Renaissance Studies Commons^™

Moral Ecology In Shakespeare's Tragedies: Nature, Animals, And Conscience As Ethical Agents In Hamlet, Macbeth, And King Lear, Md. Abu Bakkar

Journal of Language, Literature, and Arts

Shakespeare's tragedies repeatedly dramatize a universe in which moral transgression produces consequences that extend beyond individual psychology to affect society, nature, and the non-human world. This study examines how Hamlet, Macbeth, and King Lear construct a system of moral ecology, understood as a framework of ethical causality in which human actions generate interconnected consequences across psychological, social, and natural orders. Using qualitative close reading informed by moral criticism, ecocriticism, animal studies, and early modern cosmology, the study analyzes selected passages representing natural disturbance, animal imagery, and conscience as forms of ethical response. The findings show that the three …

“One Object Yields Both Grief And Joy”: Death In Elizabeth Cary’S The Tragedy Of Mariam (1613), Valeria Suprunova

Theses and Dissertations

This thesis argues that the dialog between early ancient Roman and early modern English traditions of death and dying helps illuminate the complex relationship between tyranny and death in Elizabeth Cary’s The Tragedy of Mariam (1613) and that death is an inextricable and dynamic element of the text.

“The Left Leg Is Not Well”: Identity, Economy, And Ability In Early Modern Drama, Emma D. Whaley

Department of English: Dissertations, Theses, and Student Research

The human reality of the disabled experience often goes overlooked by scholars analyzing early modern literature. Most scholarship seems to interpret disability as metaphorical without examining the human who experiences it. In this paper, I will be examining disability in three early modern texts as literal and inquire into the realities of the disabled experience for the characters. A Larum for London, The Shoemaker’s Holiday, and The Fair Maid of the Exchange all prominently feature a disabled character—Stump, Ralph, and Cripple respectively. These characters offer a depth of personhood rarely examined in early modern literary scholarship, even in …

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

Interspecies Responsivity In Early Modern Drama And Animal Performances, Taylor C. Culbert

Dissertations, Theses, and Capstone Projects

This dissertation proposes an expansive, interspecies definition of performance that uses behavior rather than cognition as the decisive feature and illustrates how such a definition can reshape our approach to theatre and performance history. Using the concept of responsivity, which refers to the embodied and affective ways that humans and non-human animals acknowledge and react to one another, I trace human–animal interactions across a variety of sixteenth- and seventeenth-century performance genres, from the aristocratic stag hunt and entertainments involving trained animals to the plays of Molière and Shakespeare. Drawing on my experience training animals, I offer a new perspective on …

The Substance Of Reality: Moral Perfectionism In Shakespeare's Hamlet., David Wright

Electronic Theses and Dissertations

Through a selection of and close reading of key passages, I offer an interpretation of Hamlet that seeks to illuminate the play as an important work of moral philosophy, and to situate the play within a strand of moral philosophy named moral perfectionism by Stanley Cavell. Indeed, Hamlet is a masterpiece of Renaissance drama, but when read with attention to moral perfectionism, the play yields additional layers of meaning. Hamlet is a “philosophical drama” that navigates the “moral calling of philosophy”—a text that seems to, almost uncannily, elicit the audience to think reflectively, to ask fundamental human questions along …

"You Know The Rules": A Dramatic Experiment In Aromantic Literary Theory, April Chronowski

English

This paper proposes a new literary theory framework based on the zine "an aromantic manifesto" by yingchen and yingtong, as well as the work of Erving Goffman, using theater as a device to examine romantic relationships. Blending English and sociology, I focus each chapter on a different literary period and examine two plays each: early modern (Christopher Marlowe's Doctor Faustus and William Shakespeare's Much Ado About Nothing), modern (Edward Albee's Who's Afraid of Virginia Woolf? and Djuna Barnes' "To The Dogs"), and contemporary (Caryl Churchill's Cloud 9 and Margaret Edson's W;t). In tandem with analysis of formal elements---like …

"To Keep Men In Awe": Religious Subversion And Anti-Providentialism In Marlowe's Tamburlaine And The Jew Of Malta, Will White

Honors Theses

In early modern England, the term “atheist” held quite a different meaning from its modern usage. Most often, it referred not to person who rejected God’s existence, but who rejected the validity of divine providence: the notion that God exerts control and order over the events of Earth. This understanding of atheism informs the reading of the 16th century playwright Christopher Marlowe, whose connection to atheistic ideas is perhaps more visible than any of his contemporaries. In this thesis, I argue that the unifying element of religion in Marlowe’s drama is anti-providentialism – a rejection of providence. I examine two …

Milton: Politics Of Desire And Dispossession, Sawyer K. Kemp

Open Educational Resources

In this course we will study John Milton’s most famous poem, Paradise Lost, alongside a selection of his major verse and prose works. Milton’s literary projects were inextricably political, and we will wade into the discourse of his legacy as either—or both—state propagandist or public scholar. We will discuss and explore Milton’s role in the charged political climate of the British Revolution of the 17^th century, as well as his work on gender, marriage, divorce, the free press, sin, and heroism.

How do we read Milton’s work in our own political climates of unrest? How has deconstruction of …

Recognizing Traps And Frightening Wolves: Foxes And Lions As A Representative Of Machiavellian Political Ideology In Shakespeare’S Comedies, Grace A. Powell

Student Scholar Showcase

While William Shakespeare’s plays and sonnets have been discussed time and time again over the past few centuries, one topic that has been less traversed is the connection between his Comedies and Niccolò Machiavelli’s political ideologies. This project will explore references of lions and foxes in Shakespeare’s Comedies and the leaders and monarchs within them to determine how beliefs about Machiavelli’s political ideology influenced Shakespeare’s literature and became symbols for leadership and power. This project will be important for gaining historical context on Machiavellian political discourse and how it was represented in the contemporary dramatic literature of William Shakespeare. I …

Stomach And Womb: Early Modern Recipes For The Perinatal Woman, Grace E. Beacham

English Theses - Archive

Stomach and Womb examines the recipes from early modern obstetrical treatises and midwifery manuals, revealing an ontology of parturiency that winds through the concurrent Shakespearean plays, Twelfth Night and The Winter’s Tale. Gynecological and obstetrical texts from the era detail how pregnant women were to order themselves after conception with utmost concern for their diet, governing the outputs of their bodies by managing the inputs, the foods they ingested before, during, and after pregnancy and childbirth. Further, the associated images of the stomach and the womb during this time present an essential link between foodways and a construct of …

What Could A Trans Book History Look Like? Toward Trans Codicology, J D. Sargan

Criticism

This article draws on critical trans studies and queer archival practice to propose a book historical mode that extends what we know about the premodern trans experience beyond the recovery of individual biographies. Instead of turning to textual sources for the identification of transness, the author looks to Susan Stryker’s call for the “recuperat[ion of] embodied knowing as a formally legitimated basis of knowledge production.” Bibliography, he suggests, makes claims of objectivity that engender a particular reluctance to respond to such calls. But the lived reality of archival research is one of affective embodiment. Affect theory is an area that, …

George Colvile's Translation Of The Consolation Of Philosophy, Ian Cornelius

English: Faculty Publications and Other Works

The Consolatio philosophiae of the Roman statesman and philosopher Boethius (fifth/sixth century) was read and studied intensely in medieval western Europe and repeatedly translated into vernacular languages. Medieval commentaries on this text and translations of it claim attention today as case studies in a history of reading, for they exemplify the practices of medieval literary scholasticism. In an English context, the final flowering of this reading tradition may be placed in the year 1556, when John Cawoode printed a new translation of the Consolatio by a ‘George Coluile, alias Coldewel’. The translator remains unidentified. The translation is a medieval throwback …

Wench, Witch, Wife, Widow: The Power Of Address Terms In The Witch Of Edmonton, Laura Kolb

Publications and Research

This chapter explores address terms and their power to shape social reality, especially for women and the socially precarious. The opening of The Witch of Edmonton—“Come, wench!”—is the first of many moments in which one character classifies another in terms of gender, class, or social position. Tracking characters’ reactions to being named (and thereby “placed”) reveals divergent perspectives on the fit between assigned social identity and self-evaluation.

Contagious Animality: Species, Disease, And Metaphor In Early Modern Literature And Culture, Jeremy Cornelius

LSU Doctoral Dissertations

In my dissertation, Contagious Animality: Species, Disease, and Metaphor in Early Modern Literature and Culture, I close read examples of Renaissance drama alongside their contemporary cultural texts to examine anxieties around social differences as constructed and mediated through what I call “contagious animality” in early modern English culture. Animal metaphors circulated anxieties around social differences on the early modern cultural stage in English drama where animality elicits uncertainties about identitarian constructions of difference. In this vein, I close read formal elements and their interactions with early modern culture to argue that animal metaphors transmit modes of speciating difference in …

Slides On Thomas More's Warning To Readers, Travis Curtright

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Slides on Thomas More's Warning to Readers, from A Treatise on the Passion (1534)

Lesson Plan: 16th-Century Books Using Anglo-Saxon Type, Rachel Roberts

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Lesson plan for book history / literature course

Student Handout: Early Modern Readers And Thomas More’S Treatise On The Passion, Travis Curtright

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Lesson Plan and Handout for Thomas More's Warning to Readers, from his Treatise on the Passion

Psalm Reception History Assignment, For Early British Literature Survey Or Studies In Renaissance Literature Courses, Daniel Knapper

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Psalm Reception History Assignment, For Early British Literature Survey or Studies in Renaissance Literature courses

History Of The Book: Arthurian Books And The (Counter-) Reformation, Blaire Zeiders

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Syllabus for book history-oriented senior-level course on representations of King Arthur in the Reformation and Counter-Reformation.

Towards A Revised Taxonomy Of Markings In 16th-Century English Bibles, Jeremy Specland

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

overview of hand-written annotations in early printed English Bibles

Early Modern Chronicle Readers: Authority And Discourse, Shaun Stiemsma

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Report of research findings on early readers of 16th century English chronicles.

200-Level Assignment Series: Book History Methods In An Introductory-Level English Literature Course, Simone Waller

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

No abstract provided.

Takamiya Ms 23, Its Exemplar, And The Editio Princeps Of Piers Plowman, Ian Cornelius, J. Eric Ensley

English: Faculty Publications and Other Works

New Haven, Beinecke Library, MS Takamiya 23 is a mid sixteenth-century copy of the B Version of Piers Plowman, distinguished by pervasive linguistic modernization. The manuscript derives from a source very similar to that used by Robert Crowley for the editio princeps, a textual affiliation that remains unexplained. In their critical edition, George Kane and E. Talbot Donaldson collated Takamiya 23 in full but did not print its unique variant readings and the manuscript has not figured in recent textual scholarship on Piers Plowman. This neglect has led to some conclusions that should be revisited, particularly regarding …

The Bond Of Empathy In Medieval And Early Modern Literature, David Strong

Research in Medieval and Early Modern Culture

This study examines the various means of becoming empathetic and using this knowledge to explain the epistemic import of the characters’ interaction in the works written by Chaucer, Shakespeare, and their contemporaries. By attuning oneself to another’s expressive phenomena, the empathizer acquires an inter- and intrapersonal knowledge that exposes the limitations of hyperbole, custom, or unbridled passion to explain the profundity of their bond. Understanding the substantive meaning of the characters’ discourse and narrative context discloses their motivations and how they view themselves. The aim of this book is to explore the place of empathy in select late medieval and …

Women And Ventriloquism In Early Modern English Drama, Ja Young Jeon

Dissertations, Theses, and Capstone Projects

Bringing together feminist and theater-centered readings, this dissertation examines the status of female vessels that foreign voices inhabit and animate in early modern drama, arguing that the Greek model of ventriloquism represented by the Pythia exerted a powerful influence on the period’s ideas about women’s speech. In feminist work on ventriloquism, despite highlighting theatrical performance’s dependence on citationality, ventriloquism has been largely understood as an analogue for exploring male poets’ authorial power to appropriate women’s voices. In these readings, the term ‘ventriloquist’ is mainly identified with the person who throws his voice into human or nonhuman objects, reminding us of …

"Hail To The King[S], Baby" Arthur Vs Army Of Darkness, Jeff Massey Ph.D., Tabitha Ochtera Mlis, Mba

English: Faculty Publications

Given the current penchant for “medieval misappropriation” among white supremacists, neo-Nazis, and political pundits, medievalists are clearly justified in directing their critical attention toward debunking the overly popular neomedieval misrepresentations portrayed in so much serious modern Arthuriana. Yet, it is worth remembering that comedy also played an essential role in medieval Arthurian storytelling, and that neomedieval comic representations of King Arthur (and his silly English kuh-nigguts) remain worthy of critical attention as well, perhaps especially so during times of modern “darkness.” Two major strains of neomedieval Arthurian comedy remain perennially present in modern media: those following Mark Twain’s time-traveling Connecticut …

Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene

MFA in Illustration & Visual Culture

This critical essay accompanies and describes my thesis project, Medievalia Miscellany, a magazine for middle-grade readers which explores the world of medieval fantasy through art, comics, stories, and activities. Throughout the essay, I use my own term “archaeological upcycling” to discuss and explore a variety of relationships between ideas of parts and a whole. I then use it to characterize the way stories are created out of many different parts and how these parts help a reader to relate to both the world of the story and the world in which they live. I describe the genre of medieval fantasy …

The Consolation Of Exempla: Gower’S Sources Of Hope And “Textual Healing” In The Confessio Amantis, Curtis Runstedler

Accessus

This article examines the role of exempla as the root cause of hope and healing in John Gower's Confessio Amantis. I argue that these exempla provide remedial action in the text. The exempla are sources of metaphorical healing in the text, functioning as what I have termed “textual healing,” that is the medicinal aspects of the text that helps remedy Amans (and the reader, to a certain extent) back to full health. This article also draws upon reading the Confessio Amantis as a consolatio poem, linking it to Boethius' Consolation of Philosophy in particular. I also discuss the role …

British Literature I, Justin Shaw

Syllabus Share

What does it mean to belong? What does it mean to have an identity? This course serves as an entry point to the study of early British literature and its historical contexts. We examine texts written from the 7th to the 17th Centuries that comprise a portion of what we call British literature. This survey engages poetry, prose, and drama that reimagine the complexities of intersectional identity, render the nation as part of a global stage, and challenge conventions of sexuality and gender. It traces early texts written by and about people on the margins of “Britishness” and "Englishness" such …