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The Jewish Museum Of Florida-Fiu: Archives On The Edge, Todd Bothel, Jacqueline Goldstein, Luna Goldberg Oct 2020

The Jewish Museum Of Florida-Fiu: Archives On The Edge, Todd Bothel, Jacqueline Goldstein, Luna Goldberg

Archives Day

As the COVID-19 pandemic has threatened much of our access to communal spaces of learning and research such as universities, libraries, and museum collections, many new technologies have emerged to make these resources accessible to the public from the comfort of their homes.

The Jewish Museum of Florida-FIU (JMOF) collection consists of ~60,000 objects, documents, images and ephemera. The collections are wide-ranging in content, cover numerous subject headings and geographically represent all sixty-seven counties of Florida and Cuba.

Join the JMOF staff for a series of lightning talks with Registrar Todd Bothel, Curator Jacqueline Goldstein, and Education Manager Luna Goldberg. …


Engaging Visitors With Conservation: The Key To Museum Sustainability, Megan Crutcher Mar 2019

Engaging Visitors With Conservation: The Key To Museum Sustainability, Megan Crutcher

Graduate Student Research Symposium

What is museum conservation and why does it matter? Increasingly, museum professionals are having to answer this question not only for themselves, but for the public as well. I argue that conservation’s definition is twofold, encompassing the actual work, as well as public engagement and presentation. First, conservation is the act of preserving and protecting cultural heritage to improve its structural integrity and historical significance. Second, conservation’s ultimate effectiveness lies in its ability to leave the public informed and passionate. Two of the best examples of these programs are the conservation of the Star Spangled Banner at the Smithsonian in …


Ethical Issues: Good, Bad, And Ugly, Roann Barris Mar 2018

Ethical Issues: Good, Bad, And Ugly, Roann Barris

Academic Chairpersons Conference Proceedings

Censorship: it is unlikely that any academic, especially in the arts, would come out in favor of censorship. But what is the right course of action when a student's work in a graduation show offends the public? And if steps are taken to remove the presumably offensive work, are we betraying our beliefs about the value of student's work or promoting good relationships with the public? This has been an active year for ethical questions about art -- but who expect them to be our own issues? Details about this case and all the roles played will be provided as …