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Articles 1 - 15 of 15
Full-Text Articles in Spanish and Portuguese Language and Literature
Prólogo, Ángel Berenguer
Prólogo, Ángel Berenguer
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.
Comentarios A La Escena Sin Límites De José Sanchis Sinisterra, José V. Saval
Comentarios A La Escena Sin Límites De José Sanchis Sinisterra, José V. Saval
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.
Cosme Pérez, Actor Tudelano, Francisco Sáez Raposo
Cosme Pérez, Actor Tudelano, Francisco Sáez Raposo
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
The author unearths new fundamental data about Cosme Pérez, the most celebrated and famous actor of the 17th century, about his biography - mainly his tudelan origin and his birth certifícate - and his family. This article includes the transcription of such a document, looked for in vain by Cotarelo y Mori, who assumed that Pérez should have been born in Madrid.
El autor aporta nuevos datos fundamentales acerca de la biografía de Cosme Pérez, Juan Rana y de su familia. Pérez fue el actor más famoso y festejado del siglo XVII, protagonista de entremeses escritos especialmente para él. El …
Música, Espacio Escénico Y Estructura Dramática En El Jardín De Falerina De Calderón De La Barca, Alejandra Pacheco Y Costa
Música, Espacio Escénico Y Estructura Dramática En El Jardín De Falerina De Calderón De La Barca, Alejandra Pacheco Y Costa
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
In 1934, Emilio Cotarelo described El Jardín de Falerina as the first theatrical work in which Calderón de la Barca essaied a new gender intended to be performed in Spanish Court, with a greater participatíon of music than any other work until its date, according to historian Cotarelo y Mori. The creation of this comedy was thus the beginning of a new dramatic gender: the zarzuela. During seventy years since Cotarelo's work, his opinion about the gender of El Jardín de Falerina has been worked out by several scholars, and the aim of the present work is to reconsider …
El Público Del Teatro Griego Antiguo, Máximo Brioso Sánchez
El Público Del Teatro Griego Antiguo, Máximo Brioso Sánchez
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
The author deals with several aspects concerning theatre audience in classical Athens, among others its behaviour and influence on the evolution of dramatic genres, as well as its social composition and the view the playwrights had of it.
El autor examina diversos aspectos referidos al público teatral ateniense de la época clásica, entre otros su conducta y su papel en la evolución de los géneros dramáticos, así como la composición social y la visión que de él tenían los dramaturgos.
El Manifiesto Teatral De Los Hermanos Machado: ¿1928 Ó 1933?, Manuela Fox
El Manifiesto Teatral De Los Hermanos Machado: ¿1928 Ó 1933?, Manuela Fox
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
The Manifiesto teatral by the machado brothers has been preserved ín at least three different versions, which, according to some scholars might have been written either by both brothers or only by Antonio. The author of this article examines the Manifiesto and brings to light several important points of it, underlines several Machados' theatrical principies and emphasizes the modernity of their theatre.
El Manifiesto teatral de los Machado se nos ha conservado en, al menos, tres versiones distintas, atribuidas por los estudiosos a los dos hermanos o a Antonio en particular, la autora examina ese texto y saca a la …
Lorca, El Cubismo Y La Distorsión Del Tiempo, Huw Aled Lewis
Lorca, El Cubismo Y La Distorsión Del Tiempo, Huw Aled Lewis
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
Traditionally, Lorca"s plays Comedia sin titulo. El público, and Así que pasen cinco años have been analysed as experimental works that are radically different from his rural trilogy or other, more conventional works. This article will approach Así que pasen cinco años from a dífferent viewpoint, examining it as a direct precursor of Bodas de sangre and as an experiment not only in projecting the complexities of the human mind, but also as an attempt to translate to the theatre some of the ideas that have been associated with pictorial Cubism.
Tradicionalmente, obras lorquíanas como Comedia sin titulo, …
El Cumpleaños De La Abadesa: Una Loa De Alonso Martín Brahones En El Convento De Santa Inés De Sevilla (1671), Carmen Alarcón Román
El Cumpleaños De La Abadesa: Una Loa De Alonso Martín Brahones En El Convento De Santa Inés De Sevilla (1671), Carmen Alarcón Román
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
The theatre staged in enclosed convents for women in Spanish Golden Age and XVIIIth century was an interesting dramatic practice that still remains almost unknown. Some plays were wntten, performed and directed by nuns themselves, but in other cases a professional poet was usually put in charge of the composition of these specific convent pieces that commemorated the taking of vows by a novice, Christmas Eve, Corpus Christi and other celebrations. One of these plays, which we are analyzed here, is a loa written by Alonso Martin Brahones in 1671 for the convent of Santa Inés of Seville, in honour …
El Teatro Español En La Cartelera De Toulouse Entre 1995 Y 2002, Irene Aragón González
El Teatro Español En La Cartelera De Toulouse Entre 1995 Y 2002, Irene Aragón González
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
The autor of this article studies, in detail and statlstically, theatre actlvities In Toulouse between 1995 and 2002.
La autora estudia, detallada y estadísticamente, la cartelera de Toulouse entre los años 1995 y 2002: representaciones, antecedentes, montajes, trayectoria de las compañías locales, etc.
Teoría Del Drama Histórico A Través Del Teatro De La Subtendencia Radical, Manuel Pérez
Teoría Del Drama Histórico A Través Del Teatro De La Subtendencia Radical, Manuel Pérez
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
This article examines the influence of history conceptions among the playwrights of the so-called radical subtendency. Most frequently, these authors apply to their plays their Marxist and revisionist views about history.
Este articulo evalúa la influencia del concepto de lo histórico en los autores del teatro crítico radical. De manera predominante, el punto de vista sobre la historia aplicado a sus obras se adscribe a los principios del realismo socialista.
Apuntes Celestinescos (I): Una Edición Moderna De La Celestina, Héctor Brioso Santos
Apuntes Celestinescos (I): Una Edición Moderna De La Celestina, Héctor Brioso Santos
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.
La Propuesta Teatral De Los Teatros De Arte En España, Mar Rebollo Calzada
La Propuesta Teatral De Los Teatros De Arte En España, Mar Rebollo Calzada
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
The Teatros de arte appear in Spain in the twilights of the 19th century as an offer of artistic renovation against commercial theatre, following the model of Antoine. During the twenties, this model of theatre develops the most innovative productions headed by Martínez Sierra, Rivas Cherif, and groups as El Mirlo Blanco or Fantasio. The alternative answers to commercial theatre promoted new ways of stage management, interpretation and scenographic solutions, inaugurating a route towards the aesthetic change and the education of the public.
Los Teatros de Arte en España aparecen en las postrimerías del siglo XIX como propuesta de …
Reseñas
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.
From República Inmoral To La Peste Fascista: Agit-Prop Theatre Of The Second Republic, Catherine O'Leary
From República Inmoral To La Peste Fascista: Agit-Prop Theatre Of The Second Republic, Catherine O'Leary
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
This article considers the relationship between culture, specifically the theatre, and the State during the Second Republic and analyses some of the work of certain writers who employed propagandistic theatre to fUrther their political aims. It examines the purpose, both political and artistic, of this theatre before going on to demonstrate how its reception by the state"s censors during the Second Republic and the early Civil War years mirrored the political changes and confusion of the period. Finally, some conclusions are drawn about the worth of this theatre, both as art and as social document.
Tomando como punto de partida …
La Escena Madrileña De 1906 A 1911, Rocío Letón Rojo
La Escena Madrileña De 1906 A 1911, Rocío Letón Rojo
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.