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Spanish Literature Commons

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Kansas State University Libraries

Violence

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Full-Text Articles in Spanish Literature

“La Cara De Luna De Mi Madre”: Nuria Amat’S Revolution In Poetic Language In “Casa De Verano” (1999), David Richter Jan 2013

“La Cara De Luna De Mi Madre”: Nuria Amat’S Revolution In Poetic Language In “Casa De Verano” (1999), David Richter

Studies in 20th & 21st Century Literature

Nuria Amat’s 1999 short story “Casa de verano” ‘Summer House’ presents the reader with a sensorial collage of unsettling language and violent images that effectively portray domestic abuse and the difficulty of escaping oppressive environments. The Barcelona writer’s text crosses the generic boundaries of narrative and poetry as her discourse flows freely and irrationally by employing a wide variety of charged poetic devices such as metaphor, metonymy, and antithesis. The story focuses on three orphan children who are prohibited from speaking about their subversive bisexual mother, from reading the few remaining books in the summer house, or from playing with …


Reviews Of Recent Publications Jan 2013

Reviews Of Recent Publications

Studies in 20th & 21st Century Literature

Kathyrn Everly. History, Violence, and the Hyperreal: Representing Culture in the Contemporary Spanish Novel by Nina L. Molinaro

Jill Robbins. Crossing Through the Chueca: Lesbian Literary Culture in Queer Madrid by Salvador A. Oropesa

Juan Pablo Dabove. Nightmares of the Lettered City: Banditry and Literature in Latin America 1816-1929 by María Zalduondo

Federico Bonaddio. Federico García Lorca. The Poetics of Self-Consciousness by Carlos Jerez-Farrán

Aníbal González. Love and Politics in the Contemporary Spanish American Novel by Mónica Adriana Agrest


Memorials, Shrines And Umbrellas In The Rain: Poetry And 11-M, Jill Robbins Jun 2012

Memorials, Shrines And Umbrellas In The Rain: Poetry And 11-M, Jill Robbins

Studies in 20th & 21st Century Literature

This project examines the representations in recent Spanish poetry of violence, solidarity, and memory, as these intersect with ethnic, linguistic and religious otherness, globalization, communication technology, and nationalisms. The lens through which the analysis is refracted is the poetic response to the Islamist terrorist bombings of working-class commuter trains in Madrid on March 11, 2004 (known in Spain as 11-M). This event, which occurred days before national elections, exposed the contradictory cultural forces that underlie notions of the national identity, economic transformation, the role of the media, and the social contract in Spain today. This became apparent in the massive …