Spanish and Portuguese Language and Literature Commons^™

Pandora's Log: Charting The Evolving Literary Project Of Rosario Ferré, Lee Joan Skinner

CMC Faculty Publications and Research

In her essay "La Cocina de la escritura," published in 1982, Rosario Ferré describes her authorial project, her literary influences and her motivations for writing fiction. As part of this short autobiographical essay, she discusses the moment she embarked upon her career as a writer and the way she selected her initial literary theme.

A Contemporary Fairy Tale: García Márquez' "El Rastro De Tu Sangre En La Nieve", Arnold M. Penuel

Studies in 20th & 21st Century Literature

The pattern usually found in fairy tales is for the hero or heroine to struggle against, and finally overcome, what seem to be overwhelming odds, after which he or she lives happily ever after. This pattern, according to Bruno Bettelheim, is emblematic of the struggle required of every individual in real life in order to develop the maturity to cope with, and thrive in, the world. García Márquez' story, "El rastro de tu sangre en la nieve," whose dominant intertext is the fairy tale, turns this pattern on its head. Handicapped by privileged upbringing, cultural narcissism, and the necessity of …

Twentieth-Century Latin American Literary Studies And Cultural Autonomy, Naomi Lindstrom

Studies in 20th & 21st Century Literature

Since the 1920s, when scholars first began to specialize in Latin American writing, the subject of Latin American literary studies has grown from a small subset of Spanish and Portuguese literary research and teaching to become the largest field within Hispanism and a significant presence in comparative literature. The expansion of their place in the academic world has often prompted students of Latin American literature to wonder whether, in being swept into the mainstream, their field has not left out of account the historical situations of Latin American nations. These reflections lead critics back to a problem that has troubled …

Grupo Ubú: El Edificio De La Identidad En Barriendo Sombras, Cesar Valverde

Scholarship

No abstract provided.

The Post-Boom In Spanish American Fiction, Donald L. Shaw

Studies in 20th & 21st Century Literature

The article discusses the dating of the beginning of the Post-Boom, the factors involved in discussing it, and lists possible representative writers belonging to it. The views of Skármeta, Allende and others are reported and a list of possible Post-Boom characteristics is suggested. It is argued that there are difficulties in the way of relating the Post-Boom easily to Postmodernism, but that the notion of Post-colonialism may prove helpful in future criticism.

Eva Luna: Writing As History, Lynne Diamond-Nigh

Studies in 20th & 21st Century Literature

The Bildungsroman of Eva Luna's development as a writer reflects—in a somewhat fragmented manner—important developments in Latin American literary history. Her personal quest was paralleled by an aesthetic quest, manifested in the trying on and taking off of various genres, literary movements and myths characteristic of Latin America; she even goes so far as to allude explicitly to specific authors and their individual works. Although some of these are simply lightheartedly parodied, others are reworked and reinterpreted in the light of the feminist enterprise of the past twenty-five years. Eva Luna transgresses fundamentally by having an intellectually strong, sexual, nurturing, …

Literary Invention And Critical Fashion: Missing The Boat In The Sea Of Lentils, Elzbieta Sklodowska

Studies in 20th & 21st Century Literature

In pursuing the relation of Sea of Lentils (1979) to the Spanish American literary canon, I argue that while Benítez-Rojo's novel did not fall into the category of the already canonized—and therefore was spared a parricidal gesture of the Post-Boom writers—neither did it belong amidst the previously marginalized texts. I suggest that Sea of Lentils concentrates its internal critique of language and representation around the process of remembering in a manner that is radically at odds not only with the "traditional" historical novel, but with the official voice of the ascendant testimonio as well. Moreover, the notion of memory as …

The New Novel / A New Novel: Spider's Webs And Detectives In Luisa Valenzuela's Black Novel (With Argentines), Sharon Magnarelli

Studies in 20th & 21st Century Literature

The article analyzes Valenzuela's novel in relation to Shaw's summary of projections about the directions the new novel will or should take. Specifically, it examines the novel in terms of the detective novel to which the title alludes and demonstrates that Valenzuela departs from the traditional detective novel with its quest for knowledge. In Valenzuela's novel there are no definitive answers, only obscurely intuited connections, which we would perhaps prefer not to make, for Valenzuela eschews both a master narrative and a narrative of mastery. Nonetheless, as the article demonstrates, the protagonists' search for motives, their quest to understand the …

Introduction To The Special Issue, Donald L. Shaw

Studies in 20th & 21st Century Literature

Introduction to the special issue

Only Joking? Gustavo Sainz And La Princesa Del Palacio De Hierro: Funniness, Identity And The Post-Boom, Philip Swanson

Studies in 20th & 21st Century Literature

The Mexican Gustavo Sainz has been seen as one of the initiators of the Latin American Post-Boom, largely because of the humor, accessibility and interest in popular culture that characterize some of his work and are often said to characterize the Post-Boom in general. His 1974 novel La princesa del Palacio de Hierro (The Princess of the Iron Palace) is a representative case. However, the Post-Boom's incorporation of "popular" elements within a relatively sophisticated "new novel" framework is a highly problematic process. This can be seen, in this novel, in the broad relationship of the "funny" and the "serious." The …

Ideology And Structure In Giardinelli's Santo Oficio De La Memoria, Gustavo Pellón

Studies in 20th & 21st Century Literature

The article studies the most recent novel by Argentine novelist Mempo Giardinelli from the point of view of its polyphonic structure. Santo Oficio is compared to one of its models, William Faulkner's As I Lay Dying, and the respective modern and postmodern aesthetics ofboth novels are discussed. Giardinelli's approach in this ambitious novel is contrasted with that of major authors of the Latin American Boom. A family tree of the Domeniconelle family, the protagonists of Santo Oficio, is included.

Alvaro Mutis And The Ends Of History, Gerald Martin

Studies in 20th & 21st Century Literature

Part of the confusion of the current literary and critical moment, in Latin America and elsewhere, involves a debate as to whether the most characteristic forms of contemporary writing are the more apparently transparent (in contrast to current critical practice) or the more impenetrable and indecipherable of literary texts. This debate is of particular relevance to Latin American discussions about the so-called "Post-Boom," and the work of the Colombian Alvaro Mutis, a writer who came late to narrative fiction and to critical attention, offers several insights into the links between writing, criticism and idology at this moment close to the …

El Último A La Feria, Victor Rodríguez-Núñez

Victor Rodríguez-Núñez

Debt, Delirium, And Cultural Exchange In" Cien Años De Soledad", Adelaida López-Mejia

Adelaida López Mejía

No abstract provided.

Grupo Ubú: El Edificio De La Identidad En Barriendo Sombras, Cesar Valverde

Cesar Valverde

No abstract provided.