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Articles 4801 - 4830 of 11626
Full-Text Articles in Social and Behavioral Sciences
Biz Of Acq-Gathering Data: How Two Usmai Libraries Are Using Ebook Statistics, Randall Lowe, Michelle Flinchbaugh, Lynda Aldana
Biz Of Acq-Gathering Data: How Two Usmai Libraries Are Using Ebook Statistics, Randall Lowe, Michelle Flinchbaugh, Lynda Aldana
Against the Grain
No abstract provided.
Self-Publishing: Breaking Down Barriers?, Bob Nardini, Janice Schnell
Self-Publishing: Breaking Down Barriers?, Bob Nardini, Janice Schnell
Against the Grain
No abstract provided.
The Self-Publishing Phenomenon, Bob Holley
From The Reference Desk-Reviews Of Reference Titles, Tom Gilson
From The Reference Desk-Reviews Of Reference Titles, Tom Gilson
Against the Grain
No abstract provided.
Op Ed-590: Local Notes, Steve Mckinzie
Booklover-Boston Strong, Donna Jacobs
Self-Publishing: A Bibliographic Essay, Joseph D. Grobelny
Self-Publishing: A Bibliographic Essay, Joseph D. Grobelny
Against the Grain
No abstract provided.
Ironic Appropriation Of Hemingway's For Whom The Bell Tolls In Bulosan's The Cry And The Dedication, Robert Brown
Ironic Appropriation Of Hemingway's For Whom The Bell Tolls In Bulosan's The Cry And The Dedication, Robert Brown
CLCWeb: Comparative Literature and Culture
In his article "Ironic Appropriation of Hemingway's For Whom the Bell Tolls in Bulosan's The Cry and the Dedication" Robert Brown discusses Carlos Bulosan's The Cry and the Dedication and Ernest Hemingway's For Whom the Bell Tolls. Brown claims that Bulosan's appropriation of For Whom borders on plagiarism and that this in part defines The Cry as a postcolonial text. Brown maintains that E. San Juan Jr.'s otherwise comprehensive introduction to The Cry ignores Hemingway's text in favor of a Filipino author, Luis Taruc, with an implicit argument that Bulosan used Taruc to make his novel a more …
The Myth Of Nothing In Classics And Asian Indigenous Films, Sheng-Mei Ma
The Myth Of Nothing In Classics And Asian Indigenous Films, Sheng-Mei Ma
CLCWeb: Comparative Literature and Culture
In his article "The Myth of Nothing in Classics and Asian Indigenous Films" Sheng-mei Ma discusses how the desert and the permafrost region are terra incognita, except nomads and Indigenous peoples. Given the extreme conditions of these forbidding places, Western modernity sees its own shadow cast on such black holes on earth. Since the 1960s, classic Hollywood or art house films by David Lean, Akira Kurosawa, Hiroshi Teshigahara, Anthony Minghella, and Sergei Bodrov romanticize and/or mythologize what is perceived as modernity's mirror image. Indie films in recent decades, particularly by Asian Indigenous filmmakers Byambasuren Davaa, Zacharias Kunuk, and Khyentse …
Us-American Protestant Missionaries And Translation In China 1894-1911, Mingyu Lu
Us-American Protestant Missionaries And Translation In China 1894-1911, Mingyu Lu
CLCWeb: Comparative Literature and Culture
In her article "US-American Protestant Missionaries and Translation in China 1894-1911" Mingyu Lu discusses impact of and surrounding atmosphere between Protestant missionaries and Chinese intellectuals in translating Western texts. During the national crisis in 1894-1911, Protestant missionaries and Chinese intellectuals co-translated a large number of Western texts and adjusted their translations with regard to content and objectives. While the missionaries and their Chinese co-translators held different views towards the mapping of learning specifically towards Western learning, Chinese learning, and Christian messages, the translations were of significant impact in the period discussed. Lu argues that under the appeal of national renewal, …
Shimoda's Program For Japanese And Chinese Women's Education, Mamiko Suzuki
Shimoda's Program For Japanese And Chinese Women's Education, Mamiko Suzuki
CLCWeb: Comparative Literature and Culture
In her article "Shimoda Program for Japanese and Chinese Women's Education" Mamiko Suzuki discusses Western developments as a facet of educational curricula in Japan in the early twentieth century. When in the early 1900s a number of elite Chinese women traveled to Tokyo — for most, their first time abroad — to receive a modern education, it was at Jissen Women's Academy, which was the first to enroll female Chinese students in Tokyo and thus a crucial site for the development of a modern pan-Asian female identity. A central figure in the popularization of women's education and household and hygiene …
Rethinking Theatrical Images Of The New Woman In China's Republican Era, Li Guo
Rethinking Theatrical Images Of The New Woman In China's Republican Era, Li Guo
CLCWeb: Comparative Literature and Culture
In her article "Rethinking Theatrical Images of the New Woman in China's Republican Era" Li Guo analyses the multivalent representations of the New Woman and posits that they encompass a broad array of blended feminine identities following the introduction of Western literary and cultural trends into Chinese culture. The tensions between ideological discourses about nation, gender, and politics as revealed in the plays of the republican period reveal the many underlying cultural paradigms and the processes in which dramatists Sinicized foreign models of the New Woman to appeal to their domestic audiences. Guo explores how the playwrights' gendered viewpoints contribute …
Introduction To Asian Culture(S) And Globalization, I-Chun Wang, Li Guo
Introduction To Asian Culture(S) And Globalization, I-Chun Wang, Li Guo
CLCWeb: Comparative Literature and Culture
No abstract provided.
Sinologism, The Western World View, And The Chinese Perspective, Ming Dong Gu
Sinologism, The Western World View, And The Chinese Perspective, Ming Dong Gu
CLCWeb: Comparative Literature and Culture
In his article "Sinologism, the Western World View, and the Chinese Perspective" Ming Dong Gu discusses how the West formulated its ways of observing China and how the rest of the world and the Chinese themselves view Chinese culture through the Western lens. Gu discusses the thought of selected scholars in Western history who have contributed to the formation of Sinologism and explores the motivation, logic, rationale, epistemology, methodology, and characteristics of the West's long-term endeavor to incorporate China into the Western-centered world system.
Shen And Cinema In 1930s Shanghai, Ling Zhang
Shen And Cinema In 1930s Shanghai, Ling Zhang
CLCWeb: Comparative Literature and Culture
In her article "Shen and Cinema in 1930s Shanghai" Ling Zhang analyzes the film十字街頭 (1937) (Crossroads) in relation to the influence from foreign film practice and concepts from Hollywood and Soviet cinema in 1930s Shanghai. By an analysis of the film's cinematic style, Zhang explores the transcultural and transmedial possibilities and potentials in the context of film and film culture in the 1930s and the unruly energy and unique aesthetic characteristics embedded in the process of creative mimesis and transplantation. While in the 1930s Chinese cinema had an ambivalent and paradoxical attitude to US-American and Soviet films, Chinese filmmaker …
Transnational Socialist Imaginary And The Proletarian Woman In China, Anup Grewal
Transnational Socialist Imaginary And The Proletarian Woman In China, Anup Grewal
CLCWeb: Comparative Literature and Culture
In her article "Transnational Socialist Imaginary and the Proletarian Woman in China" Anup Grewal discusses 1930s Shanghai and representations of the proletarian woman in relation to the intellectual New Woman and the fashionable Modern Girl. Grewal considers the concept of the proletarian woman in socialist culture first within the context of a local and global field of contending modernist visions of femininity, class, and the city. Next, Grewal analyses how the figure of the Chinese proletarian woman activates a socialist transnationality through shared formal and narrative innovations of translational leftist literature and cinema. Through her analysis, Grewal suggests how the …
Singapore, State Nationalism, And The Production Of Diaspora, Cheryl Narumi Naruse
Singapore, State Nationalism, And The Production Of Diaspora, Cheryl Narumi Naruse
CLCWeb: Comparative Literature and Culture
In her article "Singapore, State Nationalism, and the Production of Diaspora" Cheryl Narumi Naruse examines The Straits Times series "Singaporean Abroad" and analyzes how conceptions of national time, space, and community are restructured by state concerns of economic survival within the era of globalization. In "Singaporean Abroad," readers find a curious amalgamation of feature writing, travel writing, and advertising about cosmopolitan, transnationally connected citizens of Singapore. Naruse shows how positive representations of overseas Singaporeans as "national heroes" reflected in the content of the series evidences efforts by the Government of Singapore to refashion cultural values and to advance beyond national …
Bibliography For The Study Of Asian Culture(S) And Globalization, Chien-Hang Liu, Li Guo, I-Chun Wang
Bibliography For The Study Of Asian Culture(S) And Globalization, Chien-Hang Liu, Li Guo, I-Chun Wang
CLCWeb: Comparative Literature and Culture
No abstract provided.
From Your Editor, Katina Strauch
Conflicts Of Interest: Collecting Fiction As A Self-Published Librarian, Julia Glassman
Conflicts Of Interest: Collecting Fiction As A Self-Published Librarian, Julia Glassman
Against the Grain
No abstract provided.
Issues In Vendor/Library Relations-Indianapolis, Bob Nardini
Issues In Vendor/Library Relations-Indianapolis, Bob Nardini
Against the Grain
No abstract provided.
Questions And Answers-Copyright Column, Laura N. Gasaway
Questions And Answers-Copyright Column, Laura N. Gasaway
Against the Grain
No abstract provided.
Collecting To The Core-Critical Cartography, Mark Bidney, Ann Doherty
Collecting To The Core-Critical Cartography, Mark Bidney, Ann Doherty
Against the Grain
No abstract provided.
From The University Presses-University Presses And Atm Publishing, Alex Holzman
From The University Presses-University Presses And Atm Publishing, Alex Holzman
Against the Grain
No abstract provided.
Crossed Boundaries In Musical Culture Between Asia And The West, Kheng K. Koay, Mikel Ledee
Crossed Boundaries In Musical Culture Between Asia And The West, Kheng K. Koay, Mikel Ledee
CLCWeb: Comparative Literature and Culture
In their article "Crossed Boundaries in Musical Culture between Asia and the West" Kheng K. Koay and Mikel LeDee examine Tony Prabowo's Pasar Loak (Flea Market) for soprano and percussions and Chinary Ung's Grand Alap (A Window in the Sky). Composers Prabowo and Ung adopt modernist techniques from Western and traditional Asian music cultures in their compositions. Koay and LeDee explore aspects which broaden the presentation of sound in the two selected compositions and the background influences of Western and Asian music on the two composers. Prabowo and Ung absorb new experiences and embrace music that excites them and Prabowo, …
Comments On Self-Publishing From A Small-Press Publisher, Rory Litwin
Comments On Self-Publishing From A Small-Press Publisher, Rory Litwin
Against the Grain
No abstract provided.
Charleston Conference 2013-Issues In Book And Serial Acquisition
Charleston Conference 2013-Issues In Book And Serial Acquisition
Against the Grain
No abstract provided.
Self-Publish Or Traditional? My Experience With Books For Librarians, Walt Crawford
Self-Publish Or Traditional? My Experience With Books For Librarians, Walt Crawford
Against the Grain
No abstract provided.