Spanish and Portuguese Language and Literature Commons^™

Fernando Arrabal's "Ars Amandi": The Theme Of Love In Selected Plays, Peter L. Podol

Studies in 20th & 21st Century Literature

The evolution in Arrabal's treatment of the theme of love reflects both the development and enrichment of his dramatic techniques and the resolution of his own deep-seated psychological conflicts. Arrabal's theater utilizes his concept of dramatic ceremony to project his intense desire for personal, political and artistic liberation. Psychological and social forces combine to frustrate the fulfillment of love in his early theater (Fando and Lis, 1956) but ultimately love functions to obviate both internal and external constraints. Sexual union, which receives its most rapturous affirmation in Arrabal's plays written during the late 1960's (The Law of …

Vicente Aleixandre And The Solidarity Of The Cosmos, Carl W. Cobb

Studies in 20th & 21st Century Literature

Vicente Aleixandre and the Solidarity of the Cosmos

Points South: Ambrose Bierce, Jorge Luis Borges, And The Fantastic, Howard M. Fraser

Studies in 20th & 21st Century Literature

The debt of Borges's "A Secret Miracle" to Ambrose Bierce's "An Occurrence at Owl Creek Bridge" both in theme and technique has been noted in recent criticism. However, a careful study of the two works reveals striking differences, particularly with respect to the treatment of time. Based on Todorov's study of the fantastic, this article attempts to show how Bierce's influence on Borges parallels the general development of psychological realism and its transformation into surrealism. While it is true that the allusive qualities of Borges' work recall thematic and technical aspects of Bierce, nonetheless the American Hispanophile is a precursor …

The Prose Poem At The Outset Of The Modernist Period In Latin America, Jesse Fernández

Dissertations, Theses, and Capstone Projects

The main purpose of the study is to trace the beginnings of the "prose poem" in the works of the first generation of modernist writers in Latin American letters. The origins of the new literary genre, conceived as such by its authors, go back to the nineteenth century in France, where several writers experimented with a kind of "poetic prose" that was to culminate around the middle of the century in the works of Aloysius Bertrand and Charles Baudelaire.

It became necessary, therefore, to dedicate the entire first chapter to examine the more influential French authors of the period, as …