Social and Behavioral Sciences Commons^™

La Cultura Que No Cambia, Karina Arreola-Gutierrez

MFA in Visual Art

In the text of La Cultura Que No Cambia, I mention how my work has been influenced by becoming more aware of generations of altar making that occur in my family. By collecting stories and photographs of altars, I can observe and create work based on how the legacies can change through generations or stay the same. The memory of my ancestors and family traditions is strengthened. Growing up seeing discrimination towards others has influenced me to highlight my Mexican heritage of traditions, culture, and language through several different methods. Using these elements, I can create work informing audiences about …

Entities: A Field Of Imaginary Games, Thrasyvoulos Ioannis Kalaitzidis

LSU Master's Theses

With this body of work, I am looking for visual symbols that help communicate unuttered meanings through storytelling and stimulate an affectual response to the viewer. This exploration is presented in two different forms: a surreal sculptural installation and a board game. The installation consists of large-scale sculptures made from light and soft materials (polyurethane foam, plastic waste, paper) that are available to move inside the gallery, while the board game is presented as a set of 3D prints with instructions on how the participants can play it. The materials used in the installation suggest a way to transform waste …

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

Sewing And Dressmaking In Martha Mcmillan's Day (1891), Elizabeth G. Allen

Martha McMillan Research Papers

This paper describes the process of sewing and dressmaking in America from the mid 1800s to the early 1900s and provides historical context for Martha McMillan's discussion of sewing and dressmaking in her 1891 journal.

Tejer Una Red De Apoyo: Tejemujeres: Una Cooperativa De Artesanas En Gualaceo, Ecuador, Emma Floyd

Independent Study Project (ISP) Collection

Esta monografía trata sobre la historia de superación de la Cooperativa Tejemujeres en Gualaceo. La Organización Tejemujeres ha dado apoyo social y financiero a las mujeres que habitan en la zona rural de esta región de Ecuador a través del arte de tejer. Hablaré sobre cómo la costumbre de tejer en los Andes del Ecuador permite la preservación de la tradición, la ganancia de ingresos para las mujeres y la creación de un sistema de apoyo entre ellas. Comenzando con una introducción a la historia del arte de tejer y la propia historia de Tejemujeres, explicaré las complejidades de esta …

Carpets, Education, And Documentation: A Case Study Of The Jawalakhel Tibetan Handicrafts Settlement, Diana Hewitt

Independent Study Project (ISP) Collection

The Jawalakhel Handicrafts Center has been the economic center of the Tibetan community in southern Kathmandu since its founding in 1961. The success of the carpet industry in Nepal allowed the Tibetans in Jawalakhel to become economically self-sustaining, the carpet factory provided livelihood for the refugees who fled from Tibet and their children. The young generation, however, has difficulties finding stable jobs due to the fact that they have no documentation and all formal sector jobs in Nepal require proof of documentation. This lack of opportunity among the younger generation has been a major driver of outmigration from Nepal. The …

2022 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies

IGGAD Conference Programs

Program of the 2022 IGGAD Conference: Who Owns This? Communities, Heritage, and Preservation.

Textiled Narratives: Branding, Consumption, And Mexican American Identity At The Turn Of The Twentieth Century, Andrew Michael Gordus

World Languages and Cultures Faculty Publications

The NaCo apparel company out of Tijuana, Mexico, created a unique line of clothing and accessories in the late 1990s and early 2000s. With its success in Mexico, the brand chose to extend its reach into the lucrative US market. The company's focus on bicultural and binational images seemed a natural fit for a growing Latinx presence in the US. An analysis of the company's successes and failures in the new market highlights the continued importance of borders as separators of visual economies rooted in national histories and imaginations. Additionally, their experience reveals the complexities within Latinx communities that can …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

The Artist's Diary, Anamae Gilroy

Senior Projects Spring 2022

Senior Project submitted to The Division of Arts of Bard College.

Covid-19 Masks In Terms Of Functional, Expressive, And Aesthetic Consumer Needs, Lily Highley

Apparel Merchandising and Product Development Undergraduate Honors Theses

The purpose of this study was to assess consumers' perspectives of COVID-19 masks under the functional, expressive, and aesthetic areas. Due to the COVID-19 pandemic, masks have become an “accessory” to everyday life, and it was essential to research masks under these unique areas and explore consumer perceptions.

This study took place after background research on the topic and the FEA model. The study included a survey sent to Bumpers College students upon approval from the IRB. The data was analyzed and interpreted specifically in the FEA areas and can be useful to better understand the students at the University …

The Mvohc Project, Brooke Day

All Theses

ABSTRACT

A Mvohc is a Morphic Vessel of Human Consciousness. The Mvohc Project traverses' theories of spatial identity in tandem with creative world-building as a method for examining the intricacies of the human condition and reimagining reality. My creations are designed to promote autonomy over the contemporary world's ever-evolving societal complexities to empower individuals, foster imagination and communication, and create space for positive change. This body of work incorporates fleshy biomorphic sculptures inspired by science fiction, deep-sea marine life, and the human body. The abject creatures are partnered with constructed audio-scapes that encompass the frenzy of an overarching internal monologue, …

The Hoods Of The Three Senior Doctorates At Edinburgh, Nicholas Groves

Transactions of the Burgon Society

The article tracks changes to the hoods of Doctor of Divinity, Doctor of Laws, and Doctor of Medicine at the University of Edinburgh from various sources from 1843 to 1970 in a chart with illustrations.

In Memoriam: Robin L. D. Rees, Nicholas Groves

Transactions of the Burgon Society

Obituary of Robin L. D. Rees, 1946–2021. He was a Fellow of the Society and designed the hoods of the Institute of Physics and for the Archbishop’s Certificate in Church Music.

Editor’S Note, Stephen Wolgast

Transactions of the Burgon Society

No abstract provided.

Cap And Gown? Use Of Headgear At Graduation In Uk Universities In The Twenty-First Century, Martin J. Hardcastle

Transactions of the Burgon Society

Academic headwear, partticularly in the form of the square cap or mortar-board, is perhaps the most widely recognised symbol of educational achievement in the world. This article surveys the current practice of wearing academic caps of all types at graduation ceremonies in UK universities, to understand whether there are common factors in the use or disuse of headwear, and thus tentatively to explain the wide variation in practice that is seen in the twenty-first century.

Primary Source: Examining Official Dress In Universities In Aotearoa New Zealand, Scott Pilkington

Transactions of the Burgon Society

No abstract provided.

‘Different Forms Of Gowns For All Sorts Of Scholars In Their Several Ranks’: Academic Undress At Oxford In 1635, Alex Kerr

Transactions of the Burgon Society

This is a study of a one-page manuscript in the Oxford University Archives with the title ‘Different Forms of Gowns for All Sorts of Scholars in their Several Ranks’, dated June 1635. It was clearly written in connection with the Laudian Code of statutes, which was drafted in 1634 and adopted in 1636. The Code included regulations on university dress and its use at Oxford that would remain in force for 134 years. The document gives a concise specification for Oxford gowns at a time when other written records providing such detail are lacking and pictorial evidence is sparse. This …

The Hands That Weave Stories, Elanna Hawkins

Independent Study Project (ISP) Collection

There is a narrative encoded in carpets of Morocco, and I set out with the initial intention to learn how to “read” them—thinking that a Western sense of language is present from the symbols and patterns in the rug. As I progressed in my research and met the skilled women artisans, I realized that I needed to rethink how a story that doesn’t necessarily require a written format can be told to relate to these cultural totems of Morocco. Through in-person experience and online research, I discovered many designs and backgrounds unique to specific regions and areas. Rugs can tell …

Material Encounters: Making Memory Beyond The Mind, Ariel Wills

Masters Theses

Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …

Unmentionables, Madeleine F. Grotewiel

Graduate School of Art Theses

This text explores the capacity for shamed bodily materiality to narrate the complexity of healing from sexual trauma while rape culture persists. Because rape is discussed so little in public, sexual healing often takes place under a meaty layer of shame, placed on the survivor’s body. Their truth is frequently interpreted as too much/gross/ugly/unspeakable for the public, and it is simultaneously not enough to be discussed/accepted/pursued as an actual issue. This uncomfortable teeter-totter comes from the patriarchal boundaries drawn between what is privately or publicly acceptable. There are plenty of depictions of sexual violence in popular culture and the canon …

These Are My People: An Ethnography Of Quiltcon, Kristin Barrus

Department of Textiles, Merchandising, and Fashion Design: Dissertations, Theses, and Student Research

This thesis presents the first ethnography of QuiltCon, the annual fan and artist convention for quiltmakers who identify with and participate in a social phenomenon called the Modern Quilt Movement (MQM) within the 21st century quilt world. QuiltCon (QC) is one product of this movement. This study considers the following questions: What kinds of people attend QC, and what types of experiences and encounters do they expect at the convention? What needs are met at QC for this subset of quiltmakers who attend and for the greater community of Modern quiltmakers? What role does QC play in cementing the identity …

Yolkkh: The Story Of My People, Amna Zelimkha Yandarbin

Theses and Dissertations

The name of my project is: Yolkkh, The Story of My People. With this project I present a series of scarves each one bearing an illustrated scene in order to tell a story – my story and the story of the Noxci people. Noxci are the people who are referred to as “Chechens” by Russians and are generally known by that title. As a Muslim, I have witnessed the way Western media tend to dehumanize my community. In order to contrast this dehumanizing process, I thought that telling the story of my family would help reverse Islamophobic tendencies and raise …

Utilizing Repurposed Denim To Create Apparel For Those With Cerebral Palsy, Monique Rodriguez

Apparel Merchandising and Product Development Undergraduate Honors Theses

Cerebral Palsy (CP) is the most common motor disability in children. In the U.S alone one million children and adults live with a diagnosis of cerebral palsy. Due to the increasing life expectancy of individuals with CP, the number of adults with this disorder is increasing, thus their medical and social care needs are changing (Moreno-De-Luca et al., 2012). For years children and adults who live with CP struggle in finding clothing that works for them and their needs. Currently the market for adaptable clothing is small. For people with CP, the lack of adaptive clothing creates large barriers whether …

A Brief History Of Academic Dress In The Middle East And The Maghreb, Valentina S. Grub

Transactions of the Burgon Society

There are hundreds of universities in the Middle East and the Maghreb, yet the academic dress that they wear, if any, varies widely. Colour standards for hoods are non-existent, and gown shapes vary among British, American, and European shapes, sometimes incorporating elements of each into a single gown, and elaborated with local cultural details. This article examines the current, fluid state of academic dress in the region, where it is not indigenous and is one element of the after-effects of the imposed colonial educational systems.

Front Matter, Editorial Board

Transactions of the Burgon Society

No abstract provided.

Reforms To Scottish Academical Dress During The 1860s, Jonathan C. Cooper

Transactions of the Burgon Society

Although hoods were worn in the ancient Scottish universities during the fifteenth and sixteenth centuries, their use went into decline thereafter. This article focusses on the re-introduction of hoods in Scotland, mostly during the 1860s. After consideration of the academical dress in use earlier during the nineteenth century, the four ancient universities are treated in the order in which they adopted comprehensive hood schemes. Primary sources, in the form of university minutes and portraits, and secondary sources, mostly in the form of contemporary accounts, are examined.

Kofifi/Covfefe: How The Costumes Of "Sophiatown" Bring 1950s South Africa To Western Massachusetts In 2020, Emma Hollows

Masters Theses

This thesis paper reflects upon the costume design process taken by Emma Hollows to produce a realist production of the Junction Avenue Theatre Company’s musical Sophiatown at the Augusta Savage Gallery at the University of Massachusetts in May 2020. Sophiatown follows a household forcibly removed from their homes by the Native Resettlement Act of 1954 amid apartheid in South Africa. The paper discusses her attempts as a costume designer to strike a balance between replicating history and making artistic changes for theatre, while always striving to create believable characters.

Glut And Guzzle, Ashley Kay Gardner

Graduate Theses and Dissertations

In Glut and Guzzle I explore my relationship with my partner, our sexualities and how to navigate these outside of the LDS faith of my childhood, and their struggles with gender, sexual expression and mental illness. This exploration landed on seductive and repulsive imagery of food and body. I use color, texture and size as a tool similar to visual tools of advertising to seduce my viewer. This is an exploration of how gender norms and the visual language of advertising that infiltrates daily lives and through media and religion can shape identity and gender roles. I utilize advanced 3D …

2020 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies

IGGAD Conference Programs

Program of the 2020 IGGAD Conference: Without Borders: Tracing the Cultural, Archival, and Political African Diaspora.