Technical and Professional Writing Commons^™

Teaching Technical Writing Through Designing And Running Escape Rooms, Marijel (Maggie) Melo, Antonnet Johnson

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

While many instructors recognize how the integration of popular culture and student interests can enhance student engagement and learning, this pedagogical approach remains rare in technical writing courses. In this article, we provide an end-to-end outline of an escape room project assigned to junior and senior level undergraduates, including an overview of our pedagogical rationale, institutional context, instructional materials, and synthesis of work produced by students. By collaborating on a range of technical documentation, students learn through experience that can be leveraged beyond the classroom and in their professional pursuits. Moreover, we aim to provide teachers with an example of …

Methodologizing Transnationality: Relational Writing As Collective Inquiry, Sun Young Lee, Minhye Son, Taeyeon Kim, Jin Kyeong Jung, Soo Bin Jang

Department of Educational Administration: Faculty Publications

How can we take transnationality as a space of in-betweenness to generate new possibilities, moving beyond geographically bounded spans between countries? This article presents five authors’ collective inquiry on transnational positionalities, which we practiced through the relational, transformative, and reflective writing of the self in a community space. We staged the collaborative writing into two processes: the emergent process of thematic writing and the relay writing. Interweaving “I” and “we” voices that cannot be captured through categorical thinking, our collaborative quest resists normative identity politics, proposing writing as a method of collective inquiry for the nuanced understanding of the transnationality …

Publishing Information For Authors, Paul Royster, Sue Ann Gardner, Linnea Fredrickson

University of Nebraska-Lincoln Libraries: Presentations

Publishing: What Authors Ought to Know, by Paul Royster

Copyright for Scholarly Authors, by Sue Ann Gardner

Mechanics of the Manuscript: What Happens Next? by Linnea Fredrickson

Agro/Hort 403/803: Scientific Writing And Communication—A Peer Review Of Teaching Project Inquiry Portfolio, Brian M. Waters

UNL Faculty Course Portfolios

Scientific writing is a skill that is useful for science students, since many of them will write about their research in a thesis, dissertation, or in journal articles. The goal of my course is to provide students with practice and training in scientific writing so that after they take the course they are confident and ready to write drafts independently. The class uses many learning activities, such as reading, writing, peer reviewing, revising, and class discussions. However, the first two iterations of the course did not have built-in ways to practice sentence and paragraph editing, or to gauge quality of …

“Uh Oh. Cue The [New] Mommy Wars”: The Ideology Of Combative Mothering In Popular U.S. Newspaper Articles About Attachment Parenting, Julia Moore, Jenna Abetz

Department of Communication Studies: Faculty Publications

Through critique of concordance, we argue that popular U.S. newspaper articles about attachment parenting perpetuate the ideology of combative mothering, where mothers are in continuous competition with one another over parenting choices. Specifically, article writers construct a new, singular metaphorical mommy war between pro-attachment parenting and anti-attachment parenting proponents by prepackaging attachment parenting and its debate, advocating for attachment parenting through instinct and science, and rejecting attachment parenting because of harm to children, relationships, and mothers. A minority of articles, however, avoided reifying this pro-/anti-attachment parenting mommy war by exploring the complexities of parenting beyond prepackaged philosophies. We explore the …

The Best Job In The World: Documentary Editor, Beth Luey

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Graduates of the Institute for the Editing of Historical Documents deserve congratulations, not only because they have learned a great deal but also because being a documentary editor is the best job in the world. I can speak of this with some authority. Although I am a 1981 graduate of the Institute, I officially became a documentary editor only after retiring from university teaching, which was my second career. My first was as a university press and textbook editor. Those were all good jobs, but documentary editing is the best. Here is why.

Editing Harriet Beecher Stowe’S Uncle Tom’S Cabin And The Fluid Text Of Race, Wesley Raabe

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

I suspect that many scholars begin to edit a work by accident: I begin with the anecdote of how I became an accidental editor of Uncle Tom’s Cabin in academic year 2002. I had read not a single work by Harriet Beecher Stowe when I was admitted to the Ph.D. program at the University of Virginia. During my first semester, I was often at Alderman Library’s Special Collections floor to subject a copy of Delariviér Manley’s Memoirs of Europe (1710) to bibliographical analysis. I was reading Stowe’s work in another course, was already in Alderman for the Manley work, and …

Documentary Editing: Journal Of The Association For Documentary Editing, Volume 32: 2011

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Articles

• Editing Sophia Peabody Hawthorne’s Travel Writing and the Conundrum of Copies, Patricia Dunlavy Valenti
• On Editing Late-Nineteenth-Century Author Interviews, Gary Scharnhorst
• “A Broad, Generous Stream of Love and Bounty”: The Concord Sewing Circle and the Holley School for Freedmen, Mary Lamb Shelden
• What’s in a Name? Cultural Onomastics and Other Scary Things about the Lincolns and Their Contemporaries, James M. Cornelius
• Issues and Challenges of Moving and Maintaining The Papers of Ulysses S. Grant, Ryan P. Semmes and John F. Marszalek
• The Best Job in the World: Documentary Editor, Beth Luey
• Preserving the Alliance: The Artful Diplomacy of Benjamin …

Willa Cather’S Many-Colored Medusa Of Art: Review Of Youth And The Bright Medusa Willa Cather. Historical Essay And Explanatory Notes By Mark J. Madigan. Textual Essay And Editing By Frederick M. Link, Charles W. Mignon, Judith Boss, And Kari A. Ronning., Nancee Reeves

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The latest edition to the Willa Cather Scholarly Edition series, Youth and the Bright Medusa, is a monument to Cather’s own standards of excellence. The thick paper stock is warm and creamy—the kind of paper that feels smooth and comforting to fingers well used to thumbing the cheap texts that are so common today. The type is large and dark, and the wide margins showcase the text while filling the consummate note-taker’s heart with joy. As the series general editors, Susan J. Rosowski and Guy J. Reynolds, point out in the preface, “[g]iven Cather’s explicitly stated intentions for her works, …

Contributors

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Contributors to Documentary Editing: Journal of the Association for Documentary Editing, Volume 32: 2011

In Memoriam-Jo Ann Boydston (1924–2011), Larry A. Hickman

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Jo Ann Boydston enjoyed a distinguished career as general editor of the Collected Works of John Dewey and director of the Center for Dewey Studies at Southern Illinois University Carbondale. Born in Poteau, Oklahoma, of Choctaw Indian heritage, she graduated summa cum laude from Oklahoma State University in 1944. She received an M.A. from Oklahoma State in 1947, a Ph.D. from Columbia University in 1950, and honorary doctorates from Indiana University (1994) and Southern Illinois University (2004).

Recent Editions, W. Bland Whitley

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This annual bibliography of documentary editions recently published in the fields of American and British history, literature, and culture is generally restricted to scholarly first editions of English-language works. In addition to the bibliographical references, Internet addresses are provided for the editorial project or the publisher.

From The Canonical To The Non-Canonical: Editing, The Walt Whitman Archive, And Nineteenth-Century Newspaper Poetry, Elizabeth M. Lorang

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This paper draws on my experiences at the Walt Whitman Archive as I begin thinking about my own digital editing project that will treat nineteenth century newspaper poetry. Until recently, I have imagined my project as a fairly straightforward digital documentary edition of newspaper poems, one in which a selection of newspaper poems would comprise the primary texts for editorial treatment. The edition also would accommodate the surrounding text of the newspapers in some capacity, whether with page images or within a critical apparatus. As I have become more familiar with the texts I want to recover, edit, and present—the …

Julian P. Boyd Award Presented To John P. Kaminski, Barbara Oberg

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The Julian P. Boyd Award is the highest award presented by the ADE. It was established in 1980 through the contribution of an anonymous donor. The award commemorates Boyd’s commitment to excellence and the breadth of his scholarly interests. First presented in 1981, the Boyd Award is now given every three years to a senior scholar in honor of a distinguished contribution to the study of American history and culture.

Documentary Editing: Journal Of The Association For Documentary Editing, Volume 32: 2011-Front Matter

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Front matter: Officers, Publication Committee, Editorial Staff, Table of Contents

Issues And Challenges Of Moving And Maintaining The Papers Of Ulysses S. Grant, Ryan P. Semmes, John F. Marszalek

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

In December 2008 two large moving vans arrived at the Mitchell Memorial Library at Mississippi State University, Starkville, containing over ninety filing cabinets and hundreds of boxes of materials belonging to The Ulysses S. Grant Association (USGA), formerly housed at Southern Illinois University Carbondale (SIUC). These materials represented over forty-six years of work by the late John Y. Simon and The Papers of Ulysses S. Grant project.

On Editing Late-Nineteenth-Century Author Interviews, Gary Scharnhorst

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Contrary to the assertions of the marketing department of the Paris Review, the celebrity interview was not invented in 1953. In fact, the first interviews with prominent authors began to appear in American newspapers in the early 1870s. No interviews with Edgar Allan Poe, Henry David Thoreau, or Nathaniel Hawthorne, each of whom died before or during the Civil War, are known to exist. Charles Dickens sat for no interviews during any of his U.S. speaking tours, including the final one in 1867–1868. The first known interview with Mark Twain appeared in 1871, and the second was not published until …

Rethinking Digital Editing Practices To Better Address Non-Canonical Texts, Amanda A Gailey

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This article stems from my recent work on Race and Children’s Literature of the Gilded Age (RCLGA),1 a digital archive that aims to provide a heavily annotated resource for scholars and students of literature, history, African American studies, visual communication, and education to examine how adults wanted children to think about race during the era of Jim Crow. I edit the archive with Gerald Early, Professor of Modern letters, English, African studies, and African American studies at Washington University in St. Louis, and D. B. Dowd, Professor of Communication Design and American Culture Studies, also at Washington University. When complete, …

Editing Non-Canonical Texts: Issues And Opportunities, Kenneth M. Price

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The three articles that follow—by Elizabeth Lorang, Amanda Gailey, and Wesley Raabe—highlight challenges and opportunities faced by editors who address non-canonical texts.1 These essays, while commenting on individual projects, also help narrow the gap separating the disciplines of literary studies and documentary editing. That is, in the past few decades in literary studies, a great deal of attention has been directed toward previously neglected writers. This work—and the debates it has engendered—is contributing to a more complex and multi-faceted sense of our cultural history. Remarkably, full-scale editorial work has barely addressed our altered intellectual landscape.2 Most work by editors has …

Association For Documentary Editing Business Meeting, 15 October 2010, Hilton Garden Inn, Philadelphia, Pennsylvania

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Program Committee--President’s Report--Liaison Committee Report--Membership Committee Report--Secretary’s Report--Treasurer’s Report--Federal Policy Committee Report--Motion to adjourn was passed unanimously at 4:36 pm.

Preserving The Alliance: The Artful Diplomacy Of Benjamin Franklin, John P. Kaminski

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Documentary editions are filled with stories—stories that often are rich with detail. One of many such stories is found in The Emerging Nation, a three-volume work edited by Mary A. Giunta and J. Dane Hartgrove and published by the NHPRC in 1996. I would hope that this short article might inspire editors and the users of these documentary editions to bring these kinds of stories to life.

Helen R. Deese Honored With The 2010 Lyman H. Butterfield Award, Butterfield Award Selection Committee

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The Lyman H. Butterfield Award is presented this year to Helen R. Deese. With this award the Association for Documentary Editing recognizes, first and foremost, Professor Deese’s achievements as a scholar who works on both sides of our putative divide, producing acclaimed editions of both literary and historical texts. We also recognize her generous service to the Association over many years as a member of its committees and Council, a presenter at annual meetings, an author in Documentary Editing, and a thoughtful contributor to our ongoing discussions of editorial theory and practice.

Presidential Address--New Editorial Futures For The Past, Kenneth M. Price

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Documentary Editing has served the association well since 1979 as a print journal, but it has run into the familiar problems of a print journal with a limited circulation and ever-increasing costs for paper, printing, and mailing. There have also been problems in having a lack of continuity in the position of editor. The association owes many thanks to the publications committee, and in particular to Ron Bosco and Rich Leffler for their recent work as co-editors. Bosco and Leffler agreed to serve for two years, and with time slipping away we needed new leadership. Luckily Amanda Gailey and Andrew …

Editing Sophia Peabody Hawthorne’S Travel Writing And The Conundrum Of Copies, Patricia Dunlavy Valenti

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

For Sophia Peabody Hawthorne, living and writing were virtually synonymous. An inveterate letter-writer and journal-keeper, she was among the first American women to document her travels abroad. In December of 1833, Sophia Peabody departed for Cuba; she spent the next eighteen months on a coffee plantation, where her older sister Mary was a governess. In 1853, Sophia Hawthorne left the United States again, this time with her husband, Nathaniel Hawthorne, who assumed the post of United States Consul at Liverpool. During the subsequent seven years, Sophia traveled throughout England and Scotland. She and her daughters, Una and Rose, also journeyed …

“A Broad, Generous Stream Of Love And Bounty”: The Concord Sewing Circle And The Holley School For Freedmen, Mary Lamb Shelden

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Following her trip in October 1875 to the Women’s Congress in Syracuse, Louisa May Alcott spent November and December at Dr. Miller’s Bath Hotel in New York City. There, she spent time with Sallie Holley (1818–1893), who was a frequent visitor at the Hotel. The two spent six weeks “go[ing] about together”: on Thanksgiving Day, they took a carriage ride together in Central Park; another day, they went to tea at the home of a cousin of Holley’s.1 Holley was among the “notables” Alcott remarked on in her Journal, along with Henry Ward Beecher, Bret Harte, Ann Booth, and Moncure …

What’S In A Name? Cultural Onomastics And Other Scary Things About The Lincolns And Their Contemporaries, James M. Cornelius

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Let me engage in some speculative onomastics. Onomastics is the study of both what a person or a group calls himself, herself, or itself, and what others call that entity. It is the Lincolns’ names for themselves, and what others have called them, that is the main point of discussion for this talk. Many of their contemporaries underwent similar letter-adding or letter-dropping in their names. Again, this will be speculative. I am no more a cultural historian than the next person. Nor have I performed a thorough search of the scholarly literature on either nineteenth-century naming and spelling patterns or …

The Lion In Winter : Review Of Collected Works Of Ralph Waldo Emerson, Volume Viii: Letters And Social Aims Edited By Ronald A. Bosco, Glen M. Johnson, And Joel Myerson., Richard Deming

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The recent publication by Harvard University Press of Ralph Waldo Emerson’s Letters and Social Aims, Volume VIII of the Collected Works, is in many ways the most important contribution of this ongoing project, which presents scholarly editions of one of America’s most central literary and philosophical figures. Among all of Emerson’s books, Letters and Social Aims is without a doubt the most vexed in terms of textual questions, coming as it did so late in his life and at the dimming of his powers. However, the volume also represents some of the finest, most necessary thinking of this shaper of …

Changes Coming To Documentary Editing, Amanda A Gailey, Andrew Jewell

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This spring the Council of the Association for Documentary Editing (ADE), working with the Publications Committee, accepted our proposal to edit Documentary Editing, beginning with the 2012 issue; the Council also approved a change in the journal’s title to Scholarly Editing: The Annual of the Association for Documentary Editing. Our plan is to continue the fine traditions of the journal— essays about the theory and practice of editing, reviews of editions, and news pertinent to the ADE membership—while simultaneously taking the journal in an exciting new direction. Owing largely to a partnership with the University of Nebraska-Lincoln’s Center for Digital …

J. A. Leo Lemay (1935–2008), A Remembrance, Kevin J. Hayes

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

My first semester in graduate school at the University of Delaware I took J. A. Leo Lemay’s Edgar Allan Poe seminar. Writing a seminar paper on the subject of Poe’s use of frontier imagery in his short fiction, I happened to read Prof. Lemay’s essay “The Frontiersman from Lout to Hero” (Proceedings of the American Antiquarian Society 88 [1978]: 187-223). In terms of its breadth of knowledge and depth of insight, I found this essay astonishing. As an undergraduate I had read much about the American frontier, a special interest of mine, but Prof. Lemay’s essay was the single best …

Documentary Editing: Journal Of The Association For Documentary Editing--Front Matter

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Front matter: Officers--Editorial Staff--Table of Content