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Articles 8731 - 8760 of 11626
Full-Text Articles in Social and Behavioral Sciences
Buyer Beware: Using Interlibrary Loan Requests In Purchasing Decisions, Jane L. Ingold
Buyer Beware: Using Interlibrary Loan Requests In Purchasing Decisions, Jane L. Ingold
Against the Grain
No abstract provided.
People Profile: Antje Mays, Editor
Atg Annual Survey Report, David Lyle
From The Reference Desk, Thomas Gilson
People Profile: Arlene Hanerfeld, Editor
Books Are Us, Anne Robichaux
Legally Speaking -- The Other "L" Word: A Primer For Creating Library Lobbying And Marketing Campaigns While Staying Within The Law, Bryan M. Carson J.D., M.I.L.S., Robin Mcginnis
Legally Speaking -- The Other "L" Word: A Primer For Creating Library Lobbying And Marketing Campaigns While Staying Within The Law, Bryan M. Carson J.D., M.I.L.S., Robin Mcginnis
Against the Grain
No abstract provided.
People Profile: Michelle Flinchbaugh, Editor
People Profile: Camille Livingston, Editor
People Profile: Robin Barnard Moskal, Editor
Questions & Answers -- Copyright Column, Laura N. Gasaway
Questions & Answers -- Copyright Column, Laura N. Gasaway
Against the Grain
No abstract provided.
Cases Of Note -- Copyright, Bruce Strauch
Book Reviews -- Monographic Musings, Debbie Vaughn
Book Reviews -- Monographic Musings, Debbie Vaughn
Against the Grain
No abstract provided.
From Your (Thawing-Out) Editor, Katina Strauch
From Your (Thawing-Out) Editor, Katina Strauch
Against the Grain
No abstract provided.
Rumo(U)Rs From Paddington, Daryl Rayner
2004 Charleston Conference -- 24th Annual Issues In Book And Serial Acquisition, Editor
2004 Charleston Conference -- 24th Annual Issues In Book And Serial Acquisition, Editor
Against the Grain
No abstract provided.
Kurosawa's Throne Of Blood And East Asia's Macbeth, Yuwen Hsiung
Kurosawa's Throne Of Blood And East Asia's Macbeth, Yuwen Hsiung
CLCWeb: Comparative Literature and Culture
Yuwen Hsiung presents in her paper, "Kurosawa's Throne of Blood and East Asia's Macbeth," a comparative study between Kurosawa's film Throne of Blood and a contemporary Taiwanese play, Kingdom of Desire, both of which are adaptations of Shakespeare's Macbeth. Stepping from Eastern cultural background, both show similar orientation towards the original play, for instance the sizing down of the number of witches and the decreasing of Macbeth's heroic status. Gilles Deleuze's theory of movement image provides an insightful look into Kurosawa's filmology, which emphasizes the interrelatedness of every individual under the same condition. The idea of collectivity could be examined …
Introduction To Shakespeare On Film In Asia And Hollywood, Charles Ross
Introduction To Shakespeare On Film In Asia And Hollywood, Charles Ross
CLCWeb: Comparative Literature and Culture
No abstract provided.
Shakespeare And The Visualization Of Metaphor In Two Chinese Versions Of Macbeth, Alexander C.Y. Huang
Shakespeare And The Visualization Of Metaphor In Two Chinese Versions Of Macbeth, Alexander C.Y. Huang
CLCWeb: Comparative Literature and Culture
In his paper, "Shakespeare and the Visualization of Metaphor in Two Chinese Versions of Macbeth," Alexander Huang proposes that, in addition to political uses, visualization is an important dimension of cultural translations of Shakespeare. In recent studies, Shakespeare's global presence has been investigated from various perspectives of critical inquiry, especially with postcolonial theories and in East-West literary relations. Instead of faulting cultural imperialism or foregrounding political statements in theatre, Huang explores the visual dimension of cultural translation found in Kingdom of Desire (a Beijing opera adaptation of Macbeth) and Story of the Bloody Hand (a Kunqu opera appropriation of the …
Reality And Metaphor In Jane Howell's And Julie Taymor's Productions Of Shakespeare's Titus Andronicus, Lucian Ghita
Reality And Metaphor In Jane Howell's And Julie Taymor's Productions Of Shakespeare's Titus Andronicus, Lucian Ghita
CLCWeb: Comparative Literature and Culture
In his paper, "Reality and Metaphor in Jane Howell's and Julie Taymor's Productions of Shakespeare's Titus Andronicus," Lucian Ghita looks at how Jane Howell's 1985 BBC production of Shakespeare's Titus Andronicus and Julie Taymor's film 1999 adaptation Titus re-fashion the image of Young Lucius. In Ghita's interpretation this happens by structuring the boy as the nexus of a cycle of violence that disturbs not only Andronicus's household, but also the moral and socio-political structures of ancient Rome. Ghita shows how the two directors politicize and ritualize their films by using cinematic techniques to distinguish, on the one hand, the real …
Hamlet's "Globe" And The Self As Performer In England And Japan, Yu Shibuya
Hamlet's "Globe" And The Self As Performer In England And Japan, Yu Shibuya
CLCWeb: Comparative Literature and Culture
In his paper, "Hamlet's 'Globe' and the Self as Performer in England and Japan," Yu Shibuya argues that Hamlet sees his life as a performance. Shibuya presents examples from Tsuneari Fukuda's Japanese translation to suggest that Fukuda makes choices that emphasize the theatrical side of Hamlet's character. If Hamlet perceives himself as an actor, then his definition of theater or an actor is ultimately a definition of himself. Shibuya uses the theme of self-definition to examine Kenneth Branagh's film version, especially the Mousetrap and the "O what a rogue and peasant slave" scenes. By analyzing Branagh's staging and directorial decisions …
Shakespeare's Taming Of The Shrew And The Tradition Of Screwball Comedy, Mei Zhu
Shakespeare's Taming Of The Shrew And The Tradition Of Screwball Comedy, Mei Zhu
CLCWeb: Comparative Literature and Culture
In her paper, "Shakespeare's Taming of the Shrew and the Tradition of Screwball Comedy," Mei Zhu argues that Shakespeare's Taming of the Shrew is controversial owing to the subtlety and complexity of the text as well as its subject matter. Franco Zeffirelli's 1967 film version seems to follow the narrative structure of the original play closely while its effect is different. Through a detailed analysis and comparison of Shakespeare's play and Zeffirelli's adaptation, Mei argues that Zeffirelli's Taming is based on the Hollywood genre of screwball comedy. Rooted in mid-1930s USA during the Great Depression, such films feature a comic …
Silence And Sound In Kurosawa's Throne Of Blood, Lei Jin
Silence And Sound In Kurosawa's Throne Of Blood, Lei Jin
CLCWeb: Comparative Literature and Culture
Lei Jin argues in her paper, "Silence and Sound in Kurosawa's Throne of Blood," that silence and sound are employed as vehicles to explore the major themes of Kurosawa's Throne of Blood, fate, ambition, and destruction. By examining closely a few dramatic moments of the film, Lei demonstrates that silence and the interaction between silence, natural sound, and Noh music enhance the effect of Kurosawa's visual images, enforce their symbolic messages, and intensify the characters' psychological conflicts. Although Asaji's introspective speech and most of the dialogue between Washizu and Asaji are eliminated, silence bespeaks Asaji's unfathomable evil. In turn, Washizu's …
Science Fiction, Forbidden Planet, And Shakespeare's The Tempest, Simone Caroti
Science Fiction, Forbidden Planet, And Shakespeare's The Tempest, Simone Caroti
CLCWeb: Comparative Literature and Culture
In his paper, "Science Fiction, Forbidden Planet, and Shakespeare's The Tempest," Simone Caroti illustrates the way in which Cyril Hume and Fred Wilcox's 1956 science fiction movie Forbidden Planet -- whose plot is inspired by Shakespeare's Tempest -- reconfigures in Shakespeare's play. Caroti begins by defining the genre of science fiction and explaining its attraction for modern audiences. Following Darko Suvin's notions of science fiction, Caroti highlights the theme of cognitive estrangement and shows how Forbidden Planet offers a cultural translation of this theme in The Tempest. The result of Caroti's analysis is to read Prospero and his magic in …
Cultural Anxiety And The Female Body In Zeffirelli's Hamlet, Xianfeng Mou
Cultural Anxiety And The Female Body In Zeffirelli's Hamlet, Xianfeng Mou
CLCWeb: Comparative Literature and Culture
Xianfeng Mou analyzes in her paper, "Cultural Anxiety and the Female Body in Zeffirelli's Hamlet," the workings of power, both discursive and visual, behind Zeffirelli's handling of the Nunnery and Mousetrap scenes, focusing on feminist interpretations of the female body and female sexuality. Drawing on theories by Judith Butler, Michel Foucault, and Julia Kristeva, Mou analyzes how Zeffirelli, using Hamlet as his spokesman, constructs his negative meanings about Gertrude's sexuality as rampant and aberrant and Ophelia's body as disloyal, insincere, and insignificant. Mou argues that Zeffirelli's discursive and visual constructions confer absolute power upon Hamlet and that this reflects Zeffirelli's …
Underwater Women In Shakespeare Films, Charles Ross
Underwater Women In Shakespeare Films, Charles Ross
CLCWeb: Comparative Literature and Culture
In his paper, "Underwater Women in Shakespeare Films," Charles Ross looks at the film tradition of representing the social oppression of women by scenes submersion, a trope that has its literary roots in the classics, the French Middle Ages, the Renaissance, and the novel. Ross argues that unlike classic directors such as Kurosawa, Kozintsev, and Polanski, modern filmmakers not only like to enhance the female body, but also to draw on this trope as a cinematic shorthand to symbolize the oppression of women by various forces. Hollywood films made in the 1990s often go overboard in their attempts to make …
Method Acting And Pacino's Looking For Richard, Peirui Su
Method Acting And Pacino's Looking For Richard, Peirui Su
CLCWeb: Comparative Literature and Culture
In her paper, "Method Acting and Pacino's Looking for Richard," Peirui Su explores the influence of method acting on Al Pacino's decision to film Shakespeare's Richard III as an unconventional docudrama. She compares Pacino's film to Laurence Olivier's 1955 film of Richard III and Ian McKellen's 1995 modernized version to show how Pacino's documentary structure solves the problems raised by films that try either to recreate the Elizabethan world or to update Shakespeare, thereby introducing anachronisms. Su argues that Pacino engages US-American audiences by filming interviews and open rehearsals. Su concludes her paper by analyzing the well-known scene of Richard's …
Race And Othello On Film, Laura Reitz-Wilson
Race And Othello On Film, Laura Reitz-Wilson
CLCWeb: Comparative Literature and Culture
In her article "Race and Othello on Film," Laura Reitz-Wilson discusses Shakespeare's treatment of race in Othello and compares it to what Hollywood as a producer of culture has done. Reitz-Wilson looks at nine different film versions and analyzes their approaches to Othello's race and character. She parses the historical and textual evidence for racism in Shakespeare's and concludes that it exists and should not be overlooked. Othello's otherness is, in fact, directly connected to his blackness, but Hollywood has rarely captured the tenuous line Shakespeare creates between barbarian and civilized Venetian. Her analysis of the film versions of Othello …
Bibliography For The Study Of Shakespeare On Film In Asia And Hollywood, Lucian Ghita
Bibliography For The Study Of Shakespeare On Film In Asia And Hollywood, Lucian Ghita
CLCWeb: Comparative Literature and Culture
No abstract provided.