Social and Behavioral Sciences Commons^™

Catering And Hospitality Trade Press Periodicals: Their Emergence, Their Memories, Their Preservation, Carina J. Mansey

Dublin Gastronomy Symposium

In Victorian England, cultural, industrial, technological, and financial flows led to two industries being subject to processes of professionalisation: catering and hospitality, and the independent press. As such, a new form of media emerged, the trade press, which catered for those working in the catering and hospitality industry. This press content documents not only the industry’s operations, but also the aspirations and attitudes of employees, their employers, and other key stakeholders. This allows for us to glimpse into past lifeworlds and extract forgotten memories. We are able to witness how ethnoscapes characterised the trade, but also led to integration conflicts. …

“87% Missing”: Preserving Video Game History In A Canadian Copyright Context, Amelia Clarkson, Magnus Berg

Digital Initiatives Symposium

In 2020, the University of Toronto Mississauga campus library acquired the largest collection of video games in Canada from prolific collector Syd Bolton, whose vision was for it to not only be preserved but also playable and publicly accessible. Over the past three years, the collections team has been processing the collection to facilitate access onsite, and in 2024 aims to begin the next step of digitally preserving the collection. In the summer of 2023, the Video Game History Foundation and the Software Preservation Network co-authored a report on the dire state of availability of classic games, with the goal …

So It Goes: Hauntology, Lost Futures, And Mac Miller, Ryan Hiemenz

Capstone Showcase

Hauntology is a relatively new concept born out of the current state of late capitalism, wherein it has become increasingly common for new releases of popular culture, art, and media to appease the societal desire to return to the past. First coined by Jacques Derrida in his book Specters of Marx, the term “Hauntology” was used to describe the phenomenon of the “death” of communism and how the capitalist powers that “killed” it essentially made the idea of communism immortal. They made it a specter, and ghosts cannot die. This concept was then altered by the late Mark Fisher, …

Hopeful Oscillation: Metamodernism, Barbenheimer, And Our New Cultural Undercurrent, Jewel T. Miller

Capstone Showcase

Recent societal changes have pushed artwork and media away from postmodernism as a dominant cultural philosophy. In its place has risen a new theoretical approach, titled Metamodernism, which attempts to discover the meaning behind present day art and media’s strengthening affective qualities, and provide a possible label for this new post-postmodernist state. This is not only an important attempt at understanding the society we live in today but also its broader impact on how we communicate through media. This paper explores the rise of Metamodernism as a theoretical approach within media studies and philosophy, including the term’s inception and growing …

P-13 El Laberinto Del Fauno: A Child’S Imagination And Coping With The Trauma Of War, Psychology And Spanish, Hannah Cruse

Celebration of Research and Creative Scholarship

Abstract of “El laberinto del fauno: A Child’s Imagination and Coping with the Trauma of War”

Guillermo del Toro’s film El laberinto del fauno, known as Pan’s Labyrinth to English speaking audiences, opens up a fantastical world that is just a touch away from reality, but everyone believes this to be the imagination of one child, Ofelia. She tries to complete tasks and learns the truth of the land of post Civil War Spain that she currently resides in while she yearns for another. A child's imagination can be transported by a simple story; there seems to be a special …

Peripheral Storytelling: Cinematic Structures And Audience Agency, Carlos Tkacz

Far West Popular Culture Association Annual Conference

A cultural phenomenon we are all unfortunately familiar with is terrible movies. By terrible movies I mean the kind that lack any semblance of structure, movies in which the characters are flatly drawn, the storylines are predictable, and the writing is especially bad. More specifically, I am interested in why these movies seem to be breeding without end and are no longer relegated to (maybe they never were) the low budget genre films some of us love to hate. I am talking here about the relatively new phenomena of the high-budget, popular-yet-terrible film.

Specifically, I am interested in applying Structuralism, …

Poetry For Seers Or The Peruvian Visual Poetic Tradition In Front Of New Media, Michael Hurtado, Pamela Medina, Enrique García, Michael Prado

Electronic Literature Organization Conference 2020

Since the first decades of the twentieth century, Peruvian poetic tradition has been characterized by experimental uses of language. Among these possibilities, some records tensioned this medium from the link with the plastic arts, as in the case of the poetry of José María Eguren, while others opted for the playing with the spatiality and visuality of the blank sheet, such as in the case of the work of Carlos Oquendo de Amat. However, it is not until the appearance of the poetry of César Vallejo, specifically with a poems like Trilce in 1922, that these breakages force us to …

Canadian Infrastructure For A “Canadian School” Of Informal Logic And Argumentation, Takuzo Konishi

OSSA Conference Archive

This article comments on Federico Puppo's position that a 'Canadian' school of argumentation exists. Based upon archival research, oral history interviews and published documents on the informal logic movement in the 1970s and 1980s, it is argued that Canadian infrastructure for informal logic and argumentation existed, in which a Canadian school of argumentation could exist.

The Cultivation Theory And Reality Television: An Old Theory With A Modern Twist, Jeffrey Weiss

Capstone Showcase

George Gerbner, a Hungarian-born professor of communication, founded the cultivation theory, one of the most popular and regarded theories in the communications world. Developed in the mid 20th century, the theory focus on the long-term effects of television on people. Longer exposure to signs, images and people on television cultivates their perception of reality in the real world. The television became a household staple during this time. Families often spent time together watching programming together, however, it played out different effects for each person. Television's constant visual and auditory stimulation on a person made it easier to cultivate certain messages, …

Habermas, The Public Sphere, And Wikileaks: The Public Sphere And The Right To Know, Mary Murray

Capstone Showcase

Jürgen Habermas, a German theorist, coined the public sphere as a place where citizens could interact, study, and debate issues together outside the realm of the home or family, which was defined as the private sphere. The public sphere can also be seen as a “manifestation of citizen sovereignty”. At its core, Habermas centered the public sphere around feudalism and the shift of one all-powerful individual reigning and representing the public to those citizens under the control of the state. Some critics argue voices encouraging the minorities were actually private voices leaking into the public sphere, while others argue the …

The Evolution Of Revenge: Genre, Feminist Theory And Jennifer’S Body, Sophia Birks

Capstone Showcase

The representation and proliferation of violence against women in media, when applying genre theory, reflects the social climate of rape culture and the social response to sexual violence. Looking at the Rape-Revenge genre through the scope of Feminist Theory, the only way to reintroduce female agency into a trauma led narrative is to reclaim the tropes used to perpetuation female exploitation and a popular culture ambivalent to male on female violence. Within this subversion and deconstruction, a genre benefiting from female trauma finally includes an honest artistic retelling of that female experience. With the intention of the creator in line …

Disneyfication And Education, Reagan A Yessler

EURēCA: Exhibition of Undergraduate Research and Creative Achievement

Disneyfication in theater means the increase in popularity of Disney plays and the resulting reshaping of modern plays to more resemble those of Walt Disney, in order to gain viewership. In most cases, this means a shift to a musical format featuring upbeat ballads and gaudy but family-friendly costumes. While many theatre elitists frown upon such trends, this project shows how Disneyfication fosters renewed interest and enjoyment in theatre across age groups. A case study of the Knox and Sevier County school systems in Tennessee examines patterns of interest and enjoyment in the nation’s most popular plays via snowball method …

Apples To Oranges: Comparing Streaming Video Platforms, Steven Milewski, Monique Threatt

Charleston Library Conference

Librarians rely on an ever-increasing variety of platforms to deliver streaming video content to our patrons. These two presentations will examine different aspects of video streaming platforms to gain guidance from the comparison of platforms. The first will examine the accessibility compliance of the various video streaming platforms for users with disabilities by examining accessibility features of the platforms. The second will be a comparison of subject usage of two of the larger video streaming platform providers (Alexander Street Press and Kanopy) done at Indiana University Bloomington, a large public university.

Blade Runner And The Divine Menace, Alexander W. Pickens

MAD-RUSH Undergraduate Research Conference

Following the decline of Christianity in mainstream Western culture, a void rose in the moral and societal code. Those writers that emerged presented alternate visions that worked their way into the literature of the 20th century. Karl Marx's interpretation of the structure of labor in capitalism presented a new societal hierarchy whose finer points have been worked out in the complex film Blade Runner. This dystopian nightmare, in which a Marxist interpretation of current society bogged down by the ennui of capitalist accumulation is confronted, describes a new religious order based upon this economic theory. Central to this reimagining …

Holly Martins And The Impartial Spectator: The Economics Of The Third Man, Alexander W. Pickens

MAD-RUSH Undergraduate Research Conference

The film The Third Man is often critiqued for its portrayal of post-war Vienna and the abusive nature of totalitarian regimes in a nearly-anarchic state. However, this film does something that few other films do: it tackles the primary dilemmas facing economists using a visual medium and featuring some of the debates that have been plaguing economic thinkers for years (what is a just allocation of resources, competition in free markets, what happens when corrupt governments control resource allocation). Ultimately, the film is a unique analysis tension between the costs and benefits of the philosophies of Keynes and F. A. …

Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere

Ray Browne Conference on Cultural and Critical Studies

Kandahar (2001), an Iranian film directed by Mohsen Makhmalbaf, details the journey of the protagonist, Nafas, to Kandahar to save her sister from committing suicide on the day of the solar eclipse. The film has gained recent attention by disability studies scholars for the representation of disability in Afghanistan; scholars have discussed the significance of prosthetics and international aid for the disabled in post-war zones of the Third World, but little has been said about disability as a postcolonial embodiment. I argue that Kandahar represents the postcolonial state as a disabled space both literally and metaphorically. It projects the veil …

打造香港道德 = The (Re)Making Of The Hong Kong Ethic, Ching Yau

《新自由主義下的新道德》研討會 NEO-MORALISM UNDER NEOLIBERALISM INTERNATIONAL CONFERENCE

過去關於港人價值觀的論述一般認為華人難民社群有「功利家庭主義」的非政治化取向 (Lau)、殖民政治強化「固有的保守和怯懦心理」(曾31)、「港人(主要是年青一代)普遍都表現了十分內向與退卻心理…… 極端的物慾主義、享樂主義或消極意念」(曾35)。雖然貧富懸殊嚴重，但直至本世紀初以前，「多數居民都相信有能力肯苦幹就有機會出頭」；「法律觀念深入民心」，所以「個人和家庭利益放在集體利益的前面」(李41) ；八十年代後是「利益團體政治」及伴隨而來的「公民權利」及「社區意識」興起，「歸屬感政治」轉變至「權益政治」(黃偉邦 184) ° 戰後出身的一代因為並未經歷中國內戰所以較為「理想主義」(張炳良58) ，大多「出身低下家庭」，「故對社會公義問題特別敏感」(張炳良59)，普遍認同「民主自由、公義平等」原則；不是「福利派」，「要求其本階級利益獲得一定的注重」(張炳良61)，「重視自我奮鬥，強調獨立」(張炳良63) ，要求機會平等而不是均等主義 (Lau and Khan 66; 呂1998b : 203) °「競爭性資本主義」環境提供的「雙軌發展」社會流動機能鼓勵沒受過專上教育的透過「搏殺」來晉升中產階級 (呂1998b : 98) ° 即使看到資本主義「有不平等」，但仍然接受「競爭性的制度」; 九七後的焦慮是害怕失去「一個個人自由得到尊重、個人高度的自由活動空間和依法行事的制度」，導致「自身利益受損」，「毋須因政治理由而委屈、妥協」，面對「強權的、家長式的環境」(呂 1998b : 203-206)。

以上大概描述了上世紀八十年代及以後的港人主流價值觀，經常被統稱為「獅子山下精神」的。過去學者一般傾向把香港本土意識的崛起，「獅子山下精神」(《獅子山下 》為1974-1994年間，香港電台製作的一套電視劇) 的形塑 追塑至七十年代 。六十年代末至七十年代是香港經濟結構急劇轉型期 (如1969-1972年間就有三家證券交易所成立：1969年遠東交易所、1971年金銀證券交易所及1972年九龍證卷交易所)，而五十至六十年代中則通常被指為南來人口無法或企圖適應香港、心懷祖國的過渡期。本文借爬梳五十年代的流行電 影文化來闡述當時社會-我認為同樣是「紮根」香港，以香港作為想像共同體 - 深入民心的價值觀跟「獅子山下精神」的不盡相同甚至矛盾，從而企圖重新想像香港文化中的一些被歷史斷裂化了、地下化了的聲音，如何被有系統地排除在「香港本土」的界定以外。 我追溯這過程作為在香港被「競爭性資本主義」全盤洗禮之前，經歷了的一項去（舊）道德，同時也是去政治化工程。而把「香港本土意識」定性於在七十年代才出現這種說法，是把香港人對殖民資本主義的認同作為香港成為想像共同體的條件，這也是香港最新自由主義化的「本土性」。

Present discourse on Hongkongers' value systems considers this community of Chinese refugees as having an apolitical "utilitarian familism" (Lau); that colonial politics reinforced “an existing psychology of conservatism and timidity” (Tsang 31); that "Hongkongers (mainly its younger generations) express generally a very inward-looking and regressive mentality… an extreme materialism, hedonism and negativity.” (Tsang, 35) Despite a severe gap between the rich and poor, until …

Deconstructing The Digital Divide: Critical Media Literacy Implementation In The Classroom, Evelyn C. Obamos

Creative Activity and Research Day - CARD

In this presentation I explore the complexity of the digital divide and propose to use the framework of critical praxis put forth by Paolo Freire in the Pedagogy of the Oppressed (1970). Using Freire we are able to build on existing research on the digital divide, contextualize the multi-dimensional issue of the divide, and respond to the social, cultural, and political issues within and beyond the classroom environment.

Tele-Visioning Terror, Caroline Zekri

Re-visioning Terrorism

This paper is devoted to the relationship between terrorism and media, with a special focus on the theoretical notions of “icon”, “mass” and “distance”. It aims to show how the phenomenon of modern terrorism calls into question the essence of modern democracies and their systems of information, based on the distance between vision and event.

Chicana Photography: The Power Of Place, Ann Marie Leimer

NACCS Annual Conference Proceedings

Abstract:

The concern with space, location, place, and geographic site has received heightened attention from artists and theorists from the 1960s onward. For critics and creators engaged with these concepts, the analysis of the interaction between of the processes of spatialization, identity formation, and memory has emerged as an important aspect of critical discourse. Lucy Lippard defines space as a physical site, understood as landscape or nature, while place implies intimacy, a familiarity with a certain geographic location. For Lippard, human interaction and, most importantly, the infusion of memory into space or a geographic site produces place. Michel de Certeau …