaving The Sails Of Vaka, Caroline Sinavaiana, J. Kehaulani Kauanui
Pacific Studies
This editorial introduction to Women Writing Oceania reflects on the physical, emotional, and spiritual toll of neocolonial legacies in the Pacific, especially among indigenous women. Editors, writing as activist-scholars, discuss the urgency of storytelling as survival, anchoring their reflections in personal experiences with illness, loss, and the weight of cultural and academic responsibilities. Framed by the broader health and social crises facing Oceanic communities, the collection is both testimony and tribute—dedicated to resilience, community, and the healing power of collective indigenous voice.
Piharamata Tumahai Smoking Her Taho, Marie-Hélène Villierme
Piharamata Tumahai Smoking Her Taho, Marie-Hélène Villierme
Pacific Studies
Photograph of an elderly woman smoking.
Niudity (I-Iv), Teresia Teaiwa
Niudity (I-Iv), Teresia Teaiwa
Pacific Studies
The "Niudity" poem sequence by Teresia Teaiwa explores the layered metaphor of the coconut (niu) to reflect on identity, vulnerability, and postcolonial femininity in Oceania. The poems interweave bodily imagery with cultural symbolism—where the coconut’s husk, shell, and flesh represent stages of exposure, resilience, and inner worth. In playful yet poignant verse, Teaiwa deconstructs the idea of nudity into niudity—a state shaped not just by nakedness, but by misrecognition, resistance, and cultural disguise. Her fictional dictionary entries parody colonial linguistic authority while empowering indigenous reinterpretation. The final poem subverts expectations with sharp commentary on exploitation, voice, and …
Tradition, Jewel Castro
Tradition, Jewel Castro
Pacific Studies
A painting of a woman's chest, opened to reveal people, perhaps her heritage.
Woven Worlds, Konai Helu Thaman
Woven Worlds, Konai Helu Thaman
Pacific Studies
This poem beautifully portrays the act of weaving—both literal and metaphorical—as a shared practice of memory, creativity, and cultural continuity. The speaker reflects on how hands, once weaving traditional materials like voivoi (pandanus), now craft art through movement and color. Together, the weavers form a collective bond, connecting generations and geographies in a creative act that honors ancestral legacy and reimagines the world through shared expression.
Communicating Tradition In Samoan American Art: An Artist’S Reflection, Jewel Castro
Communicating Tradition In Samoan American Art: An Artist’S Reflection, Jewel Castro
Pacific Studies
This reflective essay explores the profound influence of Samoan tradition—particularly the sasa dance—on the author's identity and artistic practice. Through vivid childhood memories of her great-aunties' powerful and spiritually charged performances, the writer illustrates how traditional movement becomes a portal to ancestral connection and cultural affirmation. As a Samoan American artist, she uses these embodied experiences as inspiration for her installation-based storytelling environments, blending painting, sculpture, sound, scent, and space to express tradition as a living, multisensory force. Grounded in both memory and innovation, the essay positions tradition as a universal, transformative language that transcends cultural barriers and invites shared …
2nd Stanza, "Samoa," From Meet You In Hawaiki, Rosanna Raymond
2nd Stanza, "Samoa," From Meet You In Hawaiki, Rosanna Raymond
Pacific Studies
An image of a woman with a poem.
Walking With My Grandmothers #3, Jewel Castro
Walking With My Grandmothers #3, Jewel Castro
Pacific Studies
An artwork portraying a woman flanked by two women, her grandmothers.