Theatre History Commons^™

The Boys From Syracuse, Richard Rodgers, Lorenz Hart, George Abbott

Taylor Theatre Playbills

The playbill for Taylor University's performance of The Boys from Syracuse with music by Richard Rodgers, lyrics by Lorenz Hart, and the book by George Abbott.

Performed April 23-26, 2026 in the Mitchell Theatre at Taylor University.

The Boys from Syracuse by Rodgers and Hart is based on the play The Comedy of Errors by William Shakespeare, likely written in the late 16th century. As is common for many Shakespearean plays, he adapted an older story, Plautus' Menaechmi, into his classic farce about two sets of twins, separated by a tragic sea accident, who find each other after many …

Eurydice, Sarah Ruhl

Taylor Theatre Playbills

The playbill for Taylor University's performance of Eurydice by Sarah Ruhl.

Performed February 20-22, 2026 and February 27-March 1, 2026 in the Mitchell Theatre at Taylor University.

Eurydice, written by Sarah Ruhl, retells teh familiar myth of Orpheus - but this time, the story unfolds from Eurydice's perspective. That shift matters. Instead of centering heroic rescue, the play centers interior experience: grief as it is felt, memory as it flickers, love as it is complicated by loyalty, doubt, and longing. By allowing Eurydice to be the narrative voice, the play asks us to inhabit loss from the inside rather …

Shrek: The Musical, David Lindsay-Abaire, Jeanine Tesori

Taylor Theatre Playbills

The playbill for Taylor University's performance of Shrek: The Musical with book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori.

Performed November 20-22, 2025 in the Mitchell Theatre at Taylor University.

Shrek is, on the surface, a whimsical fairy tale full of comedy, color, and charm. But beneath the humor lies a story about seeing and being seen—about belonging, forgiveness, and the quiet courage it takes to live authentically in a world that too easily labels and excludes. “For you created my inmost being; you knit me together in my mother’s womb. I praise you because I am …

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

The Glass Menagerie, Tennessee Williams

Taylor Theatre Playbills

The playbill for Taylor University's performance of The Glass Menagerie by Tennessee Williams.

Performed September 25-28, 2025 in the Mitchell Theatre at Taylor University.

At its heart, The Glass Menagerie is a story about the grace that vulnerability makes possible. The Wingfield family—Tom, Amanda, and Laura—are fragile, flawed, and fiercely human. Their lives are marked by disappointment and desire, yet Williams invites us to approach them with tenderness. Laura’s glass animals, so delicate and beautiful, are not just a metaphor for her own inner world but for the human spirit itself—easily broken, but capable of reflecting light in ways that …

Guys & Dolls: A Musical Fable Of Broadway, Damon Runyon, Jo Swerling, Abe Burrows

Taylor Theatre Playbills

The playbill for Taylor University's performance of Guys & Dolls: A Musical Fable of Broadway based on a story amd characters of Damon Runyan and a book by Jo Swerling and Abe Burrows with music and lyrics by Frank Loesser.

Performed April 25, 2025 at 8:00pm, April 26 & May 2-3, 2025 at 7:30pm and April 27 & May 4, 2025 at 2:00pm in the Mitchell Theatre at Taylor University.

Set in the colorful, fictional world of Damon Runyon's New York City, Guys and Dolls is a musical comedy that intertwines two distinct love stories among the city's gamblers and …

Sense And Sensibility, Kate Hamill, Jane Austen

Taylor Theatre Playbills

The playbill for Taylor University's performance of Kate Hamill's Sense and Sensibility based on the book by Jane Austen.

Performed on February 20-22, 2025 at 7:30pm and February 22-23 2025 at 2:00pm in the Mitchell Theatre at Taylor University.

Kate Hamill's adaptation of Jane Austen's Sense and Sensibility is a witty and fast-paced theatrical production that condenses the original novel's plot while emphasizing its comedic and satirical elements. The play follows the Dashwood sisters, the pragmatic Elinor and the romantic Marianne, as they navigate the challenges of love, loss, and societal expectations after their family is left in poverty. Hamill's …

Theatre Education At The University Of Montana: Providing Innovative Solutions To A Complex Problem, Natalie Renk

Undergraduate Theses, Professional Papers, and Capstone Artifacts

This paper is part of a larger project that aims to provide solutions to assimilate the University of Montana’s theatre education program with those across the United States by providing budget conscious innovations. The focus of this paper will be the creation of two methods courses: THTR 438: Content for Secondary Theatre Education and THTR 439: Skills for Theatre Education, this paper discussing the former. The latter was designed by my research partner, Ren Shepherd. This course would offer comprehensive coverage of theatre practitioners, both historical and modern theatrical texts, hands on design and budgeting experience, as well as teaching …

The Madwoman Of Chaillot, Jean Giraudaux, Maurice Valency

Taylor Theatre Playbills

The playbill for Taylor University's performance of The Madwoman of Chaillot by Jean Giraudoux and adapted by Maurice Valency.

Performed on November 8-9, 2024 at 7:30pm and November 10, 2024 at 2:00pm in the Mitchell Theatre at Taylor University.

Jean Giraudoux's The Madwoman of Chaillot, adapted by Maurice Valency, is a poetic and satirical fable that critiques capitalism and greed. The play is set in Paris, where a group of greedy businessmen plans to tear up the city to drill for oil. Their plans are discovered by Countess Aurelia, the titular Madwoman, a wonderfully eccentric and idealistic woman who …

Will We Ever Be Well?, Ris Bland

Taylor Theatre Playbills

The playbill for Taylor University's performance of Will We Ever Be Well? by Ris Bland in collaboration with Tracy Manning.

Performed September 12, 2024 in the Butz-Caruth Recital Hall at Taylor University.

Will We Ever Be Well? is a play based on the true crime stories of Dr. Helene Knabe, Alice Martin, Mollie Starbuck and the twins who were possibly born to Mr. & Mrs. Frank McNally.

Bedeviled Beauty: My Journey Through White American Theater Institutions, J'Aila C. Price

LSU New Orleans Theses and Dissertations

Game console: Oculus Quest

World: American Theater Institutions

Player: Minority

Place: United States

Level: “Ain’t no way.”

This thesis explores the contrast between the Westernized philosophies ingrained in my education and my identity as a Black female artist. It sheds light on the difficulties of pursuing higher education in the arts and the gaps that arise from limited exposure to culturally diverse Black resources, revealing the systemic issues in Western performance education. The paper also discusses the insights gained from my journey as a Black female artist, focusing on my thesis performance of Blood at the Root, which is …

Ketoprak Dor: Awal Mula Keberadaannya Di Aceh Tengah, Susandro Susandro, Afrizal H

Paradigma: Jurnal Kajian Budaya

This article discusses the origin of the Ketoprak Dor art in Paya Tumpi Kampong, Kebayakan District, Central Aceh. This form of art is interesting because it demonstrates that change or development of an art does not only arise from the artist’s own creative processes, but it may also occur due to external factors. Thus, a qualitative research approach with descriptive analysis method was used to investigate this cultural phenomenon. This research proves that Ketoprak Dor originated from Deli, North Sumatra. There were two events that prompted its emergence. First, in 1950s, a Ketoprak Dor group from Deli performed in Bies …

Disney's Newsies:The Musical

Taylor Theatre Playbills

The playbill for Taylor University's performance of Disney's Newsies:The Musical. Book by Harvey Fierstein. Music by Alen Menken. Lyrics by Jack Feldman.

Performed April 26-28 & May 3-5, 2024 at the Mitchell Theatre.

Disney's Newsies is a vibrant and inspiring musical based on the 1992 film and inspired by the real-life Newsboys Strike of 1899 in New York City. The story follows Jack Kelly, a charismatic newsboy who dreams of a better life. When newspaper publisher Joseph Pulitzer raises the prices that newsies must pay for papers, Jack and his fellow newsboys form a union and organize a strike to …

Child Soldiers Of Verona: The Antiauthoritarian Antiwar Subtext Of Romeo And Juliet, Carl L. Sage

SACAD: Scholarly Activities

Common practice has Shakespeare’s Romeo and Juliet identified as a tragic love story, which has antecedents tracing back as far as Pyramus and Thisbe by Ovid. Though valid, this interpretation plumbs only a limited portion of the text. It is the position of this paper that, like Shakespeare’s later work Macbeth, Romeo and Juliet was written with a political subtext in mind. Both texts play on the social memory of the War of the Roses, as well as continuing sectarian strife between Protestant and Roman Catholic adherents contemporaneous to the era. However, while Macbeth served to prop up the …

All I Really Need To Know I Learned In Kindergarten

Taylor Theatre Playbills

The playbill for Taylor University's performance of Robert Fulghum’s All I Really Need to Know I Learned in Kindergarten adapted by Ernest Zulia and composed by David Caldwell.

Performed February 23-25, 2024 at the Mitchell Theatre.

All I Really Need to Know I Learned in Kindergarten is a musical adaptation of Robert Fulghum's book, brought to life by Ernest Zulia and David Caldwell. The play captures the essence of Fulghum's essays, which reflect on the simple yet profound lessons learned in kindergarten, such as sharing, playing fair, and living a balanced life. Through a series of vignettes and musical numbers, …

Everybody

Taylor Theatre Playbills

The playbill for Taylor University's performance of Everybody by Branden Jacobs-Jenkins.

Performed September 14-17, 2023 at the Mitchell Theatre.

Everybody is a modern adaptation of the 15th-century morality play Everyman. The story follows a character named Everybody, who is summoned by Death to embark on a journey to account for their life and choices before God. As Everybody seeks companionship for this final journey, they encounter personifications of abstract concepts like Friendship, Kinship, Stuff, Mind, and Love. The play uses a unique casting lottery system, where roles are assigned randomly at each performance, symbolizing the unpredictability of death. Through …

Macbeth

Taylor Theatre Playbills

The playbill for Taylor University's performance of Macbeth by William Shakespeare.

Performed February 24-26 & March 3-5 2023 at the Mitchell Theatre.

Macbeth is a tragedy that delves into themes of ambition, power, and guilt. The play follows the rise and fall of Macbeth, a Scottish nobleman, who is driven by a prophecy from three witches and the manipulative encouragement of his wife, Lady Macbeth. After murdering King Duncan to seize the throne, Macbeth's reign is marked by paranoia and tyranny, leading to further bloodshed and his eventual downfall. The play explores the psychological effects of ambition and the moral …

Theater & Identity At Gettysburg College, Spring 1971, Jamie A. Riches

CAFE Symposium 2023

In 1971, the country was still in the process of extreme social upheaval and transformation brought on by the 1960s, and that included small, secluded communities like Gettysburg College. In the Owl & Nightingale Society, the school's theater program, many students found ways to express and explore themselves creatively and personally. Both historically and currently, theater tends to draw in queer people, and can be a comfortable and interesting way to embrace your identity and learn to build and work with communities. These are things queer people often didn't--and still don't--have access to in their everyday lives, making theater a …

Generational Theory As A Lens For Approaching Musical Theatre History, 1943-2023, Or A Strange Loop, Ben J. Lundy

Theses and Dissertations

In 1991, William Strauss and Neil Howe published generational theory in Generations: The History of America’s Future, 1584-2069. Though critiqued, Strauss and Howe’s generational theory suggests that American history occurs in cycles characterized by four distinct generational turnings or moods that occur approximately every eighty years, roughly the span of a human life. Though the theory has been applied to American history, usually through a political and economic lens, this thesis will focus on the most recent Millennial Cycle and apply the theory to the development of Broadway musical theatre history. Innovative musicals such as Oklahoma! (1943), Hair (1968), Rent …

Who Lives, Who Dies, Who Sings Which Story?: Narrative Production And Race In The Curriculum Of Film Musicals, Joanna Batt, Michael Joseph

Northwest Journal of Teacher Education

Film musicals serve as a tool to infuse historical and cultural content into social studies curricula towards greater student engagement—for example, Lin Manuel-Miranda's Hamilton has become a celebrated classroom piece due to its ability to blend history with hip-hop and pop culture. Yet beyond language and content scans, teachers rarely examine or utilize musicals for how their narratives (mis)represent racial communities. This critical film analysis of three film musicals, using the theoretical framework of history production, reveals themes of historical morality, romantic relationship and race, and implicit/explicit racial messaging. Although troubling in their overall contribution to racial projects, film musicals …

White Christmas

Taylor Theatre Playbills

The playbill for Taylor University's performance of White Christmas. Book by David Ives & Paul Blake. Music & lyrics by Irving Berlin.

Performed November 11-13, 18, 20 & December 2-4, 2022 at the Mitchell Theatre.

White Christmas is a heartwarming musical based on the 1954 film of the same name, with a book by David Ives and Paul Blake, and music and lyrics by Irving Berlin. The story follows two World War II veterans, Bob Wallace and Phil Davis, who have become successful song-and-dance performers. They team up with a sister act, Betty and Judy Haynes, and travel to Vermont …

The Birds

Taylor Theatre Playbills

The playbill for Taylor University's performance of The Birds by Conor McPherson adapted from the short story of Daphne Du Maurier.

Performed September 15-18, 2022 at the Mitchell Theatre.

The Birds is set in an isolated house where two strangers, Nat and Diane, seek refuge from relentless attacks by flocks of birds. As they struggle to survive with limited resources and no electricity, their fragile sanctuary is further disrupted by the arrival of a young woman named Julia. The tension inside the house mirrors the chaos outside, as paranoia and fear take hold. McPherson's adaptation delves into the psychological and …

"My Two Ears Can Witness": Feminist Pedagogy From Rehearsal Hall To Classroom, Ben Long, Noah Long, Laura Grace Godwin

Feminist Pedagogy

Given that university rehearsal halls are a natural home for feminist pedagogy, this paper addresses professors across campus under the contention that the signature pedagogy of theatre offers a model for faculty in other disciplines. The essay adapts a series of rehearsal hall techniques for traditional classrooms as efficient ways of fostering subjectivity, empowerment, community, and reflection in service of socio-cultural ends. The original teaching activities outlined herein do not require theatrical performance, but they nevertheless draw upon the power of live witnessing and interactive response that make theatre a powerful pedagogical tool. The authors conclude with an illustration of …

Meet And Run, Gia M. Binner

Theses and Dissertations

A defense for Gia Binner’s MFA Thesis, Meet and Run, argues that accessible art, known in this paper as commercial dance, is a meaningful vehicle for social change and that it has the ability to dismantle the outdated, European concert dance dominance by modeling the interdependency of both worlds.

Annie

Taylor Theatre Playbills

The playbill for Taylor University's performance of Annie with book by Thomas Meehan, music by Charles Strouse and music by Martin Charnin.

Annie is a beloved musical with music by Charles Strouse, lyrics by Martin Charnin, and a book by Thomas Meehan.The musical is set during the Great Depression and follows the story of a young orphan named Annie. Living in a miserable orphanage run by the cruel Miss Hannigan, Annie's life changes when she is chosen to spend Christmas with the wealthy Oliver Warbucks. Despite various challenges and schemes by Miss Hannigan, Annie's optimism and determination lead to a …

To Kill A Mockingbird

Taylor Theatre Playbills

The playbill for Taylor University's performance of To Kill A Mockingbird by Harper Lee, dramatized by Christopher Sergel.

Performed February 18-20 & 25-27, 2022 at the Mitchell Theatre.

To Kill A Mockingbird is a dramatization by Christopher Sergel of Harper Lee's classic novel. Set in the racially segregated South during the 1930s, the play follows young Scout Finch and her brother Jem as they witness their father, Atticus Finch, defend Tom Robinson, a Black man falsely accused of raping a white woman. Through Scout's eyes, the story explores themes of racial injustice, moral integrity, and the loss of innocence. The …

Civic Engagement Through Theatre: Running A Brechtian Workshop In The Classroom, Margot Morgan

eJournal of Public Affairs

This study presents an innovative active learning technique to support the development of civic education: a theatrical workshop based on the dramaturgy of Bertolt Brecht. I argue that the Brechtian workshop can develop three skills necessary for effective civic engagement: perspective taking, collaboration, and critical judgment/self-reflection, and that these skills are directly tied to the three civic values of pluralism, community, and civic responsibility. Using qualitative data gathered in the course of teaching this workshop to two distinct student populations — a self-selecting group of students in a liberal arts environment and a group of students at a commuter campus …

The Women Of Lockerbie

Taylor Theatre Playbills

The playbill for Taylor University's performance of The Women of Lockerbie by Deborah Brevoort..

Performed October 29-31 & November 5-7, 2021 at the Mitchell Theatre.

The Women of Lockerbie is a poignant drama inspired by the real-life aftermath of the 1988 bombing of Pan Am Flight 103 over Lockerbie, Scotland. The play follows a grieving mother from New Jersey who roams the hills of Lockerbie, searching for her son's remains. She encounters the women of Lockerbie, who are fighting the U.S. government to retrieve the clothing of the victims found in the wreckage. These women aim to wash the clothes …

The Conscience Of Little Women: Beth's Epic, Mcewen Baker

[Archive] Belmont University Research Symposium (BURS)

From its conception, and through countless retellings, there is no doubt that Louisa May Alcott’s Little Women is an American classic that has stood the test of time. Kate Hamill’s stage adaptation affirms and extends this legacy; the playwright adopts a contemporary feminist approach that defies gender norms and exclusivity in casting and encourages an actor-centered approach. This essay explains the importance of this adaptation and its influence on my portrayal of Beth March in Belmont University’s Fall 2021 production. It touches on the often overlooked significance of the second youngest sister as well as how my personal battle with …

Borrowed Babies

Taylor Theatre Playbills

The playbill for Taylor University's performance of Borrowed Babies by Jennifer Blackmer.

Performed September 10-12, 2021 at the Mitchell Theatre.

Borrowed Babies is a play by Jennifer Blackmer that delves into the historical practice of university "practice houses" for home economics students. The story follows Judy London, a Professor of Home Economics, who encounters one of her former "practice babies" as she nears the end of her career. This meeting prompts Judy to reflect on her life's journey and the sacrifices she has made. The play explores the evolving roles of women and mothers in American society over the past …