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Theatre and Performance Studies Commons

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Lindenwood University

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Articles 1 - 30 of 573

Full-Text Articles in Theatre and Performance Studies

Staging Collapse: Anita Berber’S Cocaine And Morphium As Disability Aesthetic Performance, Blair Summers May 2026

Staging Collapse: Anita Berber’S Cocaine And Morphium As Disability Aesthetic Performance, Blair Summers

Theses

This thesis examines Anita Berber’s performances Cocaine and Morphium within the cultural climate of Weimar Germany, where the body became closely tied to ideals of health, productivity, and national renewal. Through the framework of disability aesthetics as defined by Tobin Siebers, this study argues that Berber transforms addiction, collapse, and bodily decay into a visual and affective language of artistic and political critique. Rather than present the body as disciplined or morally ideal, Berber stages instability, excess, and death through gesture, costume, set design, and music. In doing so, she reimagines the stigmatized female body as a site of agency …


Stories We Become (April 23, 25, 2026), Lindenwood University Apr 2026

Stories We Become (April 23, 25, 2026), Lindenwood University

Student Dance Programs & Brochures

Event program for Stories We Become (April 23, 25, 2026), Lindenwood University.


Artura: Dance And Algorithmic Composition Informed By Motion And Spatial Processing, Aidan Byrnes Apr 2026

Artura: Dance And Algorithmic Composition Informed By Motion And Spatial Processing, Aidan Byrnes

2026 Student Academic Showcase

This project is an experimental performance exploring dancers as musical instruments. With funding received through the Lindenwood PRIDE Mini-Cycle grant, a network of custom-built wearable sensors will be worn by two dancers to send data regarding orientation, motion, and position in 3D space. This data will be processed in custom software to translate this data into sound or other musical information in real-time. Rather than acting solely as accompaniment, the music will be derived directly from each dancer through gestures and motion. The generated musical material that one dancer creates will be responded to with improvisation by the other dancer. …


Stories We Tell (April 22, 24, 2026), Lindenwood University Apr 2026

Stories We Tell (April 22, 24, 2026), Lindenwood University

Student Dance Programs & Brochures

Event program for Stories We Tell (April 22, 24, 2026), Lindenwood University.


A Midsummer Night's Dream (April 8-11, 2026), Willliam Shakespeare Apr 2026

A Midsummer Night's Dream (April 8-11, 2026), Willliam Shakespeare

Student Theatre Programs

Event Program for A Midsummer Night's Dream (April 8-11, 2026), Lindenwood University.


Ride The Cyclone (February 25-28, 2026), Jacob Richmond Feb 2026

Ride The Cyclone (February 25-28, 2026), Jacob Richmond

Student Theatre Programs

Event program for Ride the Cyclone (February 25-28, 2026), Lindenwood University.


Winter Dance Concert (January 29-31, 2026), Lindenwood University Jan 2026

Winter Dance Concert (January 29-31, 2026), Lindenwood University

Student Dance Programs & Brochures

Event program for the Winter Dance Concert (January 29-31, 2026), Lindenwood University.


Fall Dance Concert (Nov. 20-22, 2025), Lindenwood University Nov 2025

Fall Dance Concert (Nov. 20-22, 2025), Lindenwood University

Student Dance Programs & Brochures

Event program for the Fall Dance Concert (Nov. 20-22, 2025), Lindenwood University.


White Christmas (Nov. 6-8, 2025), Irving Berlin Nov 2025

White Christmas (Nov. 6-8, 2025), Irving Berlin

Student Theatre Programs

Event program for White Christmas (Nov. 6-8, 2025), Lindenwood University.


From Palimpsest To Prompt: Rewriting Shakespeare, Creative Authorship, And The Generative Logics Of Large Language Models In Contemporary Theatre, Michael Harding, James Hutson Jul 2025

From Palimpsest To Prompt: Rewriting Shakespeare, Creative Authorship, And The Generative Logics Of Large Language Models In Contemporary Theatre, Michael Harding, James Hutson

Faculty Scholarship

This article examines the convergence of creative authorship, adaptation, and generative artificial intelligence within contemporary theatre, taking Michael Harding‘s Awake, Young King as a central case study. Through the rewriting of Shakespearean drama, Harding‘s creative process demonstrates how theatrical meaning emerges through ongoing negotiation among playwright, performer, and audience, with scripts historically subject to revision, improvisation, and reinterpretation. Concerns regarding copyright, intellectual property, and the role of AI in the performing arts are reframed as extensions of enduring debates over originality and authorship, rather than novel threats. Tracing the evolution from The Rise of James VI to Awake, Young King, …


"What Are The Chances?" Choreographic Process, Kloey Monthei, Janet Strzelec, Tricia Zweier Apr 2025

"What Are The Chances?" Choreographic Process, Kloey Monthei, Janet Strzelec, Tricia Zweier

2025 Student Academic Showcase

My Senior Capstone Project for the Lindenwood Dance Program's Spring Concert explores the balance between randomness and planned structure in dance creation. Inspired by choreographer Merce Cunningham, who pioneered using chance methods (like flipping coins or rolling dice) to determine aspects of dance, I'm creating an original performance that blends intentional design with unexpected elements. This research-based project adapts Cunningham's innovative approach by developing my own system of randomization to generate movement combinations that I might not discover through traditional choreographic methods. Rather than following a linear narrative, the dance emerges through this experimental process where some elements are deliberately …


Sensory Inclusion In The Dance Classroom, Hannah Shafer Apr 2025

Sensory Inclusion In The Dance Classroom, Hannah Shafer

2025 Student Academic Showcase

Dance has historically been inaccessible to individuals with unique sensory perceptions of the world. Throughout this research project, viable ways of accommodating for these perceptions will be explored. This will be done through research and the testimonies of individuals who currently live with a unique sensory perception. Unique sensory perceptions are not limited to just neurodivergent individuals (those with attention deficit hyperactivity disorder, autism, obsessive compulsive disorder, and more), but also for those who do not have the ability to use one or more of their senses. While the information is curated with the intent for dance classrooms, it can …


Spring Dance Concert, April 24-26, 2025, Lindenwood University Apr 2025

Spring Dance Concert, April 24-26, 2025, Lindenwood University

Student Dance Programs & Brochures

Event program for the Spring Dance Concert, April 24-26, 2025.


Till You've Lost It (April 9-12, 2025), Edward Reggi Apr 2025

Till You've Lost It (April 9-12, 2025), Edward Reggi

Student Theatre Programs

Event program for Till You've Lost It (April 9-12, 2025), Lindenwood University.

To view the photos from this production of Till You've Lost It, , please click here.


Little Women: The Broadway Musical (February 27-28, March 1, 2025), Allan Knee Feb 2025

Little Women: The Broadway Musical (February 27-28, March 1, 2025), Allan Knee

Student Theatre Programs

Event program for Little Women: The Broadway Musical (February 27-28, March 1, 2025), Lindenwood University.

To view the photos from this production of Little Women: The Broadway Musical, please click here.


Winter Dance Concert, February 13-15, 2025, Lindenwood University Feb 2025

Winter Dance Concert, February 13-15, 2025, Lindenwood University

Student Dance Programs & Brochures

Event program for the Winter Dance Concert, February 13-15, 2025, Lindenwood University.


Fall Dance Concert (November 21-23, 2024), Lindenwood University Nov 2024

Fall Dance Concert (November 21-23, 2024), Lindenwood University

Student Dance Programs & Brochures

Event program for Fall Dance Concert (November 21-23, 2024), Lindenwood University.


John Proctor Is A Villain (November 6-9, 2024), Kimberly Bellflower Nov 2024

John Proctor Is A Villain (November 6-9, 2024), Kimberly Bellflower

Student Theatre Programs

Event program for John Proctor is a Villain (November 6-9, 2024), Lindenwood University.

To view the photos from this production of John Proctor is a Villain, please click here.


Sondheim Tribute Revue (October 2-5, 2024), Lindenwood University Oct 2024

Sondheim Tribute Revue (October 2-5, 2024), Lindenwood University

Student Theatre Programs

Event program for Sondheim Tribute Revue (October 2-5, 2024), Lindenwood University.

To view the photos from this production of Sondheim Tribute Revue, please click here.


J. Scheidegger Center For The Arts, 2024-2025 Season Brochure, Lindenwood University Aug 2024

J. Scheidegger Center For The Arts, 2024-2025 Season Brochure, Lindenwood University

J. Scheidegger Center for the Arts

No abstract provided.


...The End (April 18, 20, 2024), Lindenwood University Apr 2024

...The End (April 18, 20, 2024), Lindenwood University

Student Dance Programs & Brochures

Event program for ...The End (April 18, 20, 2024), Lindenwood University.


The Beginning Of... (April 17, 19, 2024), Lindenwood University Apr 2024

The Beginning Of... (April 17, 19, 2024), Lindenwood University

Student Dance Programs & Brochures

Event program for The Beginning of... (April 17, 19, 2024), Lindenwood University.


Ordinary Days (April 10-13, 2024), Lindenwood University Apr 2024

Ordinary Days (April 10-13, 2024), Lindenwood University

Student Theatre Programs

Event program for Ordinary Days (April 10-13, 2024), Lindenwood University.

To view the photos from this production of Ordinary Days, please click here.


The Winter's Tale (February 21-24, 2024), William Shakespeare Feb 2024

The Winter's Tale (February 21-24, 2024), William Shakespeare

Student Theatre Programs

Event program for The Winter's Tale (February 21-24, 2024).

To view the photos from this production of The Winter's Tale, please click here.


Winter Dance Concert (January 25-27, 2024), Lindenwood University Jan 2024

Winter Dance Concert (January 25-27, 2024), Lindenwood University

Student Dance Programs & Brochures

Event program for the Winter Dance Concert (January 25-27, 2024).


Noises Off: A Full Length Play Master's Thesis, Amelia Morse Kolkmeyer Dec 2023

Noises Off: A Full Length Play Master's Thesis, Amelia Morse Kolkmeyer

Theses

Amelia Morse Kolkmeyer's master's thesis, Noises Off: A Full-Length Play, explores the complexities of performing Michael Frayn’s farcical stage production. The thesis delves into the play’s structure as a “play-within-a-play,” analyzing the chaos behind the scenes of Nothing On, the fictional show within Noises Off. Kolkmeyer focuses on her portrayal of Dotty Otley, an aging actress, and her character within Nothing On, Mrs. Clackett, a Cockney housekeeper.

The thesis examines the physical and technical demands of the production, particularly its intricate blocking and fast-paced comedic timing. Kolkmeyer reflects on the challenges of maintaining distinct characterizations, switching …


Fall Dance Concert (November 9-11, 2023), Lindenwood University Nov 2023

Fall Dance Concert (November 9-11, 2023), Lindenwood University

Student Dance Programs & Brochures

Event program for the Fall Dance Concert (November 9-11, 2023).


Carrie, The Musical (October 26-28, 2023), Stephen King Oct 2023

Carrie, The Musical (October 26-28, 2023), Stephen King

Student Theatre Programs

Event program for Carrie, The Musical (October 26-28, 2023).

To view the photos from this production of Carrie, The Musical, please click here.


Kodachrome (September 27-30, 2023), Adam Szymkowicz Sep 2023

Kodachrome (September 27-30, 2023), Adam Szymkowicz

Student Theatre Programs

Event program for Kodachrome (September 27-30, 2023).

To view the photos from this production of Kodachrome, please click here.


J. Scheidegger Center For The Arts, 2023-2024 Season Program, Lindenwood University Jul 2023

J. Scheidegger Center For The Arts, 2023-2024 Season Program, Lindenwood University

J. Scheidegger Center for the Arts

No abstract provided.