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Full-Text Articles in Renaissance Studies
What Could A Trans Book History Look Like? Toward Trans Codicology, J D. Sargan
What Could A Trans Book History Look Like? Toward Trans Codicology, J D. Sargan
Criticism
This article draws on critical trans studies and queer archival practice to propose a book historical mode that extends what we know about the premodern trans experience beyond the recovery of individual biographies. Instead of turning to textual sources for the identification of transness, the author looks to Susan Stryker’s call for the “recuperat[ion of] embodied knowing as a formally legitimated basis of knowledge production.” Bibliography, he suggests, makes claims of objectivity that engender a particular reluctance to respond to such calls. But the lived reality of archival research is one of affective embodiment. Affect theory is an area that, …
The Consolation Of Exempla: Gower’S Sources Of Hope And “Textual Healing” In The Confessio Amantis, Curtis Runstedler
The Consolation Of Exempla: Gower’S Sources Of Hope And “Textual Healing” In The Confessio Amantis, Curtis Runstedler
Accessus
This article examines the role of exempla as the root cause of hope and healing in John Gower's Confessio Amantis. I argue that these exempla provide remedial action in the text. The exempla are sources of metaphorical healing in the text, functioning as what I have termed “textual healing,” that is the medicinal aspects of the text that helps remedy Amans (and the reader, to a certain extent) back to full health. This article also draws upon reading the Confessio Amantis as a consolatio poem, linking it to Boethius' Consolation of Philosophy in particular. I also discuss the role …
A Seventeenth-Century Air History In Conversation With Antony And Cleopatra, Laura S. Deluca
A Seventeenth-Century Air History In Conversation With Antony And Cleopatra, Laura S. Deluca
Binghamton University Undergraduate Journal
This article works to unpack the recurrences of air-related language utilized in Shakespeare’s Antony and Cleopatra. Throughout this play, the notions of breath, wind, air, and vapor are consistently referenced, demonstrating the way in which atmospheric intangibility was a key point of exploration for contemporary scientists and philosophers. Through this analysis, it is clear that Shakespeare employs breath in three ways: the breath of (public) life, a lack of breath, and, most importantly, breath as a symbol of power and autonomy, which at times overlaps with the breath of life in ways that demonstrate contemporary conceptualizations of living beings. The …