Spanish and Portuguese Language and Literature Commons^™

Chaos As Ecological And Autochthonous Expression: An Ecocritical Study Of La Vorágine, Danion L. Doman

The Coastal Review: An Online Peer-reviewed Journal

This article utilizes principles of ecological criticism to provide new readings of both the role and presentation of nature in José Eustasio Rivera’s novel La vorágine. Whereas critics have heretofore focused on Rivera’s memorable subjective descriptions of the Amazon jungle, the present study foregrounds the rich diversity of the real organisms represented in these depictions. In addition, this essay explores the connections between the text’s core trope, chaos, and the current ecological and social scientific understanding of the ecology and the human history of the Amazon Basin.

Tiempo Y Memoria Proustianos En Doña Inés De "Azorín", Herbert Craig

The Coastal Review: An Online Peer-reviewed Journal

The discovery of three articles by “Azorín” about Proust demonstrates that the Spanish author knew the Recherche before he wrote Doña Inés (1925). However Azorín follows Proust not only in the treatment of involuntary memory, as some scholars have suspected, but also in the treatment of time. These aspects include the changes in the physical appearance of Doña Inés and in the changes of light at the beginning or ending of the day.

La Máscara Afro-Puertorriqueña: Una Auto-Re-Presentación A Través De La Búsqueda De La Identidad Racial, Étnica Y Nacional En Down These Mean Streets, Forrest Blackbourn

The Coastal Review: An Online Peer-reviewed Journal

This article analyzes the textual elements of Piri Thomas’s Down These Mean Streets that demonstrate, in addition to the continual problematization of closed racial categories, the problems that are associated with static categorizations of ethnicity and nationality. This article calls into question traditional definitions of race, yet it also challenges definitions of Puerto Rican and Nuyorican identities. Race, nationality, and ethnicity are all vital elements to the human experience, and we will discover who is/are responsible for the protagonist Piri’s lack of racial recognition in the United States.

La Poética Del Silencio Como Centro Gnóstico En María Zambrano Y José Ángel Valente, Marta Del Pozo

The Coastal Review: An Online Peer-reviewed Journal

María Zambrano’s philosophy and José Ángel Valente’s poetics share a common language: silence. For both, silence emerges as the central locus of the paradox of the knowledge of the unknown. This article aims both at pointing out the gnostic function of silence as stated in their own writings as well as at establishing the connections between the endless ontological possibilities of Logos and silence.

“Para venir a lo que no sabes has de ir por donde no sabes”

[For one to arrive in the place of the unknown, one has to go through what one doesn't know]

San Juan de …

La Complejidad Del Concepto De La Mujer Española De La Posguerra En La Novela De Manuel Mantero, Maria Aurora Álvarez Andréu

The Coastal Review: An Online Peer-reviewed Journal

Ever since antiquity until the present, the concept of woman has been based on the duality of Mary and Eve. The intention of the present work is to study a third option to complete this preexisting duality of womanhood. More precisely, the objective of this work is to analyze how the characters of the single woman, the nun and the prostitute in León de Manuel Mantero's novel Estiércol [Manure] constitute an empty idea of the feminine which, consequently, will allow us to have a more clear perception of the social reality during Spain's post civil war era.

De ‘La Civilización Y La Barbarie’ A ‘Lo Visible Y Lo Invisible’: Etapas En El Desarrollo De Un Centro Argentino, L. Nannette Mosley

The Coastal Review: An Online Peer-reviewed Journal

Argentinean essayists Domingo Faustino Sarmiento and Eduardo Mallea both applied antithetical terms in their explorations of Argentinean identity. Sarmiento juxtaposed “la civilización” and “la barbarie,” while Mallea applied “lo visible” and “’lo invisible.” In response to a somewhat superficial comparison of the terms found within current criticism, and in light of their importance within the writings of both essayists, an in-depth exploration of the terms is undertaken here, addressing the differing objectives and contexts of the writers and revealing a significant evolution in Argentinean thought. From Sarmiento to Mallea, progress is being …