Open Access. Powered by Scholars. Published by Universities.®
Social and Behavioral Sciences Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Publication
- Publication Type
Articles 1 - 2 of 2
Full-Text Articles in Social and Behavioral Sciences
Is Disney Surfing The Third Wave? A Study Of The Pervasiveness Of The Third Wave Of Feminism In Disney's Female Protagonists, Emily S. Ellington
Is Disney Surfing The Third Wave? A Study Of The Pervasiveness Of The Third Wave Of Feminism In Disney's Female Protagonists, Emily S. Ellington
Senior Honors Theses
It is important to understand factors that have influenced Generation Y’s view of womanhood. One way to do this is to analyze third wave feminist messages portrayed by Disney, the media powerhouse. In order to determine if Disney reflects feminist values, the third wave themes portrayed in The Little Mermaid (1989), Beauty and the Beast (1991), Pocahontas (1995), and Mulan (1999) are examined. It is concluded that Disney portrays the feminist values of independence and multiculturalism; however, the films are set within patriarchal societies and portray women to be domestic. Ultimately, Disney portrays four messages about womanhood: Women are equal …
Brothers Are Better Than Sisters: A Semiotic, Feminist Analysis Of Hbo's "Rome", Patricia Mamie Peers
Brothers Are Better Than Sisters: A Semiotic, Feminist Analysis Of Hbo's "Rome", Patricia Mamie Peers
UNLV Theses, Dissertations, Professional Papers, and Capstones
In 2005, the Home Box Office and British Broadcasting Corporation partnered to produce Rome , a television series that retells the Roman histories of Julius Caesar, Marc Antony and Augustus through the lives of two centurion soldiers, Titus Pullo and Lucious Vorenus. The show's producers endeavored to bring Roman streets to life and included more storylines of women, men and children of all classes. At first considered a more egalitarian approach to history, Rome 's women are said to "challenge expectations" (Vu, 2005) and "forge a new path" (Ragalie, 2007, p. 2). But does this new representation challenge the old …