Spanish and Portuguese Language and Literature Commons^™

Women And Carriages In 17th-Century Aragonese Burlesque Poetry, Almudena Vidorreta

Publications and Research

During the 17th century, literature turned the growing number of carriages into a burlesque topic. There were countless poems written about traffic jams, accidents, or the proper way to ask a friend for a carriage, often considered a symbol of status. Literary references to carriages can tell us many things about the men and women who used them, as well as about gender stereotypes. Women and carriages were understood as interconnected elements in Early Modern Spain; carriages appear as a means to conquer feminine muses as well as a recurrent satirical topic even for women poets. This article analyzes some …

Para Donde Miran Los Ojos: Confluencias Entre Locura, (Des)Identidad Y Violencia En La Obra De João Guimarães Rosa, Silvina Ocampo Y Luis Martín-Santos, Giseli C. Tordin

Doctoral Dissertations

This dissertation studies the representation of madness in the literary works of three twentieth-century authors, namely, João Guimarães Rosa (from Brazil), Silvina Ocampo (from Argentina), and Luis Martín-Santos (from Spain). The first chapter argues that madness in Ocampo’s “El castigo”, Rosa’s “Buriti”, and Martín-Santos, Tiempo de silencio, reveals a series of conflicts between tradition and modernity, rather than the alleged symptoms of an individual suffering from a mental illness. After comparing the three works, it is evident that the decisions of their characters reproduce certain values idealized by authoritarian cultures. The second chapter discusses Rosa’s “Substância”, Ocampo’s “La casa …

Hillary L. Chute. Disaster Drawn: Visual Witness, Comics, And Documentary Form. Cambridge: Harvard Up, 2016., Julia Watson

Studies in 20th & 21st Century Literature

Review of Hillary L. Chute. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge: Harvard UP, 2016.

Mujeres En Movimiento: La Representación De La Migración Femenina En Los Cuentos De Cristina Pacheco, Nadia Villafuerte Y Rosario Sanmiguel, Sonia A. Rodríguez Hicks

Spanish and Portuguese ETDs

MUJERES EN MOVIMIENTO: LA REPRESENTACIÓN DE LA MIGRACIÓN FEMENINA EN LOS CUENTOS DE CRISTINA PACHECO, NADIA VILLAFUERTE Y ROSARIO SANMIGUEL

by

Sonia A. Rodríguez Hicks

B.A., Tourism Planning, Universidad Hispano-Mexicana, 1986

M.A., Spanish, University of Wyoming, 2002

Ph. D. Spanish, University of New Mexico, 2017

ABSTRACT

This dissertation focuses on the representation of migrant women in recent Mexican narrative through the examination of three short story collections, El oro del desierto (2005) by Cristina Pacheco, Barcos en Houston (2005) by Nadia Villafuerte and Bajo el Puente (1998) by Rosario Sanmiguel.

During most of the twentieth century, Mexican literary representations of …

Chivalry And Religion In Three Spanish Pro-Woman Treatises: Para Probar La Virtud Cuando La Tentaçión Es Rresistida..., Linda P. Gonzalez

Spanish and Portuguese ETDs

ABSTRACT

Medieval authors repeatedly warned men of the dangers of going to hell due to their interactions with women. The authors listed here discuss the theological question of the act of contrition while warning men that they should repent for defaming women. This topic is present in the three following, pre-modern defenses about women where the men who wrote these treatises glorifiy the opposite sex for her ability to save man. The manuscripts examined in this project are: MS 9.985 Triunfo de las donas (1439-1441) by Juan Rodríguez del Padrón (c. 1390-1450), MS 1.341 Tratado de las virtuosas mugeres (1441) …

Monstrous Dolls: The Abject Body In Rosario Ferré’S Works, Mackenzie Fraser

Senior Theses

In this Honors Thesis project, I examine two literary texts, “The Youngest Doll” (1991) and The House on the Lagoon (1995), by Puerto Rican author Rosario Ferré (1938-2016) with attention to her depiction of the abject female body as a figure analyzed by both theories of gender and the subaltern. Using these critical frameworks as well as my own textual analysis, I argue that Ferré offers a postcolonial feminist critique of the double oppression—patriarchal and colonial— operating upon her female Puerto Rican characters. Yet these women also turn this abjection into transgression, allowing Ferré to expose the paradoxes of female …

Mujer, Tradición Y Conciencia Histórica En Gertrudis Gómez De Avellaneda, Ana Lydia Barrios

Doctoral Dissertations

This dissertation studies the historical consciousness in the literary production of Gertrudis Gómez de Avellaneda (1814, Cuba – 1873, Spain). The numerous novels, plays, and legends, as well as articles written by her, display an array of female characters selected from history, traditions, and the Bible. This focus of women undoubtedly shows the author’s concern with the condition of women in society, which transcends her own time and place in history, nineteenth century Spain, as her stories attempt to establish a connection between herself and her readers, and women of different times in history. In doing so, Gómez de Avellaneda’s …

Keja L. Valens. Desire Between Women In Caribbean Literature. New York: Palgrave Macmillan, 2013. Vii + 214 Pp., Mary Mccullough

Studies in 20th & 21st Century Literature

Book Review of Keja L. Valens. Desire between Women in Caribbean Literature. New York: Palgrave Macmillan, 2013. vii + 214 pp.

The Feminine Characters In Soledad Acosta’S Una Holandesa En América And The Construction Of A New National Model, Laura Lopez

Nomenclatura: aproximaciones a los estudios hispánicos

In the novel Una holandesa en América (A Dutchwoman in America), Soledad Acosta (1833-1913, Bogota, Colombia) traces the journey of a young woman, Lucía, to America. Acosta uses literary models such as the Bildungsroman and the chronicles of European travelers to explore women’s place in society of her time and the question of European modernity against American “barbarism” in the context of national construction. As most of the speeches around this topic are from men, Acosta offers a different point of view in the debate and puts into question-established ideas.

The Construction Of A Transatlantic Subject: Family And Nation In "Sola" By María José De Chopitea, Valeriya F. Fritz

The Coastal Review: An Online Peer-reviewed Journal

This article explores the articulation of exile identity in the novel Sola by María José de Chopitea published in Mexico in 1954. Until now, critics have approached this text as lacking ideological argument. I propose an alternative reading of the novel as an ideologically charged narrative that articulates the nation beyond state borders and in terms of a transatlantic bond between Mexico and the Spanish Republic. Sola creates space in the nation for Catalan female writers who were previously excluded due to both their gender and their status as political exiles and cultural minorities.