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Full-Text Articles in Social and Behavioral Sciences

Parades Banlieusardes. El Hadj De Mamadou Mahmoud N’Dongo Et Les Identités Criminelles, Hervé Tchumkam Dec 2011

Parades Banlieusardes. El Hadj De Mamadou Mahmoud N’Dongo Et Les Identités Criminelles, Hervé Tchumkam

Présence Francophone: Revue internationale de langue et de littérature

This article aims at understanding the relation between crime and identity formations in the French banlieues, especially in the wake of the 2005 urban riots. The essay performs a reading Mamadou N’Dongo’s novel El Hadj at the intersection of aesthetics and politics in order to scrutinize identity formations and related debates at stake in the prisons of poverty and oppression that constitute the banlieues whose inhabitants are the third or fourth generation of the heirs to African immigration in France. Ultimately, the paper contention is that what I call “banlieue parade” stands out as the new model of identity that …


Hédi Bouraoui Et Les Limites De La Théorie Postcoloniale : Approche Transpoétique Et Nomadique, Éric Touya De Marenne Dec 2011

Hédi Bouraoui Et Les Limites De La Théorie Postcoloniale : Approche Transpoétique Et Nomadique, Éric Touya De Marenne

Présence Francophone: Revue internationale de langue et de littérature

A priori, Hedi Bouraoui’s thought lies within the scope of a postcolonial perspective. However, the concept of “transpoétique” to which he alludes is based on the notion of “nomaditude” which asserts the blurring of cultural and identity borders. That is why beyond the “infernal binary” thought that he rejects (ruler / dominated, colonizer / colonized), the Tunisian and Canadian author puts in question the postcolonial approach. In this context, the aim of this study is to understand better how trans-poetics can allow us to conceive differently the theoretical foundations of francophone literary criticism.


Quels Écrivains Francophones Pour Quelles Normes ?, Daniel Delas Jun 2011

Quels Écrivains Francophones Pour Quelles Normes ?, Daniel Delas

Présence Francophone: Revue internationale de langue et de littérature

With the benefit of historical hindsight, the rise of endogenous linguistic norms, justified in literary practices, can be reassessed. The firstg eneration of African writers such as Camara Laye and Léopold Sédar Senghor, because of their normative educational background, favoured exogenous French standards in their writing. Yet, Kourouma’s fiction is a turning point which initiated new literary practices, borrowing much from ordinary ways of speaking. Does it mean that French in Africa now follows endogenous norms? Without vouching for it, one can at least state the importance of recognizing African literature in French as a major form of expression.


La Poésie Hors-Normes De Mohamed Hmoudane Ou L’Art De La Provocation, Yamna Abdelkader Jun 2011

La Poésie Hors-Normes De Mohamed Hmoudane Ou L’Art De La Provocation, Yamna Abdelkader

Présence Francophone: Revue internationale de langue et de littérature

Poetry is often understood as a series of deviations from linguistic norms, but Mohamed Hmoudane’s collections appear to be a systematic subversive strategy against both aesthetic conventions and prevailing assumptions about Eastern and Western identitarian categories. Published between 2003 and 2005, the works entitled Attentat, incandescence and Blanche mécanique avert poetic clichés as they invert cultural stereotypes, taking a most satirical stance toward the state of the world at the dawn of a new millenium. The pervasive sense of detachment resulting from Hmoudane’s satirical tendencies is associated with a poetics of excess, and this paradoxical union serves as a powerful …