Slavic Languages and Societies Commons^™

Ideology And Iconography In Gustav Machatý’S Ecstasy (1933), Karl E. Toepfer

Open Educational Resources

This essay discusses the cinematic construction of sexual ecstatic experience in Gustav Machaty's 1933 film Ecstasy. Sergei Eisenstein's theory of cinematic montage governs the shapes the way the filmmakers organize the representation of erotic desire and rapture. But the film also shows affinity with the Czech "Poetist" movement of the 1920s in constructing a guiding view of ecstatic experience. The essay analyzes many images in the film, and concludes with an application of montage theory of ecstatic cinema to the consumption of erotic videos and internet imagery.

From Sorochyntsi To St. Petersburg: National Identity In The Works Of Nikolai Gogol, Gary Jay Kogoy Jr.

Honors Theses

Nikolai Gogol's extant works depict a man torn between his birthplace of Ukraine and the nineteenth-century milieu of Imperial Russia. Notably, he did not reveal his name for some time after publishing his first story collection Evenings on a Farm Near Dikanka; as a result, readers attributed the tales of Ukrainian life within not to Gogol, but to the charming "Ukrainian jester" persona of Rudy Panko. Even after revealing his identity and garnering respect in the St. Petersburg literary scene, his contemporaries often viewed him as sly and suspicious because of his ancestry. Perhaps due to external doubts regarding …

Unsuccessful? Universal Human Rights And The United Nations: Russian Imperialism In Ukraine And The Post-Udhr International System, Sofiia Novytska

Graduate Theses, Dissertations, and Problem Reports (ETD)

Human universality has always stood as a controversial subject and remains politically contentious today. Following the humanitarian crisis of World War II, the international community was determined to protect the integrity and dignity of people worldwide by developing the United Nations’ Universal Declaration of Human Rights. However, universal human rights were not invented by the Declaration and were already conceptually established in global ancient thought, further evolved into Early Modern scholarship, and later paved the way for modern humanitarian frameworks. The UDHR was not universally well-received, and was criticized for its revolutionary legal character, postcolonial contestation, and practical ambiguity. The …

Horror Film And Soviet Identity: The Specter Of Soviet Imperialism, Alex Dyatkevich

Honors Undergraduate Theses

The thesis looks at how Soviet imperialism–the extension of Soviet Russia’s power over the other Soviet republics—is reinforced and used as a source of terror in Soviet horror film. I argue that while Soviet Russian horror movies from the creation of the USSR in 1922 to the end of Brezhnev’s Era of Stagnation in the mid 80s reinforce an imperialist Soviet identity, the horror movies released by non-Russian Soviet republics after the increase in freedom of expression during perestroika position imposed imperial Soviet identity as a source of terror.

The first chapter examines how USSR-era horror cinema was used as …

Dwelling In Parallel Worlds: Esoteric And New Age Milieus In The Soviet Period And Afterward, Edited By Birgit Menzel And Anna Tessman: A Review, Alexander John Paul Lutz

Occasional Papers on Religion in Eastern Europe

A review of Birgit Menzel and Anna Tessmann, eds. Dwelling in Parallel Worlds: Esoteric and New Age Milieus in the Soviet Period and Afterward. Münster: LIT Verlag, 2025. 320 pp. €34.90 (paperback). ISBN: 978-3-643-91580-1.

Religious And Cultural Dimension Of The "Ringing Cedars Of Russia" Movement In The Context Of Hybrid Warfare, Oleksandr Lukyanenko, Vitaly Dmytrenko, Vita Dmytrenko

Occasional Papers on Religion in Eastern Europe

The article is devoted to a comprehensive religious analysis of the neo-religious movement “The Ringing Cedars of Russia,” based on the works of Vladimir Megre and the image of the prophetess Anastasia. The study covers the ideological and doctrinal foundations of the movement, its socio-cultural practices, the functioning of tribal settlements, as well as mechanisms of influence on individual and collective consciousness. Particular attention is paid to the concepts of “Vedrussia”, the sacralization of “Russian space” and the mythologization of Russia’s calling to revive the “primitive civilization of harmony.” The analysis shows that the movement, while declaring ecological and humanistic …