Spanish and Portuguese Language and Literature Commons^™

Unha Vez Tiven Un Cravo (Once I Had A Nail), Roslie De Castro, Scott Cooper

Obsculta

Rosalia de Castro was a nineteenth-century Spanish Catholic writer now best-known for her novels, but her poetry is widely admired in the Spanish-speaking world as well. This devotional poem is written in the language of her native region of Galicia, and the translator hopes that this new version will awaken interest in Castro's work in the English-speaking world.

Multilingual Experimental Literature And Transnational Feminist Solidarities: Erín Moure And Kathy Acker, Melissa Tanti

Studies in 20th & 21st Century Literature

The impulse toward multilingual writing has arisen as a prominent trend in contemporary women’s writing. Criticism and notions of the literary have to respond to, among other things, the fact that "we live in a world where a significant portion of the population is at least partially bi or multilingual" (Camboni 34). To be responsive to the "increasing multilingualism of writers necessitates new strategies for reading the polyvocality of texts" (Eagleton and Friedman 3). This paper considers the ways multilingual writing creates, “small scale modes of listening” (Maguire xix) that tune the reader to languages, identities, and cultures under erasure. …

Places Beyond Memory: The Affective Landscapes Of Bernardo Atxaga's Días De Nevada, Mark Pleiss

BOGA: Basque Studies Consortium Journal

This study highlights a heretofore-unexplored narrative device in Bernardo Atxaga’s fiction by highlighting how the author’s representation of spaces surrounding Reno and the Great Basin in Días de Nevada models what Berberich et al. (2016) call affective landscapes. The approach contributes to, and looks beyond, the traditional focus on memory in criticism of Atxaga, and it illustrates the story’s engagement with the emotional experiences of populations in the North American West that are not explored or rarely treated in the author’s other works. Finally, this paper contributes a new conceptual model to studies like Elena Delgado et al. (2016) that …

Heredia, Juanita. Mapping South American Latina/O Literature In The United States: Interviews With Contemporary Writers, Palgrave Macmillan, 2019., Manuela Borzone

Studies in 20th & 21st Century Literature

Review of Juanita Heredia. Mapping South American Latina/o Literature in the United States: Interviews with Contemporary Writers, Palgrave MacMillan, 2019. vii + 238 pp.

Manuel Gago: La Catarsis En Las Viñetas, Juan Manuel Ibeas-Altamira

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Manuel Gago has stood out, among other contributions, for his Guerrero del Antifaz and his Guerrillero Audaz. We will first approach the Spanish comic context in the first half of the XXth century, and then the creator, dwelling on his vision of history as well as in the treatment of the characters, without leaving aside his creative process.

Manuel Gago ha destacado, entre otras aportaciones, por su Guerrero del Antifaz y su Guerrillero Audaz. En un primer momento analizaremos el contexto del cómic español en la primera mitad del siglo XX y luego al creador, deteniéndonos en su …

Editorial Introduction, Katherine Daily O'Meara, Betsy Gilliland

Journal of Response to Writing

No abstract provided.

Reaching Out: The Basque Transnational Body In The Poetry Of Kirmen Uribe, Enrique Álvarez, Ester Hernández-Esteban

Studies in 20th & 21st Century Literature

In this paper we explore the contribution of Kirmen Uribe, a Basque writer, artist and cultural activist, to the process of political reconciliation in the Basque country, a socially transforming compromise brought about by the dissolution of the Basque terrorist organization ETA in October 20^th, 2011. Uribe achieved literary recognition and public notoriety within the Iberian cultural landscape with the publication of his novel Bilbao-New York-Bilbao in 2008, for which he received the Spanish National Literature Prize for Narrative in the following year. However, we argue that it is with his earlier collection of poems Bistatean Heldu Eskutik …

Cultural Resistance And Textual Emotionality In The Sahrawi Poetic Anthology Versahara, Alberto López Martín

Studies in 20th & 21st Century Literature

A group of Hispanophone Sahrawi poets founded their own Generación de la Amistad ‘Friendship Generation’ in Madrid in 2005. Ever since, Sahrawi poetry in Spanish has found in the anthology an ideal format to present itself to the Spanish reader, counting more than a dozen publications of poetry collections. Such profusion has nothing to do with the struggle for the cultural hegemony characteristic of other currents within the Spanish poetic field. By contrast, these collections keep to the anthologists’ double logic of cultural preservation and literary activism, which emphasize the communitarian character of their poetry. In this paper, I examine …

Special Focus Introduction: Bodies, Transnationalism And Affect In Recent Hispanic Poetry, Enrique Álvarez

Studies in 20th & 21st Century Literature

Introduction to special focus section: Bodies, Transnationalism and Affect in Recent Hispanic Poetry.

Undying (And Undead) Modern National Myths: Cannibalism And Racial Mixture In Contemporary Brazilian Vampire Fiction, Jacob C. Brown

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Contemporary cultural media illustrates the vampire as an important symbolic figure in the Brazilian imaginary. For example, in twentieth and twenty-first century Brazilian fiction, television, and political discourse, vampires have risen from their supposedly European origins as expressions of urban decay, comic excess, and government corruption in Brazil. Beyond these representations, I focus on three contemporary novels in which the vampire also plays a starring role. O vampiro que descobriu o Brasil (1999) by Ivan Jaf, Aventuras do vampiro de Palmares (2014) by Gerson Lodi-Ribeiro, and Dom Pedro I Vampiro (2015) by Nazarethe Fonseca stand out from other creative reimaginings …

China And The Politics Of Cross–Cultural Representation In Interwar European Fiction, Carles Prado-Fonts

CLCWeb: Comparative Literature and Culture

In his article "China and the Politics of Cross–Cultural Representation in Interwar European Fiction" Carles Prado-Fonts analyzes Joan Crespi's La ciutat de la por (The City of Fear, 1930) to illustrate the varied representations of China in interwar Europe. In the 1920s and 1930s, a plurality of views on China and the Chinese people became widespread across different parts of Europe, mainly shaped by English, French, and German representations. Contradictory images of China coexisted in literature, thought, and popular culture. Crespi's work exemplifies these contradictions: China appears as both an attainable reality and an unreachable fantasy, two tropes that prevailed …

"Typescript Of The Second Origin". Counterculture And Politics In The 1970s'., Antoni Maestre-Brotons

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

This article explores how, like other science fiction and fantasy novels, Typescript of the Second Origin relates to 1970s counterculture, radical politics and anti-establishment movements. Pedrolo, a leftist and pro-independence strongly committed author, echoes the radical left’s breakaway from the bourgeois reactionary way of life and consumer society in the novel. The beginning of a post-apocalyptic era in the novel stands for some of the values attached to hippie culture: the search for an ‘authentic’ —natural, primitive, non-technological— life; anti-establishment activity —as shown in self-organisation and the dissolution of the political system—, universal solidarity —the first member of the new …

Alba As Eternal Mother: Violent Spaces And The ‘Last Woman’ In Manuel De Pedrolo’S "Mecanoscrit Del Segon Origen", Pedro Nilsson-Fernàndez

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

The ambitious literary project of Catalan author Manuel de Pedrolo i Molina (1918-1990) has generally been perceived as belonging to the tradition of popular literature, a label often reinforced by the unprecedented success of his minor work Mecanoscrit del segon origen. This has clearly damaged Pedrolo’s status in the Catalan literary; as Kathryn Crameri highlights, “(w)hen authors such as Manuel de Pedrolo championed more popular genres such as crime fiction” –or science fiction as far as this study is concerned– “they had to endure criticisms of the quality of their writing” (Crameri, 2008, p. 23). This article will challenge …

Political Wishful Thinking Versus The Shape Of Things To Come: Manuel De Pedrolo’S "Mecanoscrit" And “Los Últimos Días” By Àlex And David Pastor, Pere Gallardo Torrano

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Despite almost forty years separating Manuel de Pedrolo’s novel Mecanoscrit del segon orígen (1974, trad. Typescript of the Second Origin) and the brothers Àlex and David Pastor’s film “Los últimos días” (2013, US tit. “The Last Days”), it is not difficult to find several socio-political areas of intersection which converge on a biological issue at the end of both works: the pregnancy of one of the characters at the end of each story.

Yet, such an interpretation would be rather limited as it ignores the socio-political landscape from which each work originated. Published in the aftermath of the first …

Educating Dídac: Mankind’S New Father And The End Of Patriarchy In Manuel De Pedrolo’S "Typescript Of The Second Origin", Sara Martín

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

The post-apocalyptic novel by Catalan writer Manuel de Pedrolo, Typescript of the Second Origin (1974, English 2017) celebrates Alba as humankind’s new mother. Alba’s mission, however, clearly depends on the help of a man willing to father her children, a role for which Pedrolo made an extremely singular choice: whereas Alba is already 14 when Typescript begins, Dídac is just a 9-year-old boy. Because of the exceptional situation (the catastrophic extraterrestrial devastation of Earth), Pedrolo forces Dídac to mature very fast, to the point that he is only 12 when Alba gives birth to their baby. Additionally, Dídac’s mixed-raced genetic …

Quixano As Reader, Quixote As Author, Stephanie Bowar

Oglethorpe Journal of Undergraduate Research

Cervantes' 17th century novel, Don Quixote, details the story of passive, stagnant Alonso Quixano, who then abruptly declares himself Don Quixote, a chivalric knight who goes on to fight passionately for his identity and reality. In his dying moments, however, he once more becomes Alonso Quixano, just as abruptly renouncing his previously-claimed identity. Cervantes' work demands discussions of reality, identity, and above all, authenticity. The following paper explores the differences between Alonso Quixano and Don Quixote on these fronts, and argues that Don Quixote, author of his own life, demonstrates authenticity, while Alonso Quixano does not.

Borges And The Basques: Notes On Reading An Invisible Literature, David Laraway

BOGA: Basque Studies Consortium Journal

Critics and readers sometimes unnecessarily limit the scope of what is to be counted as “Basque literature” to texts originally composed in Euskera. In the present study I argue for a hermeneutics of Basque literature that does not seek to identify Basque literature by means of the language of composition, theme, or any particular biographical information about the author. Taking the work of Jorge Luis Borges as a touchstone—and , in particular, his canonical short story, “Pierre Menard, Author of the Quixote”—I sketch a strategy for reading Basque literature from a minimalist perspective that takes the identity of a …