Social and Behavioral Sciences Commons^™

Symbolic Violence As Subtle Virulence: The Philosophy Of Terrorism, Jonathan Beever

Re-visioning Terrorism

Jean Baudrillard’s semiotic analysis of violence leads us to understand the form of violence as three-fold: aggressive, historical, and semiotically virulent. Violence of the third form is the violence endemic to terrorism. If violence has been typically understood as of the first two types, terrorism should be understood as the virulence of simulacra. The conflation of these types of violence explains the failure of militaristic responses to terrorism. This paper will explore Baudrillard’s conception of symbolic violence as the virulence of signs and help us come to terms with the semiotic foundation of terrorism.

Marco Bellocchio's Buongiorno Notte And The Language Of Terrorists, Cosetta Gaudenzi

Re-visioning Terrorism

This essay investigates Marco Bellocchio’s Buongiorno, notte (2003), a movie which exploits language and soundtrack to fictionalize and revisit the historical 1978 kidnapping and murder of the Christian Democrat President Aldo Moro by the 1970s Italian left terrorist group Brigate Rosse. As I demonstrate, Bellocchio relies greatly on the language and soundtrack of Buongiorno, notte to convey his negative response to the BR’s kidnapping and murder of Moro, as well as to come to terms with his own political and cinematic past.

The Cultural Politics Of Wmd Terrorism In Post-Cold War America, Harold Williford

Re-visioning Terrorism

Terrorism’s definition is hotly debated and notoriously problematic. The resulting instability of counterterrorism and counterterrorist identity, however, is less often explored. This paper analyzes the prehistory of the War on Terror to explore how the meaning and associations attributed to terrorism by counterterrorists in the 1990s reflect the latter’s priorities, agenda, and anxieties. Prevalent ahistorical post-Cold War representations of terrorism involving weapons of mass destruction (WMD) as a “new” threat indicate that WMD-wielding terrorists functioned to justify the continued existence of the American national security state after the Soviet Union collapsed. Close readings of Rainbow Six, a Tom Clancy …

The Privilege Of Ambivalence: Saturday’S Henry Perowne On The ‘War On Terror’, Jax Lee Gardner

Re-visioning Terrorism

This essay considers the relation between personal privilege (class, race, nationality, sex) and political ambivalence toward the Iraq war as it manifests in the protagonist of Ian McEwan’s Saturday. Henry Perowne “feels culpable somehow, but helpless too” in his shifting opinions of the coming invasion. Throughout the text we are shown Henry’s multiple perspectives regarding Iraq. Such ambivalence is, in itself, a form of complicity in war. Henry neither tangibly opposes the actions of the government (as the protesters do), nor does he consider sacrificing any of his creature comforts in support of the war (as the soldiers do). I …

Writing Victims: Post-Terrorist Fiction(S) In The Basque Country And Spain, Roland Vazquez

Re-visioning Terrorism

This paper examines the recent evolution of fiction in and about the Basque Country. I focus on depictions of the victims of ETA’s violence, and literature that documents their plight in the genres of the novel and short story. One trend is the movement away from “terrorist” and toward “victim” as the narrative focus. Another is an art increasingly in service to a political agenda. Although much of this corpus focuses on everyday details richer than those found in the mass media, social-scientific literature, or victim testimony, these forms often blur in their rhetorical styles.

The Invention Of Modern State Terrorism During The French Revolution, Guillaume Ansart

Re-visioning Terrorism

This essay discusses three aspects of the Terror (September 1793–July 1794): (1) The Institutions of the Terror: The Committee of General Security, the Committee of Public Safety, and the Revolutionary Tribunal; (2) the Theory of Terror: The unity and indivisibility of the people, the category of enemy of the people, and the concept of Revolution as a state of war against aristocratic/foreign conspiracies; (3) the Language of Terror: The Terror is also a performative language, a language which embodies terror by aiming to silence all debate. In this sense, the language of Terror is Terror itself.

Knights Of Justice: Blockbuster Terrorism In Code Geass: Lelouch Of The Revolution, Aaron Choo, Wilson Koh

Re-visioning Terrorism

Jihadis And The Use Of The Terms Terrorism And Terrorist, Aaron Zelin

Re-visioning Terrorism

Previous studies on the usage of the terms terror, terrorist, and terrorism have taken a Western perspective on how these terms should be defined and then deployed, but the viewpoint of the “terrorist” (in this case jihadis) has yet to be examined. This study analyzes how jihadis understand these terms and critically assesses their interpretation based on classical Islamic doctrine. The basis and “proof” for jihadis’ legitimization of using terror is based upon the Qur’anic verse 8:60, but when taken into context and traditional understanding, jihadis miss the mark. Yet, at the same time, when exploring the linguistic root for …

Digital Humanities In Developed And Emerging Markets, Verena Laschinger

CLCWeb: Comparative Literature and Culture

In her article "Digital Humanities in Developed and Emerging Markets" Verena Laschinger discusses the impact e-culture has on humanities pedagogy both in affluent countries and emerging markets. Claiming that e-literacy training generally offers opportunities to recover the traditional agency of the humanities thus catapulting the disciplines into the educational forefront of the creative economy, special attention is given to the chances digital humanities education offers in Turkey’s emerging market economy. Given that technology promotes the country's economic development, which includes a rapidly growing private educational sector, digital humanities education helps citizens to adjust to critical democratic exchange, to facilitate and …

Mortgaging Our Future On Ownership, Or, The Pleasures Of Renting, Steven R. Harris

Against the Grain

No abstract provided.

Questions & Answers -- Copyright Column, Laura N. Gasaway

Against the Grain

No abstract provided.

Plotting The Pixel In Remediated Word And Image, Sarah Wyman

CLCWeb: Comparative Literature and Culture

In her article "Plotting the Pixel in Remediated Word and Image" Sarah Wyman argues that art's historic negotiation of culture continues into the new digital media age as it both asserts the materiality of the medium and acknowledges the impact of embodied perception. She demonstrates that however revolutionary, the new digital media still relate to many traditional paradigms of aesthetic expression. Problems of representation and simulation continue to catch on questions of time, space and human perception. The contingent relationships between categories and entities once kept separate — word/image, observer/observed — determine and define the process of globalization. The new …

Something To Think About -- Doubling Up?, Mary E. (Tinker) Massey

Against the Grain

No abstract provided.

Trusting Digital Preservation For Print Collection Management, Or How Librarians Should Learn To Stop Worrying And Love The "E", Wm. Joseph Thomas

Against the Grain

No abstract provided.

Making Sense Of The Digital As Embodied Experience, Serge Bouchardon, Asunción López-Varela

CLCWeb: Comparative Literature and Culture

In their article "Making Sense of the Digital as Embodied Experience" Serge Bouchardon and Asunción López-Varela discuss a digital creation — Loss of Grasp <http://lossofgrasp.com/> — created by Serge Bouchardon and Vincent Volckaert. The work is about the notions of grasp and control. Through an analysis of Loss of Grasp, Bouchardon and López-Varela Azcárate show how the Cartesian understanding of private isolated experience, independent of reality external to it, has given way to a communal understanding of experience in which the subject constitutes itself by mirroring himself/herself on its objects, producing a mutual engagement or co-creativity among interdependent intersubjects: …

Digital Archiving Challenges And Solutions: A Personal Perspective, Robert W. Boissy

Against the Grain

No abstract provided.

An Intermedial Reading Of Paley's Sita Sings The Blues, Ipshita Chanda

CLCWeb: Comparative Literature and Culture

In her article "An Intermedial Reading of Paley's Sita Sings the Blues" Ipshita Chanda discusses the film text of Nina Paley's 2008 animation film, a culturally reconceptualized version of Válmíki's Sanskrit epic Rámáyana. Chanda discusses the film as an intermedial retextualization of the Rámáyana in the film where media boundaries and genres are crossed in "textual," audio, and visual media. The basic premise from which Chanda proceeds is that the condition of intermediality in film is produced by a "conceptual fusion" of different media which, in turn, are analyzed using theories of reception and contact between different media …

People Profile: Phoebe Ayers

Against the Grain

No abstract provided.

Atg Interviews Sam Brooks, Tom Gilson, Katina Strauch

Against the Grain

No abstract provided.

"Watch Hill", John Long

Against the Grain

No abstract provided.

From The Reference Desk, Tom Gilson

Against the Grain

No abstract provided.

Biz Of Acq -- Am I Still Selecting?, Keith Cochran, Michelle Flinchbaugh

Against the Grain

No abstract provided.

Atg Deadlines

Against the Grain

No abstract provided.

People Profile: T. Scott Plutchak

Against the Grain

No abstract provided.

Table Of Contents

Against the Grain

No abstract provided.

Issues In Vendor/Library Relations -- Cycling Through, Bob Nardini

Against the Grain

No abstract provided.

Letters To The Editor, Katina Strauch

Against the Grain

No abstract provided.

Book Reviews -- Monographic Musings, Debbie Vaughn

Against the Grain

No abstract provided.

Cases Of Note -- Copyright: Situs Of Injury For Intellectual Property Infringement -- Who The Heck Knows?, Bruce Strauch

Against the Grain

No abstract provided.

Back Talk -- Virtual And Real Reference, Anthony (Tony) W. Ferguson

Against the Grain

No abstract provided.