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Articles 1 - 10 of 10
Full-Text Articles in Spanish and Portuguese Language and Literature
William J. Nichols And H. Rosi Song, Eds. Toward A Cultural Archive Of La Movida. Back To The Future. Madison: Fairleigh Dickinson Up, 2014., Jorge Gonzalez Del Pozo
William J. Nichols And H. Rosi Song, Eds. Toward A Cultural Archive Of La Movida. Back To The Future. Madison: Fairleigh Dickinson Up, 2014., Jorge Gonzalez Del Pozo
Studies in 20th & 21st Century Literature
Review of William J. Nichols and H. Rosi Song, eds. Toward a Cultural Archive of La Movida. Back to the Future. Madison: Fairleigh Dickinson UP, 2014.
Jobst Welge. Genealogical Fictions: Cultural Periphery And Historical Change. Baltimore: Johns Hopkins Up, 2015., Patrick R. Young
Jobst Welge. Genealogical Fictions: Cultural Periphery And Historical Change. Baltimore: Johns Hopkins Up, 2015., Patrick R. Young
Studies in 20th & 21st Century Literature
Review of Jobst Welge. Genealogical Fictions: Cultural Periphery and Historical Change. Baltimore: Johns Hopkins UP, 2015.
Martin Munro. Writing On The Fault Line: Haitian Literature And The Earthquake Of 2010. Liverpool: Liverpool University Press, 2014., Linda Alcott
Studies in 20th & 21st Century Literature
Review of Martin Munro. Writing on the Fault Line: Haitian Literature and the Earthquake of 2010. Liverpool: Liverpool University Press, 2014.
Tom Burns, Elcio Cornelson, Volker Jaeckel, And Luis Gustavo Vieira, Eds. War And Literature: Looking Back On 20th Century Armed Conflicts. Stuttgart: Ibidem Verlag, 2014., Paul R. Schue
Studies in 20th & 21st Century Literature
Review of Tom Burns, Elcio Cornelson, Volker Jaeckel, and Luis Gustavo Vieira, eds. War and Literature: Looking Back on 20th Century Armed Conflicts. Stuttgart: Ibidem Verlag, 2014.
Stafford, Katherine O. Narrating War In Peace: The Spanish Civil War In The Transition And Today. New York: Palgrave, 2015., William Viestenz
Stafford, Katherine O. Narrating War In Peace: The Spanish Civil War In The Transition And Today. New York: Palgrave, 2015., William Viestenz
Dissidences
No abstract provided.
“The Hour Of The Furnaces: Collaborative Cinema’S Fragmentary Form”, Eunha Choi
“The Hour Of The Furnaces: Collaborative Cinema’S Fragmentary Form”, Eunha Choi
Dissidences
Cinematic structure remains constitutively collaborative. While critics like André Bazin have described cinema as mixed or impure, this article advances the concept of cinema as collaborative aesthetics. The conventional understanding of collaboration is that it represents aggregation, namely the gradual growth toward a total and completed whole. After all, collaborative practice generally works toward identifiable goals. Conversely, I argue here that The Hour of the Furnaces shows us how cinematic collaboration also operates by subtractions, unresolved dissonances, unfinished instances, and contradictions rather than syntheses or cohesive totality. Despite the filmmakers’ express intentions, I contend that their political documentary film lacks …
Intenciones Enmascaradas En La Pantalla Plateada. El Santo Y El Mimetismo Imperial, David S. Dalton
Intenciones Enmascaradas En La Pantalla Plateada. El Santo Y El Mimetismo Imperial, David S. Dalton
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
El cine Mexploitation de los 1960 y 1970 ha recibido poca atención académica debido a las supuestas fallas estéticas que emergieron cuando los directores de este movimiento yuxtaponían los tropos de la ciencia ficción y el horror hollywoodenses a películas protagonizadas por luchadores enmascarados. No obstante, este cine elucida los discursos imperialistas que abundaban en México a mediados del siglo veinte. En este ensayo analizamos el personaje del Santo —el luchador más exitoso del cine Mexploitation— a través de varias películas. Luego afirmamos que su cine postula una colonialidad liminal mexicana. El Santo interpretaba una versión ficticia de sí mismo …
Televisual Subjectivities In Pepe Rojo’S Speculative Fiction From Mexico: 1996-2003, Stephen C. Tobin
Televisual Subjectivities In Pepe Rojo’S Speculative Fiction From Mexico: 1996-2003, Stephen C. Tobin
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
Pepe Rojo, a key author often tied to the Mexican cyberpunk movement of the 1990s, has been most effective in articulating a kind of visual dystopia in the country that focuses upon television as a key site for constructing dislocated subjectivities. His writing reacts to larger shifts occurring in the country’s field of vision that have been catalyzed by the neoliberal political-economic policy changes and have altered the way in which the mass media culture industry in Mexico functioned in the 1990s. This brought a multitude of changes in how the media industry functioned both internally and externally, ultimately becoming …
Subjective Identity Takes Flight: Magical Realism In Birdman, Kelly Kramer
Subjective Identity Takes Flight: Magical Realism In Birdman, Kelly Kramer
Montview Journal of Research & Scholarship
Analysis of magical realism in the film Birdman.
Ana Corbalán And Ellen Mayock. Toward A Multicultural Configuration Of Spain: Local Cities, Global Spaces. Madison: Fairleigh Dickinson Up, 2015. Vii–Xix + 211 Pp., Jennifer Brady
Studies in 20th & 21st Century Literature
Review of Ana Corbalán and Ellen Mayock. Toward a Multicultural Configuration of Spain: Local Cities, Global Spaces. Madison: Fairleigh Dickinson UP, 2015. vii–xix + 211 pp.