Slavic Languages and Societies Commons^™

Ritual As Resistance: Orality, Identity, And Soviet Kazakh Childhood In Sayin Muratbekov’S The Smell Of Wormwood, Dana Akhmerova

Comparative Literature M.A. Essays

This essay analyzes The Smell of Wormwood (1967), a short novel by Soviet Kazakh author Sayin Muratbekov, set in a Kazakh village during World War II. The narrative centers on Ayan, a nine-year-old orphan with a physical disability, who copes with trauma and marginalization by becoming a storyteller for the village children. Focusing on the role of Kazakh folklore—particularly storytelling and initiation rituals—I explore how these cultural forms shape the novel’s characters, structure, and central conflict. Drawing on Arnold van Gennep and Victor Turner’s theories of ritual, I argue that Ayan’s storytelling creates an informal liminal space through which the …

Displaced Ukrainian Writers After 2014, A Postcolonial Perspective, Sophie Ivanka Shields

Comparative Literature M.A. Essays

This paper analyzes post-2014 Ukrainian displacement literature from a postcolonial perspective. I argue that Ukrainian writers, displaced with the 2014 invasion of Eastern Ukraine and/or 2022 full-scale invasion by Russia, transform literature into a tool of cultural resistance against Russia, forging a postcolonial Ukrainian identity in their works that unites those displaced since 2014. I particularly focus on two long-form works by displaced writers: the novel Mondegreen: Songs about Death and Love (2019) by Volodymyr Rafeyenko, who was displaced in 2014 from Donetsk to Kyiv and again in 2022 to Pittsburgh, USA on the City of Asylum Exiled Writer and …

Ukrainian Beauty, Daryna Gladun

Dartmouth College Master’s Theses

‘Ukrainian Beauty’ is a collection of poetry that emerged from my two years in MALS. It confronts the misrepresentation of a female body and experience in a male-dominant society of a rising democracy.

The poetry collection commences with an essay, ‘Ukrainian Beauty—91’ and beyond,’ which delves into the historical and political backdrop of the first national pageant, ‘Ukrainian Beauty,’ held in February 1991, a pivotal year marked by the collapse of the Soviet Union.

The 20 poems in the collection reference the late 1980s-1990s artworks by the Kharkiv School of Photography and Odesa Conceptual Artists, Les Podervianskyi’s radio plays, texts …

Victor Pelevin And Eurasianist Geopolitics, Tatiana Filimonova

Dartmouth Scholarship

The first decades of Victor Pelevin’s writing coincided with the burst in popularity of neo-Eurasianist and neo-imperialist ideas. This paper traces the various forms that Pelevin’s treatment of civilizational and geopolitically focused ideologies has taken over the course of his career. His preoccupation with these ideas ranges from inconspicuous reflection of the Eurasian phenomenon to Eurasianism’s intensifying critique, and, eventually, to a more comprehensive engagement with concepts of classical geopolitics. If early on Pelevin’s portrayal of neo-imperialists and their ideas has been largely satirical (Empire V, 2006), in the 2010s his texts began to demonstrate a deeper entanglement …

Samozvanets (The Pretender), Matthew Garrell, Alikzandr Malakov

Dartmouth College Master’s Theses

he Russian word Samozvanets most directly translates to Imposter in English. However, for this thesis, I have selected the alternative interpretation of Pretender. Imposter implies the taking or assuming of another’s position. Pretender, more personally, carries the meaning of presenting self as something one is not. It is through the lens of the Pretender that I examine the idea of what it means to be a member of a particular ethnicity, and to engage with one’s cultural heritage. I do this through a collection of fictional stories, investigating various lives within the Russian diaspora following the dissolution of the Soviet …

"I Am Not Alive": A Bionian Reading Of Life And Death In Balzac's Le Colonel Chabert And Tynianov's Podporuchik Kizhe, Andres Meraz

Comparative Literature M.A. Essays

This essay investigates the themes of life and death in Balzac’s novel, Le Colonel Chabert (1832), and Tynianov’s novella, Podporuchik Kizhe (1927). In these works, life and death are as much socio-political and legal constructs as they are organic or ontological states—that is, the chronological, biological beginning and ending of a “life.” In other words, life and death become conceptual spaces into which one may enter, or from which one may be excluded. Additionally, this essay asserts that while the approach taken in one text may to be a kind of conceptual inversion of the approach taken in the other, …