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Full-Text Articles in Spanish and Portuguese Language and Literature
Baroque Glances At Society: The Appropriation Of Decoupage, The Long Take And Depth Of Field Photography In The Early Films By J.A. Bardem., Jesús Urda
Conference Papers
Bardem is often described as a Spanish Neorealist, as a director who followed closely the cinema of Italian directors like Fellini, Pietro Germi, Visconti and of course the early Antonioni. Except for Cómicos (1954), inspired by the reading of Joseph L. Mankievicz’s All About Eve (1950) all the films he made during the 1950s are inspired by an Italian source: Death of a Cyclist (1955) was inspired by Antonioni’s Cronnica di un Amore/Story of a Love Affair (1951); Calle Mayor (1956), shares similarities in plot and concept with Fellini’s I Vitelloni (1953); La Venganza (1957) with Pietro Germi’s Il Camino …
War Memories, Violence And Social Pathology In Saura’S La Caza, Jesús Urda
War Memories, Violence And Social Pathology In Saura’S La Caza, Jesús Urda
Conference Papers
The paper analyses the metaphorical visual and philosophical depiction of Spanish Civil war and its aftermath in Carlos Saura's La Caza.