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Spanish and Portuguese Language and Literature Commons™
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Articles 1 - 3 of 3
Full-Text Articles in Spanish and Portuguese Language and Literature
El Silencio Literario Como Artificio Narrativo En Pedro Paramo De Juan Rulfo, Florilde Rodriguez
El Silencio Literario Como Artificio Narrativo En Pedro Paramo De Juan Rulfo, Florilde Rodriguez
Electronic Theses and Dissertations
This work exposes the narrative silence as the main enunciator of the textual discourse in Juan Rulfo's novel, Pedro Paramo. Through a sociological reading, the literary silences comprised in the events are interpreted to access one of the multiple possible meanings of the story. The study inserts ideas, historical facts and human, social, psychological and material factors in the openings left by the author, thus producing a discourse that shapes the manifesto of contemporary life.
Hibridación Y Subversión De Arquetipos Femeninos Latinoamericanos En Alfonsina Storni, Gabriela Mistral Y Silvina Ocampo, Aned Ladino
Electronic Theses and Dissertations
Social, political, and economic transformations contributed to redefine gender roles at the beginning of the twentieth century. In Latin America, Alfonsina Storni (1889-1938), Gabriela Mistral (1892-1957) and Silvina Ocampo (1906-1993) produced a hybrid narrative that challenged heteronormative conventions. In dialogue with a global realignment, they advocated for the rights of mestiza, indigenous, and working class subjects. This thesis proposes that the authors participated in a worldwide transformation that established women as historical agents. The research incorporates poems, essays, and short stories to map the emergence of independent, clever, and ambiguous models of femininity. They deployed traditional archetypes, such as the …
El Mundo Plural De La Posmodernidad Y Las Nuevas Narrativas En España: Espacios Para La Subjetividad Femenina En Veo Veo, De Gabriela Bustelo, Morella Ortiz
Electronic Theses and Dissertations
One of the most salient features of contemporary Spanish fiction is the solid participation of women in literary creation, particularly that of novels. While in the 1970s there were isolated figures, in the 80s and with the consolidation of democracy, the number grew sharply; in the 90s, they multiplied their presence and their quality continues to be outstanding. In spite of the prejudices of sexist power, a good segment of the critics accepts that today a wider and more valuable group of female novelists has been capable of constructing themes, techniques and discourses differing from the predominant one. It is …