Slavic Languages and Societies Commons^™

Review Of The Art And Science Of Making The New Soviet Man In Early 20th-Century Russia By Yvonne Howell, Nikolai Krementsov, Tim Harte

Russian Faculty Research and Scholarship

No abstract provided.

Review Of 'Rethinking The Gulag: Identities, Sources, Legacies', José Vergara

Russian Faculty Research and Scholarship

No abstract provided.

Review Of The Vortex That Unites Us: Versions Of Totality In Russian Literature, By Jacob Emery, José Vergara

Russian Faculty Research and Scholarship

No abstract provided.

Gamblers And The Game Of Life: A Literary Examination Of The Professional And The Addict, Annika Ozizmir

CMC Senior Theses

The gambler is a mysterious persona in life and in literature. Who is the gambler? While we can envision the gambler as many different kinds of people, this thesis seeks to answer this question by focusing on certain literary figures who gamble. Its author analyzes two archetypes in particular, that of the professional gambler and that of the addict. To illustrate these types, the author looks to four protagonists from a mix of four novels and short stories: Casino Royale by Ian Fleming, “A Gentleman’s Game” by Jonathan Lethem, “Queen of Spades” by Alexander Pushkin, and The Gambler by Fyodor …

To Whom Did Pushkin Write? The Narrator-Reader Friendship In Eugene Onegin, Tatum Grace Hall

CMC Senior Theses

In this thesis, I argue that in his novel in verse, Eugene Onegin, Alexander Pushkin transcends the traditional narrator-reader hierarchy to foster a sense of friendship between himself and his reader. I suggest that Pushkin’s desire for friendship with his reader necessitates a keen awareness of his and his reader’s collective engagement within the novel. If Pushkin seeks friendship with his readers, he must treat them as friends. Consequently, the reader’s role in Eugene Onegin is elevated to that of Pushkin’s intimate. In my analysis, I identify three methods by which Pushkin successfully fosters a sense of overlapping experience …

Ruslan And Lolita: Nabokov's Pursuit Of Pushkin's Monsters, Maidens, And Morals, Ludmila Lavine

Faculty Journal Articles

This article discusses the Russian precursor to Humbert’s explicit “kingdom by the sea”: Pushkin’s mock-epic Ruslan and Liudmila (RL). An amalgam of Slavic and Western folklore that scandalized the reading public in its day, Pushkin’s work underpins Nabokov’s own transnational position as a writer whose splash onto the Anglophone scene was accompanied by similar outcries of smut and pornography. In addition to a multitude of fairy-tale sources already documented in the scholarship, Lolita’s cluster of mermaids, sleeping beauties, dark magic, invisibility, pursuit and captivity, physical topography, and “brothers”-rivals finds in Pushkin’s RL a synthesizing subtext. Moreover, Pushkin’s play …

A Russian Gil Blas, Or The Adventures Of Prince Gavrilo Simonovich Chistyakov, Vasily Trofimovich Narezhny, Ronald D. Leblanc (Translator)

Faculty Publications

Although Vasily Trofimovich Narezhny (1780-1825) is generally considered to be one of the pioneers of the modern novel in Russia, his works have yet to be sufficiently recognized for their many artistic merits. He receives little critical attention in most histories of the rise of the novel in early nineteenth-century Russia. Born in Ukraine, but educated in Moscow, Narezhny wrote lengthy satirical novels imbued with a sardonic tone and an earthy brand of realism that tended to offend the refined aesthetic sensibilities of many contemporary followers of Nikolai Karamzin and his dominant school of literary Sentimentalism during the early years …

Baba Yaga: An Ecofeminist Analysis Of The Witch Of The Woods, Maya Lozinsky

Scripps Senior Theses

In this thesis, I will argue that Baba Yaga’s prevalence in Russia’s culture and media provide a unique opportunity to gain insight into the junctures between the climate crisis and gender inequality in Russia. Despite the persistent gender inequities present in current Russian society, ecofeminist frameworks and ideologies are already deeply embedded in Russian culture. Women, as a group, have always been politically active in Russia, from resisting the introduction of Christianity in the 9th century, to the feminist resistance group Pussy Riot founded in 2011. I will examine Baba Yaga’s history, her role in the Russian folktale, and her …

Principles Of Lexicographic Description For Word Formation Synthesis Terminology (On The Material Of Verbs Of Sound In The Russian Language), Irina Ivliyeva

Arts, Languages and Philosophy Faculty Research & Creative Works

No abstract provided.

Writing Outside The Soviet Canon: Aleksandr Kozachinskii's "The Green Wagon" As Roman A Clef And Odesa Memoir, Cassio F. De Oliveira

World Languages and Literatures Faculty Publications and Presentations

This essay analyzes Aleksandr Kozachinskii’s 1938 Russian-language novella “The Green Wagon” as a roman à clef and exemplar of the Odesa Myth that has been unjustly neglected in literary scholarship. Reasons for the neglect of “The Green Wagon” include the historical context of its publication, between the Great Purges of 1936–1938 and the outbreak of World War II; Kozachinskii’s untimely death; and the conventional interpretation of the novella that reduces it to a fictionalized account of Kozachinskii’s friendship with Evgenii Petrov in Odesa during the early Soviet period. Against such a reductionist reading, and on the basis of recent archival-based …

God Poezii 2023, Victor Fet

Biological Sciences Faculty Research

Fet, V. (ed.). God poezii 2023 [Year of Poetry 2023]. Kyiv: Drukarskii dvir Oleha Fedorova. 2023. 520 p.

"Year of Poetry 2023" has brought together over 100 authors of various generations from different countries who continue to write in Russian outside the borders of a crumbling empire. There is no longer a shared past in this language—it has shattered. Yet there remain conscience, memory, love, hatred, hope, and faith in victory. We are proud that this book is being published in Kyiv. Whatever we write about, the hearts and verses of those who cannot remain silent stand with a fighting …

Samozvanets (The Pretender), Matthew Garrell, Alikzandr Malakov

Dartmouth College Master’s Theses

he Russian word Samozvanets most directly translates to Imposter in English. However, for this thesis, I have selected the alternative interpretation of Pretender. Imposter implies the taking or assuming of another’s position. Pretender, more personally, carries the meaning of presenting self as something one is not. It is through the lens of the Pretender that I examine the idea of what it means to be a member of a particular ethnicity, and to engage with one’s cultural heritage. I do this through a collection of fictional stories, investigating various lives within the Russian diaspora following the dissolution of the Soviet …

The Illustrated Ivan: Ivan Iv In The Illustrated Chronicle Compilation, Charles J. Halperin, Ann M. Kleimola

Russian Language and Literature Papers

The surviving segments of the incomplete Illustrated Chronicle Compilation (LLS), in both text and miniatures, present a consistently positive image of Ivan IV as pious, just and competent, although the portrayal of individual events could vary. Nevertheless they also sometimes portray him as not in control of his elite, his subjects or events. If Ivan had to restore order by punishing those who had acted unjustly without his permission, then he had obviously failed to prevent such misdeeds. The miniatures in LLS present a cohesive image of the Public Ivan, despite the various stages of completion of individual segments, efforts …