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Full-Text Articles in Renaissance Studies
Fra Angelico In San Marco: A Comparison Of Fra Angelico’S Frescoes And Altarpieces During His Time In San Marco, Isaac Copeland
Fra Angelico In San Marco: A Comparison Of Fra Angelico’S Frescoes And Altarpieces During His Time In San Marco, Isaac Copeland
Tenor of Our Times
Fra Angelico stood at the crossroads of two major art movements in the early 15th century, the old International Gothic style, and the new Renaissance style. During his stay at San Marco between 1436, when the monastery moved to Florence, and 1445, when Fra Angelico was summoned to Rome, his work reflected elements of both the International Gothic style and the Renaissance style. However, in his works at San Marco, his panel paintings were more conservative, painted with more Gothic conventions than his frescos, which exhibited elements of the rising Renaissance.
Polluted Soundscapes And Contrepoison In Sixteenth-Century France: The Sonic Warfare Leading To The First War Of Religion, John Romey
Yale Journal of Music & Religion
In the decades leading up to and during the first years of the Wars of Religion, Huguenots and Catholics waged audible battles over sonic territories using songs as spiritual weapons. Huguenots memorized and communally sang metrical psalms in the vernacular as sonic markers of the Reformed faith. Catholics interpreted these same sounds as pollution in need of eradication. Artus Desiré, for example, responded by producing polemical contrepoison, musical antidotes created by composing new countertexts to Marot’s Psalm tunes to “cleanse” them of their perceived heresy. While scholars have long recognized both the destructive nature of iconoclastic attacks on religious …
Mentalités And The Search For Total History In The Works Of Annalistes, Foucault, And Microhistory, Jason U. Rose
Mentalités And The Search For Total History In The Works Of Annalistes, Foucault, And Microhistory, Jason U. Rose
The Hilltop Review
In this brief essay, the links between the Annales, the works of Michael Foucault, and microhistory are analyzed through the theoretical lens of histoire des mentalités (mentalités). Common threads that link these approaches include the willingness of using outside fields of analysis as well as the willingness to work with vagueness in search of those who Foucault calls, “lost people.” Relatedly, each of these groups and individuals are willing to analyze all aspects of the historical record to fully understand the minds, cultures, and histories of past people. The key to recognizing the relationship of these approaches involve knowing and …