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English 890: Advanced Research Methods, A First Benchmark Portfolio, Janel Simons Jan 2024

English 890: Advanced Research Methods, A First Benchmark Portfolio, Janel Simons

UNL Faculty Course Portfolios

In this benchmark portfolio, I reflect on course design and student learning in a course I teach for incoming Master's students in the English department, ENGL 890: Advanced Research Methods. ENGL 890 is a mini-session course intended to introduce students to various aspects of managing graduate-level research within the discipline of English studies. In this portfolio, I discuss the learning outcomes and goals for the course, highlight some of the assessments I use, reflect on student learning throughout the course, and articulate changes that might improve student learning in future iterations of the course. Given the overarching goals of this …


Engl 487: English Capstone Experience—A Peer Review Of Teaching Benchmark Portfolio, Kelly Stage Jan 2017

Engl 487: English Capstone Experience—A Peer Review Of Teaching Benchmark Portfolio, Kelly Stage

UNL Faculty Course Portfolios

This portfolio documents the teaching objectives, strategies, and assessments for a capstone course in the English major at UNL. As the English Studies Capstone and as an ACE (Achievement-Centered Education) 10 course at the University of Nebraska-Lincoln, English 487 must help students meet key outcomes for the department and the University, but it also allows flexibility and creativity in the methods chosen to meet these requirements and structure the course. This portfolio thereby reflects on the intellectual labor of designing a particular version of these requirements and on guiding students through the design. The assessments included here are measuring traditional …


Engl 352: Intermediate Fiction Writing—A Peer Review Of Teaching Project Benchmark Portfolio, Chigozie Obioma Jan 2017

Engl 352: Intermediate Fiction Writing—A Peer Review Of Teaching Project Benchmark Portfolio, Chigozie Obioma

UNL Faculty Course Portfolios

Absent the elements of effective writing, there has been a strong debate on whether or not other aspects of creative writing can be taught. Many practicing writers like myself who teach have concluded that a student writer can be guided towards fully actualizing their talent, and this “guidance” is what mostly constitutes teaching. How then do we evaluate the effectiveness of this teaching, and to what extent do students’ individual talent help or stand in the way of effective instruction? How do we plan various learning outcomes and test the success of such strategies over the duration of the ENGL …