South and Southeast Asian Languages and Societies Commons^™

Painting Stories And Filming Change, Coralynn V. Davis

Faculty Contributions to Books

Mithila Art has helped illuminate various aspects of the relationship between gendered Maithil social roles and Maithil women’s narratives in connection with a feminist participatory action research project conducted primarily in 2016-2017 in and around the northern Bihari town of Madhubani. While participatory action research philosophically and methodologically attends to process as much as product, Mithila Art played a role in the process and product of making a documentary film and in our capacity to understand and communicate with varied audiences about shifting Maithil gender norms. The research and filmic project provided insight into the complex relationship among the stories …

A Litany For Survival: Exploring Activism, Feminism, And Collective Identity In Women's Movements In Pakistan, Nida Zehra

Dartmouth College Master’s Theses

Beginning from the history of women's activism and movements in Pakistan, to how differing forms of activism between the old and young generations are shaping the women's movement, this thesis sheds light on the Aurat (Woman) March in Pakistan, that first began in 2018 as an occasion to celebrate International Women's Day, that has heralded a fourth wave of feminism, began a new form of activism, and has been seen as a continuation of the women’s movement in modern-day Pakistan. My research studies its dynamics and the young Pakistani movement actors of today. It analyzes interviews of Aurat March participants …

Journey, Movement, Affect And Rhythm: Migration Through North Indian Folk Songs, Sangeeta Gupta, Shambhavi Gupta

International Journal on Responsibility

This paper captures the lived experiences and affect associated with migration, through the folk songs of North India. While migration is usually studied as a larger demographic movement involving temporary or permanent displacement and departure, our project captures the pain and apprehension it entails. We have tried to retrieve the vital connection between gender and migration through an analysis of folk songs about the experiences of women. These songs passed down as a part of the oral tradition, articulate how a woman engages and interacts with migration – both due to her marriage and also when her husband leaves home …

Women Parliamentarians In India Since 1991: Challenges And Opportunities, Vatsala Bhusry

Hatfield Graduate Journal of Public Affairs

India gained a new economic orientation in 1991 following the policy of economic liberalization. It offered the opportunities to close the gender gap in various fields including the political field as visualized in the original goal of the Indian constitution. However, there is an acute underrepresentation of women at the national political level and there is a lack of evidence-based research studies to analyze this gap. This study maps the political trajectories of 13 elected women leaders holding offices at the national level since 2019. To better understand the challenges and opportunities at both macro and micro levels they came …

Identities Of Women In Indian Art And History, Nalini Rao

Monsoon: South Asian Studies Association Journal

The stereotypical image of Indian women portrayed in the art of stone sculpture is often interpreted as images of beauty that are sensuous, religious as well depict social life. There are historical reasons for depicting her as such. This paper inquires into the changing depiction and social forces that influenced feminine imagery. This paper examines the portrayal of beauty through idealization of female body which has evolved over the centuries in India. It also aims to understand their changing status and explores issues of feminine identity, status, and empowerment largely in ancient and medieval India. It also provides a brief …

Chang (Beer): A Social Marker, Ritual Tool, And Multivalent Symbol In Tibetan Buddhism, Kayla J. Jenkins

Graduate Theses/Dissertations

In this thesis, I analyze the use of beer (Tib. chang) in Tibetan tantric Buddhism and emphasize its importance for studying themes of purity and pollution, meaning, and power in this context. In doing so, I argue that beer functions as a social marker and influences gender dynamics in Tibet. Beer also functions as a religious ritual tool for transactions of power. Lastly, beer is present as a multivalent symbol in Tibetan tantric songs and stories, useful as both a negative and positive metaphor for qualities or states of mind. As something that informs social, religious, and literary worlds within …

Book Review: Kirin Narayan, Everyday Creativity: Singing Goddesses In The Himalayan Foothills (Kirin Narayan), Coralynn V. Davis

Faculty Journal Articles

No abstract provided.

I Hope, Mai Trinh

SURGE

As I have gotten older, I have learned that no matter how hard I try, I am never going to be able to repay my mother for everything that she did for me. The blood, sweat, and tears she put into nurturing the sick and troublesome, five-year-old me, the rebellious and lazy fifteen-year-old me, and the clumsy, and sometimes lost me now, are insurmountable. I know she had more trouble raising me than she was supposed to. I know her first five years of being a mother did not include taking me to the park, sitting down on a park …

Impact Of The “Nirbhaya” Rape Case: Isolated Phenomenon Or Social Change?, Tina P. Lapsia

Honors Scholar Theses

In December 2012, a twenty-three year old college student, who was given the pseudonym “Nirbhaya” (“fearless”), was fatally gang-raped on a private bus in Delhi, India, galvanizing the country to swiftly adopt new legislative measures and catapulting the issue of violence against women in India into the international spotlight. Although assault and rape cases have made India infamous for its high volume of crimes against women, the reaction to this particular incident was much different from before. This paper investigates whether the governmental and societal responses represent social change, as indicated by changing attitudes towards violence against women in India. …

Strategic Deployments Of "Sisterhood" And Questions Of Solidarity At A Women's Development Project In Janakpur, Nepal, Coralynn V. Davis

Faculty Contributions to Books

No abstract provided.

Sex-Trafficking In Cambodia: Assessing The Role Of Ngos In Rebuilding Cambodia, Katherine M. Wood

Senior Honors Theses

The anti-slavery and other freedom fighting movements of the nineteenth and twentieth centuries did not abolish all forms of slavery. Many forms of modern slavery thrive in countries all across the globe. The sex trafficking trade has intensified despite the advocacy of many human rights-based groups. Southeast Asia ranks very high in terms of the source, transit, and destination of sex trafficking. In particular, human trafficking of women and girls for the purpose of forced prostitution remains an increasing problem in Cambodia. Cambodia’s cultural traditions and the breakdown of law under the Khmer Rouge and Democratic Kampuchea have contributed to …

Why Chinese Neo-Confucian Women Made A Fetish Of Small Feet, Aubrey L. Mcmahan

Grand Valley Journal of History

Abstract for “Why Chinese Neo-Confucian Women Made a Fetish of Small Feet”

This paper explores the source of the traditional practice of Chinese footbinding which first gained popularity at the end of the Tang dynasty and continued to flourish until the last half of the twentieth century.[1] Derived initially from court concubines whose feet were formed to represent an attractive “deer lady” from an Indian tale, footbinding became a wide-spread symbol among the Chinese of obedience, pecuniary reputability, and Confucianism, among other things.[2]^,[3] Drawing on the analyses of such scholars as Beverly Jackson, Valerie Steele …

The Progress Of Indian Women From 1900s To Present, Nidhi Shrivastava

Honors Scholar Theses

Through the study of numerous authors such as the famous Rabindranath Tagore, Manju Kapur, and Anita Nair, my main goal of the thesis was to study and find the progress women have made in India since 1900s. Rabindranath Tagore’s THE HOME AND THE WORLD plant the seed of the women’s movement in India as Bimala, the female protagonist steps out of her household sphere to experience and encounter the “world,” Manju Kapur’s DIFFICULT DAUGHTERS is a story of Virmati, a woman ahead of her times suspended in the hindering traditions during the last years before the partition of 1947. Finally, …

Talking Tools, Suffering Servants, And Defecating Men: The Power Of Storytelling In Maithil Women’S Tales, Coralynn V. Davis

Faculty Journal Articles

What can we learn about the way that folk storytelling operates for tellers and audience members by examining the telling of stories by characters within such narratives? I examine Maithil women’s folktales in which stories of women’s suffering at the hands of other women are first suppressed and later overheard by men who have the power to alleviate such suffering. Maithil women are pitted against one another in their pursuit of security and resources in the context of patrilineal formations. The solidarities such women nonetheless form—in part through sharing stories and keeping each other’s secrets—serve to mitigate their suffering and …

Pond-Women Revelations: The Subaltern Registers In Maithil Women's Expressive Forms, Coralynn V. Davis

Faculty Journal Articles

Ponds are ubiquitous in the Maithil region of Nepal, and they figure prominently in folk narratives and ceremonial paintings produced by women there. I argue that in Maithil women's folktales, as in their paintings, the trope of ponds shifts the imaginative register toward women's perspectives and the importance of women's knowledge and influence in shaping Maithil society, even as this register shift occurs within plots featuring male protagonists. I argue further that in the absence of a habit of exegesis in their expressive arts, and given the cross-referential, dialogic nature of expressive practices, a methodology that draws into interpretive conversation …

Can Developing Women Create Primitive Art? And Other Questions Of Value, Meaning And Identity In The Circulation Of Janakpur Art, Coralynn V. Davis

Faculty Journal Articles

In this article, I examine the values and meanings that adhere to objects made by Maithil women at a development project in Janakpur, Nepal – objects collectors have called ‘Janakpur Art’. I seek to explain how and why changes in pictorial content in Janakpur Art – shifts that took place over a period of five or six years in the 1990s – occurred, and what such a change might indicate about the link between Maithil women’s lives, development, and tourism. As I will demonstrate, part of the appeal for consumers of Janakpur Art has been that it is produced at …

The (No) Work And (No) Leisure World Of Women In Assi, Banaras, Nita Kumar

CMC Faculty Publications and Research

In the riverside neighborhood (mohalla) of Assi, in the south of Banaras, families of the following professions are to be found: the preparation and retail of foods such as: milk, sweets, tea, paan, peanuts and snacks; clerical work in offices or shops; private professional work, such as priesthood, teaching, boating, cleaning toilets; and crafts, such as masonry, weaving, making and maintaining jacquard machines, carpentry, and goldsmithy. All this work is done by men in the public sphere. In Banaras, the observable and articulated sphere of activity called "work" (kam) largely exists for men only. Men are …

The Americanization Of Tsuru Aoki: Orientalism, Melodrama, Star Image, And The New Woman, Sara Ross

Communication, Media & The Arts Faculty Publications

This article contextualizes issues of race and Orientalism in the career of Japanese actress Tsuru Aoki within changing representational strategies and ongoing cultural struggles over the public and domestic roles of women in the modern age. According to the author, Aoki's persona blurred the boundaries between Japanese and U.S. identities.

'Listen, Rama’S Wife!’: Maithil Women’S Perspectives And Practices In The Festival Of Sāmā-Cakevā, Coralynn V. Davis

Faculty Journal Articles

As a female-only festival in a significantly gender-segregated society, sāmā cakevā provides a window into Maithil women’s understandings of their society and the sacred, cultural subjectivities, moral frameworks, and projects of self-construction. The festival reminds us that to read male-female relations under patriarchal social formations as a dichotomy between the empowered and the disempowered ignores the porous boundaries between the two in which negotiations and tradeoffs create a symbiotic reliance. Specifically, the festival names two oppositional camps—the male world of law and the female world of relationships—and then creates a male character, the brother, who moves between the two, loyal …

Feminist Tigers And Patriarchal Lions: Rhetorical Strategies And Instrument Effects In The Struggle For Definition And Control Over Development In Nepal, Coralynn V. Davis

Faculty Journal Articles

This article offers an analysis of a struggle for control of a women’s development project in Nepal. The story of this struggle is worth telling, for it is rife with the gender politics and neo-colonial context that underscore much of what goes on in contemporary Nepal. In particular, my analysis helps to unravel some of the powerful discourses, threads of interest, and yet unintended effects inevitable under a regime of development aid. The analysis demonstrates that the employment of already available discursive figures of the imperialist feminist and the patriarchal third world man are central to the rhetorical strategies taken …

Widows, Education And Social Change In Twentieth Century Banaras, Nita Kumar

CMC Faculty Publications and Research

In the first half of this century, some one dozen women in Banaras played key rotes in channelling the educational movement into new directions, expanding its agenda to include girls, especially poor girls. These women stand out as pioneering in that they founded schools, dynamic in the way they administered and expanded them, and radical in the vision they had for their students. What makes the case of these women particularly interesting is that they were mostly widows. They rejected the familiar stereotypes for widows through their activism, but in subtle ways that retained for them the respect of society …